"Trust Issues" by Bruno Cæsar

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"Trust Issues" by Bruno Cæsar
Will-o'-the-Wisp (Bludička), (Detail), (1888), by Lev Lerch (Czech, 1856 – 1892), oil on canvas, 243.5 × 135 cm (95.9 × 53.1 in), National Gallery Prague
Sunrise (also known as Siren by the Sea) (n/d) by Leopold Schmutzler (German, 1864 – 1940), signed ‘L. Schmutzler’ (bottom right), oil on canvas, approximately 96 x 128 cm (roughly 37.8 x 50.4 inches), Private Collection
moments in autumn
Horror Creators File: Shika (ホラークリエイターズファイル 視禍) | Illustrations by sinsin08051
Dude that is too much slop for him
La Femme Chauve-Souris (The Bat-Woman) 1890
— by Albert Joseph Penot
The Chariot of Death (1848)
— by Théophile Schuler
Wounds of the Earth
— by xis.lanyx
To everyone losing their mind over this picture of the Dior artisans making Natalie Portman’s golden globes dress:
This is basically a visual representation of what couture means. Every one of those heavily detailed/embroidered/beaded couture gowns you see during haute couture fashion week is made this way. In order to be considered couture they have to be, but that’s a separate post.
I feel like the work is more visible here because of the effect of the pattern, but pretty much every couture gown is made with this absolutely insane level of work and detail
the mutuals would love that
"We know too well that our freedom is incomplete without the freedom of the Palestinians."
~ Nelson Rolihlahla Mandela.