Sweet Seals For You, Always
Monterey Bay Aquarium
Today's Document
ojovivo
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almost home
Misplaced Lens Cap
Claire Keane
Cosimo Galluzzi
todays bird

blake kathryn
he wasn't even looking at me and he found me

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NASA

Discoholic 🪩
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cherry valley forever

titsay

seen from Netherlands
seen from Netherlands
seen from United States

seen from Saudi Arabia

seen from Saudi Arabia
seen from Chile
seen from United States

seen from Singapore
seen from United States

seen from Saudi Arabia

seen from Saudi Arabia

seen from United States
seen from Philippines
seen from United Kingdom

seen from Malaysia

seen from United States

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@silcockcreativ
20th Biennale of Sydney Identity and printed matter by For the People. The Biennale of Sydney is Australia’s largest contemporary art festival, with more than 200 artworks on display by 83 artists from 35 countries with over 600,000 national and international visitors. The identity explores the larger theme and the idea of embassies, to create individual iterations of the larger identity. Each embassy has its own typographic language and lettering forms, colour palette, and stylised delegate entities, developed in direct response to the clustering of ideas within. Read More
Visual style for Kaiser 53 / official pop up club of 53. International Film Festival Karlovy Vary
New identity and printed matter for Chicago’s The Field Museum. Design by Leo Burnett Department of Design.
Tomorrow Typeface - WIP
R2 anniversary @ Berlin
Jessy Nite, 2018 Spinello Projects Miami, Fl
Base / Art Brussels / Art Brussels 35th / Poster / 2017
Gutenberg Bubble
Back in Stock! 27th Brno Biennial Catalogue / Available at draw-down.myshopify.com / 344 pages! Designed by Tomas Celizna, Adam Macháček, and Radim Peško. The catalogue for the 27th Brno Biennial (2016) examines the key phenomena of contemporary graphic design and visual communication. Is it possible to describe new things with old words? This edition responds to the metamorphoses and the state of contemporary graphic design: its multitude, variety, vagueness and apparent superficiality. Its ambition is to elucidate—both on the general and subjective levels—the phenomena which define or influence contemporary visual culture. The Brno Biennial was established in 1963, and is considered the oldest exhibition of graphic design in the world. The catalogue presents texts by Åbäke, David Bennewith, Rachel Berger, Emilia Bergmark, Andrew Blauvelt, Sulki & Min Choi, Jean-Marie Courant, Linda Dostálková, Experimental Jetset, Kurt Finsten, Chris Fitzpatrick, Roland Früh, Paul Gangloff, Tetsuya Goto, Catherine Ince, Emily King, James Langdon, Sheila Levrant de Bretteville, Hélène Meisel & officeabc, Dan Michaelson, Jon Sueda, Marta Sylvestrová, Frantisek Štorm, Linda van Deursen, and the curators and authors of the exhibitions spotlighted during the Biennial. Includes an interview with Czech designer Jiří Hadlač, co-founder of the Brno Biennial; photographic documentation and description of the winning entries in the 2016 graphic design competition; plus book selections and commentaries by a host of international graphic designers. English and Czech, 9.25 × 12 inches #graphicdesign #typography #BrnoBiennialCatalogue #BrnoBiennial
An imaginary surrealist exhibition identity. Idea based off of Margritte’s doors.
http://www.jdsdesign.co.uk/inside-the-warp.html