So yeah this is a thing

I have pretty much no idea what I'm doing. But there'll probably be something relevant to whatever I happen to be interested in at the time. Icon art by @flowerveil on twitter

[theartloca]

A pretty average day for the Sparda family🙂‍↕️

[miraclemaya]

dress up is one of the most important pillars of gameplay that is often ignored by game developers to disasterous results

[clementine-kesh]

imo you get the most out of engaging with media when you strike a balance between treating characters as people (reading interiority into their actions, considering the effect of various aspects of their identity, etc etc) and as vehicles for storytelling (what narrative purpose do they serve, how do their actions and personality function to convey the themes of the work, etc etc). because of course characters are literary devices but also there’s a reason we use literary devices written to embody realistic people in order to tell stories

[sir-adamus]

thinking about Robyn and her role in volumes 7-8

because Robyn is really woven in narratively in opposition to Jacques running for the council seat before she shows up

and i think that juxtaposition is important in how they both serve as counters to Ironwood

because Jacques, as i've made posts on in the past, is there to be so obnoxiously selfish and vile that you don't want to agree with him even when he's right about Ironwood - his criticisms are easy to dismiss because they're coming from a place of selfishness and deceit, and he makes Ironwood look better by comparison. Jacques is there to obscure

Robyn by contrast, throws Ironwood's actions into sharp relief - Robyn, on a narrative level, is there to represent the common people, and Robyn is sincere in her goals and ideals. Robyn is there to remind the audience (and the protagonists) that there are lives on the line and that those lives have value - they can't just be sacrificed for some clandestine scheme to 'save the world' (as if they're not a part of the world to be saved). Ironwood doesn't care about the human cost of his ambitions - he dismisses the suffering of Mantle (suffering he is causing by rerouting the supplies the city needs to his Amity project) as the complaining of "a few city blocks", and he never backs down from that viewpoint (despite it screwing him over as Mantle running the old security system allows Watts to just walk right back in because Ironwood doesn't think Mantle is worth keeping up to date); much like every other time he's criticised, he gets pissy and just shuts down until the topic is changed. Ironwood believes he's the most important person in the world and the only one suffering, because he has it in head that he's Salem's greatest enemy, that she's out to get him personally, and because he is the Hero, only his plan is viable. only his plan is allowed to work. and if people suffer and die? if an entire city gets abandoned so he can heroically run the fuck away from the mean scary witch? well, 'we' all have to make sacrifices for the Greater Good, don't we? the most telling aspect of this is his ultimatum to Penny where he talks about how everything he's done has been for the good of Atlas and never once mentions the people, while we see the people he's threatening to annihilate huddle in dangerous underground tunnels scared for their lives

it also plays into the big themes of Trust throughout the volumes - Ironwood says he values trust but he only values obedience; he doesn't want peers in the room giving him feedback, he wants subordinates who do what he says without question. and he lies to his fellow Council members about what he's doing, is constantly making decisions behind their backs and taking actions he should be getting their approval on and citing obscure loopholes to get away with it (and getting pissy when he's called out on it). and he would clearly rather there not be anyone new elected to the Council so he can maintain his majority, but he seems to especially take exception to Robyn being on the Council

because his other option is Jacques, who he's familiar with. who he's threatened before. who he clearly thinks he can bully into compliance if it comes to it. who is a non-combatant Ironwood clearly doesn't take seriously

and then you have Robyn. Robyn who doesn't take his shit lying down. Robyn with her lie detector Semblance - that communicates immediately that truth is a very important aspect of her character; she basically has a way of immediately proving if you're trustworthy - he didn't want Robyn on the Council because she would challenge him on his crap and force his lies into the open.

and then when Robyn loses the election and goes, in Clover's words "full on vigilante" (read: stealing back the supplies Ironwood is stealing from Mantle) in response to Ironwood doing. essentially nothing following the deaths of citizens but say "nuh uh the footage was doctored and it wasn't Penny" and doing nothing to actually address what happened (except enforce stricter curfews and point more guns at civilians with more soldiers in the streets), he doesn't put a warrant out for her arrest, he tries to have her black-bagged off the street and silenced. the man cannot stand a challenge to his authority and doesn't want Robyn on the board at all

hell, beginning of volume 8, Robyn is in a jail cell despite her not being on the arrest list Ironwood put out to round up RWBYJNROQ, and not involved in Clover's death because she was knocked unconscious in the crash. Robyn was arrested because she was there, and Ironwood doesn't like her.

