Run: alterego.exe || [connection: takagimayu.exe]
Truthfully, even he himself isn’t quite sure why he bothers to hide the marks of his execution — it could be something in his programming, an instinct to ‘clean up’, to make himself more presentable to the still-living users. But that shouldn’t be taking effect when he’s just talking to Mayu — so where does the reason lie?
Is it because they’re marks of failure, maybe? Marks of death? He’s the Super High School Level Survivalist — the fact that he’s dead at all is almost like a brand saying he can’t live up to his talent, after all. So, perhaps it’s a pride thing — if he smooths over the blood and gore with what used to be there instead, then perhaps the event will become a little less real. Ultimately, he concludes it’s more to appease himself than whoever he’s talking to — and is there really any surprise, there?
Mayu seems to have chosen differently, although the cut on her face and her choking underwater air are the only real indicators of her state. When she takes his hand in her own gloveless one, it feels just like it did before, her fingertips warm against his calloused hand, simulated warmth or no.
He concedes to her analysis of his promise with an inclination of his head, but he disagrees — all he had done was give everyone else hell. The true target, the goddamn bear and whoever was behind the bear, had gotten away scot-free, practically rigging the trial so that he could drag him away in chains. And when he had made that promise, he had made it with the intention of coming out alive — as he intended with everything. Knowing that, and knowing he’s here, now, dead — he can’t say he kept it, in good conscience. Not to himself, anyway.
But he doesn’t have the strength to argue, especially when Mayu’s attention is elsewhere, now, focused on some other input; Hayato, it must be. She isn’t displaying much that he can interpret, even as the video-memory reaches the point where he knows Hayato hits the ground, never to fly again. There could be a couple of reasons for that — there’s no reason for her to display emotional reaction to Yukio while busy with something else, that’s not what they’re built for. The other option is that it simply isn’t affecting her that much, and that’s—
…Well. It is what it is, and they are what they are. Nothing they can do can change that, now.
"—Don’t worry about it, I know that. I couldn’t have reached him even if I did try. I just kinda wish I’d tried, seeing as I’m dead anyway.
"…And ‘Yukio’, is fine. Hope you don’t mind if I go ahead and call you ‘Mayu’, too — I’m pretty sure after all that, we’ve more than earned the right. Unless you’d prefer I call you ‘Mayu-chan’?"
A wry grin accompanies that, before he glances away from Mayu, shifting his focus to the screen to his cabin once more. "…Y’know, I’m pretty sure I never even went in half the rooms in this place for more than five seconds. If I’d known this was gonna happen, I would’ve done it while I could. Might’ve given me some more memories to play back, or something — apparantly we’re lacking in them, if whoever’s behind the bear really took them away."
A pause. The picture that fluttered out of the book in the library comes to mind. "…You think we were friends with Ayase-chan, before? Would be a hell of an irony."
"Unless you’d prefer I call you ‘Mayu-chan’?"
The old Mayu would have smiled back. The program attempts it, and finds itself grimacing instead. Mayu-chan... she never liked the nickname that much, and now it just seems perversely childish. Perhaps once they were children - perhaps it wasn't even so long ago - but no more.
But just Mayu doesn't sit right either. Careless and curious, she probes her hard drives to find the reason why. It's so easy to track down it catches her by surprise. The sudden recollection zips through her circuits, so vivid thats she flinches hard - a pair of silvery eyes; a pale hand clasped in hers; her own voice saying "Please call me ‘Mayu’ from now on."
For a moment she's all but dumbstruck. It's a surface memory, one kept close to the fore of her mind: it must have been one of the last things she thought of, before she died. There's that tightness in her chest again, and she feels the water filling her fake lungs acutely.
Still no tears. Blow after blow, and still they don't come.
Luckily, Yukio misses most of this, his attention focused elsewhere. Mayu takes a deep breath, and clears the cache, along with her expression. The memory is gone in a moment.
"Mayu is fine," she concedes.
He clues her in to where his mind has wandered, and Mayu shifts her focus to match, peering through her screen at the cabin she left behind. The program wonders why the girl bothered tidying up as her eyes wander round the dark room. There's the cacti. She feels a peculiar twinge of sadness. Will anybody water them now? How long will they last without care?
"... I tried to make a few more good memories before I went." she mutters. "At that time I didn't even know it was definite - only I had this peculiar feeling that I wasn't going to make it out of here alive." A derisive snort. "Funny that, isn't it?"
Mayu's mouth is a hard, thin line. "You know what pisses me off the most? We don't even get those memories back now that we're dead. It's not fair. Nobody should be able to take something like that away from you. But no - we'll never even have the comfort of knowing what that photograph was about.
She's quiet for a long time, her gaze fixed on the bedside table - the pad of paper that lies there, with several of the front pages ripped off haphazardly. The unopened pack of bird rice.
"Those would be good memories, if we could see them. I know it. That's why we're not allowed. Because we're not allowed any of the privileges of death, Yukio.
"We're not good enough for death."
















