A cheery yellow lobby card for that great classic, Wings (1927).
The Bowery Presents
No title available
EXPECTATIONS
One Nice Bug Per Day
š

#extradirty
tumblr dot com
h
No title available

blake kathryn
Noah Kahan
occasionally subtle

izzy's playlists!
Monterey Bay Aquarium
Not today Justin

PR's Tumblrdome
No title available
Cosmic Funnies
Show & Tell
Fieri Frames

seen from Israel

seen from United Kingdom
seen from Colombia
seen from United States
seen from United Kingdom

seen from Lithuania
seen from Argentina
seen from United States
seen from United States

seen from Albania
seen from Switzerland

seen from T1

seen from Singapore
seen from Spain
seen from Venezuela
seen from United States

seen from Singapore
seen from Colombia
seen from India

seen from Germany
@silent-ology
A cheery yellow lobby card for that great classic, Wings (1927).
1920ā²s publicity shot of Vilma Banky.
busterkeaton.org/busterbinge
If you havenāt got round to watching āOne Weekā yet as part of our #BusterBinge, hereās a question for ya?
How did they do this scene?
Happy Birthday Rudolph Valentino!
(May 6, 1895 ā August 23, 1926)
Born in Castellaneta, Italy, Rodolfo Pietro Filiberto Raffaello Guglielmi di Valentina d'Antonguella, immigrated to the United States in 1913. He worked as a dancer in New York then eventually relocated to Hollywood, taking up small film roles until he landed his breakout role in The Four Horsemen of the Apocalypse (1921). He became idolized as the āGreat Loverā of the 1920s Hollywood silent movie era.Ā He also helped to define stardom and represented the screenās first āLatin lover.āĀ He starred in several romantic dramas, including The Sheik (1921), Blood and Sand (1922),Ā The Eagle (1925), and one of cinemaās first sequels The Son Of The Sheik (1926). His premature death, at the age of 31, increased his legendary status, especially among his large female following.Ā
Probably my favorite portrait of Pola Negri. Fabulous!
A colorful lobby card from Coney Island (1928), an Ince film starring Lois Wilson. Itās thought to be a lost film.
Clara Bow photographed by George P. Hommel for Dangerous Curves, 1929
Good heavens, what a lot of changes thereās been since the blogathon! Iām sure many of you are either homebound or staying in as much as possible, and are probably already wonderingRā¦
Need a little something to look forward to during this unprecedented time? Why not put together your very own at-home silent film festival? (Or justĀ āfilm festivalā in general, of course. :-D ) And Iām not talking just binge-watching whatever pops up on YouTube. ;-) You never know, this could be the start of your own annual tradition, too!Ā
Aaaaand weāre back! Welcome, my friends, to: I feel like the past year really flew by, didnāt it? And now our āthon is on year 6āI can hardly believe it, folks! A hearty ā¦
Iām happy to announce that the annual Buster Keaton Blogathon on my blog, Silent-ology, is back for a 6th year in a row! Stop by throughout today and tomorrow to enjoy all the great posts. :-)
The Student Prince in Old Heidelberg (1927)
Saw a nice print of this at the Kansas Silent Film Festival recently!
Laura La Plante | 1927
Think back to the last time you were at a movie theater, sitting through all the previews. Weāre all familiar with the style of those previews: montages introduce the main characters, show piā¦
It wouldn't be Soviet Silents Month on my blog without a look at one of the most famous films of all time.
Poster for the Soviet light comedy A Kiss From Mary Pickford (1927). This film was built around brief footage of a Soviet actor clowning with Mary Pickford, taken during Pickfordās 1925 tour of Russia with Douglas Fairbanks.
One of countless dramatic stills from BATTLESHIP POTEMKIN (1925).
Post #1 of Soviet Silents Month is here! I hope you enjoy reading about this fascinating (and rather intense) area of film history! Few things summarize our idea of Soviet silent films better than ā¦
My first post for Soviet Silents Month, running all February long on my Silent-ology blog!Ā
Clarine Seymour and Robert Harron in
True Heart Susie (1919)
Director: D.W. Griffith
It is really sad to know that both Clarine and Robert would be dead by Sept 1920, she after an operation,Ā and he from an accidental gun shot wound. Two great talents, lost.Ā
I couldnāt agree more--and Robert Harron happens to be one of my all-time favorite silent era actors, too.
#WIPWednesday Behind the scenes of āThe Balloonaticā released 97 years ago today!
busterkeaton.org/balloonatic