Robyn's priority is always on the people; what will help them, what will protect them. it's something she has to call Qrow out on when he gets too fixated on avenging Ironwood's stupid attack dog instead of doing anything constructive. Ironwood's lofty (unrealistic, outright already impossible after Salem parks the whale on Atlas) goals don't factor in the people at all; they are an obstacle at best that he's all too happy to ignore in order to be the man who saves the world, and it costs him everything and helps nobody

[sir-adamus]

hell it even comes down in visual design

Ironwood is all vivid, high-saturation military uniform, whites and blues. he's a pale-skinned man from an affluent city and benefits from the most top tier medical treatment he can get with a brand new prosthesis in hours

Robyn is in muted browns and greens, she's a darker skinned woman representing a struggling, destitute city that has been abandoned by the state and is struggling for basic resources

Ironwood uses powerful, Dust based guns, and upgrades to a laser cannon based off Penny's tech. and he's not shown to be all that impressive in actual combat (the only showings he has prior to volume 7 are taking a minute to deal with a single Alpha Beowolf and gunning down his own crappy robots. the only major actual fights he has are against Watts, who is Salem's tech guy, a group of teenagers, and Winter Schnee who's spent the entirety of volume 8 walking around with a broken skeleton), and he always fights alone

Robyn, by contrast, uses far more primitive gear - a crossbow that doubles as a shield - she doesn't make much use of Dust (a resource mined by the people of Mantle for the betterment of Atlas) beyond a few explosive rounds, and is a genuinely skilled huntress who makes good use of the little resources she has and has no trouble cooperating with others to achieve a shared goal

[sir-adamus]

thinking about Robyn and her role in volumes 7-8

because Robyn is really woven in narratively in opposition to Jacques running for the council seat before she shows up

and i think that juxtaposition is important in how they both serve as counters to Ironwood

because Jacques, as i've made posts on in the past, is there to be so obnoxiously selfish and vile that you don't want to agree with him even when he's right about Ironwood - his criticisms are easy to dismiss because they're coming from a place of selfishness and deceit, and he makes Ironwood look better by comparison. Jacques is there to obscure

Robyn by contrast, throws Ironwood's actions into sharp relief - Robyn, on a narrative level, is there to represent the common people, and Robyn is sincere in her goals and ideals. Robyn is there to remind the audience (and the protagonists) that there are lives on the line and that those lives have value - they can't just be sacrificed for some clandestine scheme to 'save the world' (as if they're not a part of the world to be saved). Ironwood doesn't care about the human cost of his ambitions - he dismisses the suffering of Mantle (suffering he is causing by rerouting the supplies the city needs to his Amity project) as the complaining of "a few city blocks", and he never backs down from that viewpoint (despite it screwing him over as Mantle running the old security system allows Watts to just walk right back in because Ironwood doesn't think Mantle is worth keeping up to date); much like every other time he's criticised, he gets pissy and just shuts down until the topic is changed. Ironwood believes he's the most important person in the world and the only one suffering, because he has it in head that he's Salem's greatest enemy, that she's out to get him personally, and because he is the Hero, only his plan is viable. only his plan is allowed to work. and if people suffer and die? if an entire city gets abandoned so he can heroically run the fuck away from the mean scary witch? well, 'we' all have to make sacrifices for the Greater Good, don't we? the most telling aspect of this is his ultimatum to Penny where he talks about how everything he's done has been for the good of Atlas and never once mentions the people, while we see the people he's threatening to annihilate huddle in dangerous underground tunnels scared for their lives

it also plays into the big themes of Trust throughout the volumes - Ironwood says he values trust but he only values obedience; he doesn't want peers in the room giving him feedback, he wants subordinates who do what he says without question. and he lies to his fellow Council members about what he's doing, is constantly making decisions behind their backs and taking actions he should be getting their approval on and citing obscure loopholes to get away with it (and getting pissy when he's called out on it). and he would clearly rather there not be anyone new elected to the Council so he can maintain his majority, but he seems to especially take exception to Robyn being on the Council

because his other option is Jacques, who he's familiar with. who he's threatened before. who he clearly thinks he can bully into compliance if it comes to it. who is a non-combatant Ironwood clearly doesn't take seriously

and then you have Robyn. Robyn who doesn't take his shit lying down. Robyn with her lie detector Semblance - that communicates immediately that truth is a very important aspect of her character; she basically has a way of immediately proving if you're trustworthy - he didn't want Robyn on the Council because she would challenge him on his crap and force his lies into the open.

