EXHIBITION TEXTS DOT MELB

[showtextmelb]

Exhibition document for This Might Be It, partly organised by Galerie Tenko for Reena Spaulings at Gallérie Hussenot. 2025.

[showtextmelb]

Exhibition text for Blind Spot, at Princesse, Paris. 2025.

[showtextmelb]

Exhibition text for The Aquamarine Stick, at Profil, Paris. Written by Emma Bombail. 2025.

[showtextmelb]

Exhibition document for 96 Hours of Summer, at Chess Club, Hamburg. 2025.

[showtextmelb]

Text for Ruth Hoflich’s The Problem of Outcomes, at Conners Conners.

[showtextmelb]

Semi unrelated, but perfect example of room sheet Material-fetishism. I actually really like Isadora Vaughan’s work, but there is always something so repulsive about material lists that act like a bit of show-and-tell ad obscuria.

Similar to Daniel Turner’s whole thing, grinding down radiators that used to be housed in Asylums and prisons etc. There’s something futile about making exhibition spaces contact reliquaries.

[showtextmelb]

Text for Hearth, at TCB. December 2024.

[showtextmelb]

Text for Godot Grotto Goroke, by Justin Clemens at Neon Parc. May 2024.

[showtextmelb]

Text for The Bipolarity of Output (AUX), by Victoria Todorov at Discordia. November 2021.

[showtextmelb]

Text for Fertilizer, by Howard Palmer at Conners Conners. November 2020.

[showtextmelb]

Text for Ritual Slaughterer, by Isabella Home-Saunders at Feltspace in March 2023.

[showtextmelb]

Text for Gabriella D’Costa’s Ships in The Night, at Discordia.

[showtextmelb]

Text for Risky Business, by Andrew Liversidge at LON gallery in 2022.

[showtextmelb]

Exhibition document from somewhere in Japan. Unknown date and gallery.

[showtextmelb]

Exhibition document for John Nixon’s Potato Hessian Paintings, at Guzzler.

[showtextmelb]

Text for Sleazy Boarding, by Olivia Corino at Center D’éditions.

[showtextmelb]

Text for Conceptual Art Improved My Embarrassing Life, by Stuart Ringholt at Cache.