Reblog if you ship Carol and Daryl

shark vs the universe
almost home

izzy's playlists!
Monterey Bay Aquarium

❣ Chile in a Photography ❣
art blog(derogatory)
🪼

★

PR's Tumblrdome
cherry valley forever
todays bird
Sade Olutola
RMH

Love Begins
Peter Solarz

祝日 / Permanent Vacation
No title available
d e v o n
NASA

roma★

seen from United States

seen from France
seen from Australia
seen from Pakistan

seen from Malaysia

seen from Brunei
seen from Bangladesh

seen from Malaysia

seen from Vietnam

seen from Singapore
seen from Germany
seen from United Kingdom

seen from Argentina

seen from Canada
seen from Nicaragua
seen from Spain

seen from Malaysia
seen from United States

seen from United States
seen from United States
@shinymentalitynerd
Reblog if you ship Carol and Daryl
An analysis of footage from three camera angles show that the vehicle appears to be turning away from a federal officer as he opened fire.
can’t risk it
THIS PIECE OF PICTURE WORKS.
Gotta take all the chances…..
Never risk it
Too close to final’s week
I could use it.
Why not, spread the luck
Could use some of that. Why not? :)
Absolutely need
Oh well. Why not?
I think I’ve finally reached the point where I don’t ship Caryl anymore
and honestly, that’s a relief.
This ship brought me more pain than joy, and I’m okay with letting it go.
But here’s the thing: I’ll never mock or belittle those who still care.
Because I was one of them.
And no, it wasn’t some “delusional” fandom fantasy.
It was years of emotional manipulation, narrative ambiguity, and calculated marketing.
For fifteen years, the Caryl fandom was kept on the hook fed with half-promises, loaded glances, ambiguous writing, and just enough emotional tension to keep the hope alive.
Every time fans started to move on, the show threw in a “moment” to pull them back.
That wasn’t coincidence.
That was a strategy.
And now, watching Norman (and others) claim “Caryl was always just friendship” feels incredibly cynical.
You don’t get to profit from fans’ emotional investment for over a decade
use their attachment to keep engagement high and then suddenly rewrite history when it’s no longer convenient.
If it was just friendship, they could’ve said that clearly years ago.
But they didn’t.
Because keeping that uncertainty alive was profitable.
It kept fans watching.
It kept the hype going.
Now that the series is ending and they don’t need that audience anymore, they discard it.
Or worse they ridicule it.
It’s not the fans who misread things.
It’s the creators who blurred the lines on purpose,
who weaponized emotional storytelling to serve marketing goals.
You don’t play with people’s feelings for fifteen years
and then pretend it was all in their heads.
🩶 Caryl deserved better.
Not necessarily as a couple, but as a story that respected the emotional investment of its audience.
can’t risk it
THIS PIECE OF PICTURE WORKS.
Gotta take all the chances…..
Never risk it
Too close to final’s week
I could use it.
Why not, spread the luck
Could use some of that. Why not? :)
Absolutely need
Oh well. Why not?
Daryl's Character Development
Carol is widely known as TWD's most transformed character for good reason, but Daryl's transformation over the years was pretty incredible too. He started off emotionally stunted, conditioned from a life of physical abuse and neglect to react to everything with anger. But then he gradually learned to trust others and form lifelong relationships with them. He wore his heart on his sleeve, mentored kids, and told the woman who gave him the courage to find himself in the first place that he loved her. He became, in every sense of the word, a man of honor, all on the flagship show.
It's important to talk about the changes in Daryl's maturity. That's what made his story stand out from the rest. However, it does him a huge disservice to first of all, pretend like those changes only began after he was spun off on his own show and second, to re-shade his story as a literal coming of age story. Daryl was a middle-aged man when we first met him, and he's a middle-aged man now. There is absolutely nothing wrong with that. Quite the opposite. But there is something extremely wrong with suggesting that Daryl was a kid or young adult during the early years of the show because it erases the context of his childhood abuse, makes excuses for him having inappropriate interactions with young girls/women, and encourages more ageism when he interacts with women his own age like Carol.
I rooted for Daryl because he took huge strides to overcome a traumatic past instead of staying trapped in the cycle with his dad and his brother. He chose to be different, something I wish the men in my life would've chosen too. I want to root for him again. I want to see the man who said multiple times that he knew where he belonged on my screen again. I want the payoff of seeing him and Carol together romantically because the love and trust they built with each other over the years wasn't something either of them thought they were capable of before, but they earned it anyway, and it's too deep to replicate with anybody else.
I do not want Daryl's story to keep getting rewritten for an audience of one while everybody else keeps getting hurt because of it. An age-regressed hero who thinks he's taking a gap year makes absolutely no sense for a character who was loved for his emotional intelligence, loyalty, and honor. It makes no sense for AMC's bottom line either. So please, bring back the man of honor, so that I can come back to him too.
Capitalism kills.
Republicans deregulating kills.
Anti-prevention reactionary ignorance kills.
the caryl fandom is DYING repost if ur a true caryler
the caryl fandom is DYING repost if ur a true caryler