and then when Robyn loses the election and goes, in Clover's words "full on vigilante" (read: stealing back the supplies Ironwood is stealing from Mantle) in response to Ironwood doing. essentially nothing following the deaths of citizens but say "nuh uh the footage was doctored and it wasn't Penny" and doing nothing to actually address what happened (except enforce stricter curfews and point more guns at civilians with more soldiers in the streets), he doesn't put a warrant out for her arrest, he tries to have her black-bagged off the street and silenced. the man cannot stand a challenge to his authority and doesn't want Robyn on the board at all

hell, beginning of volume 8, Robyn is in a jail cell despite her not being on the arrest list Ironwood put out to round up RWBYJNROQ, and not involved in Clover's death because she was knocked unconscious in the crash. Robyn was arrested because she was there, and Ironwood doesn't like her.

Robyn's priority is always on the people; what will help them, what will protect them. it's something she has to call Qrow out on when he gets too fixated on avenging Ironwood's stupid attack dog instead of doing anything constructive. Ironwood's lofty (unrealistic, outright already impossible after Salem parks the whale on Atlas) goals don't factor in the people at all; they are an obstacle at best that he's all too happy to ignore in order to be the man who saves the world, and it costs him everything and helps nobody

[thebluewizardsaregay]

apparently i’m a millennial woman

[alatariel-galadriel]

I mean, yeah, valid! but but but I also want to add on the fact that lotr AGGRESSIVELY rejects the “grimdark” and “gritty” settings that is so prevalent in fantasy (and also in general) right now, because I physically can not shut up about it

It is hope and love and compassion that saves each character individually, and because of that, the world. Frodo fails in the end, but his acts of compassion from earlier in the story save the day. And even as the world is saved, it is acknowledged that Frodo failed—without judgement, without blame. He fails, and he is still loved.

And like what can happen in the real world, he is still irrevocably changed by his trauma. But there is still hope—he has to leave, but he leaves with the promise of healing, and the promise that his ever-faithful Sam will follow.

Aragorn, Boromir, Frodo, Sam; each and every one of the characters are driven by their love of the people around them and their hope for the future. They cling to that love and hope throughout their trials, and that bears them through.

Of course people are watching it for comfort!!!! Lotr is eternally consistent in its promise, which Sam articulates so clearly in The Two Towers: “Even darkness must pass. A new day will come. And when the sun shines, it’ll shine out the clearer.”

Things are dark and awful and terrible, but it will not be that way forever. That is the promise of LOTR. A promise of hope, and the reminder that it is love and compassion—for our friends, for our families, for the strangers we’ve never even met—that will save us in the end.

[great-and-small]

[draquus]

I just want to add, it’s not just that The Lord of the Rings rejects grimdark and gritty fantasy - The Lord of the Rings is the original. Grimdark is what you get when you reject the bright half of the eucatastrophe.

[peacefulsoaring]

links to post: x, x

[sir-adamus]

happy 13th birthday RWBY

[momus-follower]

who would win between adam taurus vs jetstream sam

adam

samuel

Remaining time: 6 days 4 hours

[sir-adamus]

[thememedaddy]

[aropride]

i think when actors need to leave a show for whatever reason but the character is important and doesnt need to be written off / writing them off would make the story worse i think they should just hire a new actor for the character but, and this is the crucial bit, hire a similar-looking actor of a different gender. Yeppp they look different bc they transitioned between seasons. Obviously

[tanuyaki1]

A fun little practice sketch with the girls!

[time-speculo]

they're putting smth in these designs that's making them so fun to draw i tell you

[demilypyro]

noticed for the first time that you can totally see the thunderseal inside Unika's gun in the concept art

now that i'm looking for it it's actually pretty visible in gameplay too but it's usually too fast to really notice. but it's totally there.

unika's whole gun really is just a casing or conduit for the thunderseal

[eraserheadadult]

can i be real with you i'm gonna start biting people

[milkydeath]

There's no going back

[tpwrtrmnky]

"Whether someone understands it or not, these are the consequences of the political views they're espousing" is a pretty important analysis tool for online movements because quite honestly, over half of everyone engaging in politics online have no foundations for the stuff they're saying and are just saying whatever makes them feel like a member of an in-group.

[tpwrtrmnky]

If your in-group is "the left" you're very much not immune to this. In fact, trying to do left-wing politics without even trying to build a foundational political understanding is a great way to end up as a neo-nazi with a tumblr accent rather than an effective left-wing advocate.