Please vote for Melissa as the most beautiful American actress in 2025. She placed second behind Angelina Jolie in 2023 and 2024. Let’s make her #1 for 2025! You can vote every hour.
The Most Beautiful American Actresses 2025 – Bestofthelist
🥰 . . . . . . ragdollkittens #cutestkittens #cutekittenvideos #cutestkittenreels #cutestpets #cuteanimals #cutestkitty #cutestkitten #blueb
What are your thoughts on how to support Melissa going forward?
The Book of Carol has been an absolute disaster for Carol and Melissa fans, and season 3 filming is already underway. Melissa wants to play Carol and she wants to work with Norman, so I want to support her. But I actively don't want to support everything else about what this show is doing to her.
It feels like most fans who are left vocalising their views are the ones who still feel positive about the spin-off. I really want to know more about the thoughts of those of us who are more critical of it, because I just don't know what the best thing is to do here.
Mental health wise, it's probably easier to withdraw from the future of TWDU entirely - to not watch season 3 and to not be invested in it anymore. But again, Melissa is still there, and she needs allies, and she needs people who genuinely respect her to see her for her work. It makes me so sad to think how hard she works and nobody is watching - all because her colleagues have pushed us away.
I just want to hear from more people who care about Melissa about how we're responding, and how we can support her.
Hello, dear Anon. I'm sorry this is affecting your mental health. You're right that Melissa deserves our support. I answered this question in the latest podcast episode.
The condensed version of what I said is that your voice matters. It's easy to feel discouraged sometimes, especially when you're speaking up about something important to you. But if you have the capacity to speak up, now is the time.
The teaser + David Zabel's latest comments continue to show us that he has no intention of giving Daryl and Carol a compelling story. Worse, his writing for Daryl and (especially) Carol is downright disrespectful to the characters.
When you're sharing feedback online, remember to be very specific about what changes need to happen for you to stick around. Center your posts around Melissa and Carol. Talk about why her character is important to you. Here are some pointers to keep in mind.
Please remember to take care of yourself too.
For us, it's important that the leadership changes. It's also important that Melissa McBride gets equal billing, an inclusive title, and a showrunner who respects her character and doesn't write her to be a piece in the male protagonist's story or, worse, doesn't make her pick up the pieces of the male protagonist's story.
Carol Peletier broke stereotypes and gender norms. She was the central focus of some of the highest-rated episodes of TWD. She can draw in audiences from different demographics. She's consistently proven to be one of the most resourceful female characters of the flagship show and beyond. And all of this is because Melissa McBride is an intuitive actress with a rare talent and ability to effortlessly tap into the depths of Carol's psyche. She's also a PR person's dream because she's an eloquent and charming speaker. She has a spotless reputation and the ability to garner audience loyalty that builds the audience base for the creative projects she is a part of.
She deserves respect on her own fucking show.
A showrunner who elevates her and writes compelling stories for Daryl and Carol is the only way to ensure the show's ROI and audience retention. We have no interest in investing in S3 otherwise.
— Shalaka
Are they actually trying to make people question their sanity? What's the reason? Why do they put in undeniable hints at romance just to say "actually they're platonic and you're imagining things"?
It's just rly strange because if you're gonna write in romantic hints, the audience is gonna start thinking that's where it's going. They did it with darabelle, we weren't blind. No one saw the chemistry, but we could see the bed sharing and shoulder dabbing, so it was obvious the story was trying to go in that direction. The same is true for carol and daryl when you have fireside haircuts, romantic couple parallels with matching costumes, people calling them an old married couple, longing looks while a couple are dancing in front of them. That's the story being put out? And it's deliberate, no one is stupid.
So why do they do it? How does it help them to deliberately tell a certain story, then gaslight the audience in interviews and give no pay-off? It makes no business sense to me. It's not a will they won't they. It's something.. else.
When somebody repeatedly shows you who they are, believe them. Zabel is not an ally to Caryl, Carol, Melissa or the fans and never will be. Look at how he talked about the future of the show to THR as if Melissa doesn't exist. That right there says it all:
I'm seeing a lot of people asking "well, if he hates romantic Caryl, then why did x, y, and z happen in the spinoff," but it's important to remember that there are multiple voices weighing in. It's probably safe to say that he didn't want anything suggesting a possible romance between Caryl, but somebody else did and when we take it into account that there was a pro Caryl marketing campaign going on up to a certain point, that Melissa's favorite scene got cut, and that the editing was horrendous, I think it's also safe to say that maybe we were meant to get more of the tone we wanted for the characters, but Zabel and the other male EPs blocked it in post production.
The whiplash is a result of a power struggle going on, not one person or a team of people struggling to make up their minds. I think what we see in the S3 teaser suggests that AMC wants to keep Caryl fans on the hook and they heard fans' complaints following Zabel's SFX interview, but I also think they're under the impression that they can keep dangling the carrot without ever properly delivering what we want which, again, is doomed to fail for multiple reasons, but one of them is definitely that Zabel and the other male EPs keep sabotaging that. The system they have going is not sustainable. AMC's only hope for growing their audience is to hire a different showrunner who appeals to Caryl fans and our best hope of making them realize that is to just keep talking about it.
We need to get rid of Zabel if we want #Caryl and we know we do want #Caryl. Let’s join together to make our voices heard. I’ve been told that we #Carylers are the reason that Carol came back to the show. We have power. Together. Let’s go on every social media platform and make it known that we want romantic lovers #Caryl and that we need to get rid of Zabel for that to happen. Start putting #FireDavidZabel on all your posts and comments. If we do it now, there is still time to rework season 3 to be what we want. Let’s go!
I don’t think we should give in to Zabel’s attitude that Carol and Daryl are platonic friends. I think we should start a concerted campaign on all social media platforms to get AMC to replace Zabel. I’m told that the fans’ uproar over Carol being fired at the end of TWD brought Carol back to the spinoff. We were pissed and let it show. We were successful in getting Carol back into the spinoff. We have power. Let’s NOT just give in to Zabel’s vision of how things should be—let’s get AMC to replace him with a different and better showrunner. We need to let AMC know that 1. We want Daryl and Carol to be romantically canon with no ambiguity. 2. No more shipbaiting of Daryl with every woman who gets near him. 3. We want the old Daryl back. The one we know from the flagship series and not this new guy who falls in love with someone after a couple of months and treats Carol as a 3rd wheel after she crossed the ocean during the zombie apocalypse to be with him because she knew something was wrong. 4. We want a new title to the show. No other TWD spinoff has a character’s name as the title and we want a title that doesn’t exclude Carol’s importance to the show and 5. We want Melissa to have equal billing with Norman. We need to let AMC know we are tired of being strung along and that we are not going to watch for the little crumbs they give us. That we want canon Caryl and we will not watch without it. Look, this spinoff is not doing well. The ratings are far below TOWL and you know why TOWL got higher ratings—because they gave the fans the show they wanted to see. Zabel and Nicotera boast that they don’t write the show for the fans—how arrogant and stupid can they be. If AMC doesn’t get a new showrunner, season 3 will be the last season. The Carylers are TWD’s largest and most devoted fan base and they have to know they are going to lose us if they don’t give us what we want. They brought Carol back because the show floundered with just Daryl. That character couldn’t carry the show alone. We need to make our voices heard and let AMC know our demands—that we get Caryl unambiguously loving and romantic and they need to get a new showrunner because Zabel is imposing his personal desires onto the show rather than what the fans want. We need to make our voice heard now while there’s still time to rework season 3. Are you ready? Go on ever platform and let AMC know what we want and expect.
I was just watching Steven Colbert and he was doing a segment on phrases that Gen X uses. One was “Pookie” which is “someone you love”. And Colbert referred to his wife as “Pookie” Take that Michael Cudlitz who went out of his way on Twitter to tell we #Carylers that his family used Pookie to refer to siblings and that we #Carylers were making too much of the fact that Carol used it for Daryl. So it seems that the young folks are trying to tell us that we were right all along.
If you see this on your dashboard, reblog this, NO MATTER WHAT and all your dreams and wishes will come true.
Oh hey! Haven’t seen this in forever! Didn’t reblog it when it came across me before, not gonna skip it this time, I need some good vibes.
I need all the good vibes I can get.
My Thoughts - TBOC title cards
There's a ton of discourse around this already, but I wanted to share my perspective on the matter.
The engagement and buzz generated over the weekend were massive. Purely from a marketing perspective, McReedus + Caryl are a goldmine. They generate buzz effortlessly and hype their audiences to the point of encouraging continued support—continued support guarantees viewership, subscription boost, merchandise sales, and fan art/fiction. If you can hook the fans enough, it can keep the buzz going for much longer.
The surge in engagement was a direct result of Norman and Melissa showing up for Carylers and making us feel seen and valued.
Them. Together. Equally.
As Carylers, we adore Melissa and Norman, and we want them to be happy with the show they’ve crafted together. We see them as equals already, but what about the general media perception?
Equal billing elevates both of them in the media. It amplifies the fact that they're both executive producers and lead actors of their show. It encourages equal coverage, equal treatment in the media and their work environment, and equal standing going forward into the show’s future.
And honestly?
They’ve both earned it. This just looks a lot better and more balanced overall.
I hope AMC has enough time to add both names to one title card, and we see their names together when the show airs on September 29th.
@kryptoniancape and I have more thoughts on the matter, and we plan to delve into them at the top of our next episodic breakdown on the @9lives2mics podcast.