Mary Oliver, from "Such Singing in the Wild Branches"
trying on a metaphor
2025 on Tumblr: Trends That Defined the Year
styofa doing anything

blake kathryn
Jules of Nature
No title available
$LAYYYTER

ellievsbear
Monterey Bay Aquarium
occasionally subtle
Cosmic Funnies
art blog(derogatory)

Andulka
let's talk about Bridgerton tea, my ask is open
Peter Solarz
DEAR READER
RMH
sheepfilms
Lint Roller? I Barely Know Her
will byers stan first human second
seen from Türkiye

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@sirenscomecalling
Mary Oliver, from "Such Singing in the Wild Branches"
Ellen Bass, “The Thing Is”, Poetry of Presence: An Anthology of Mindfulness Poems
The Love for October, W.S. Merwin
The skull of Maria Domin, c. 1823. The Charnel House a.k.a. ‘Bone House’ in St. Michael’s Chapel in Halstatt, Austria
source
Andrea Gibson, Lord of the Butterflies
Nikki Giovanni, The Collected Poetry, 1968-1998
Leila Chatti, from "I Went Out to Hear"
Communicating the language of Soul through embodiment.
alla mingalёva
Natalie Díaz, from "American Arithmetic", Postcolonial Love Poem
Czeslaw Milosz, from "Ars Poetica?"
"Don’t court Loneliness", Tathev Simonyan
The Course of Empire is a series of five paintings created by the English-born American painter Thomas Cole between 1833 and 1836, which depicts the growth and fall of an imaginary city. The Course of Empire comprises the following works: The Course of Empire – The Savage State (1); The Arcadian or Pastoral State (2); The Consummation of Empire (3); Destruction (4); and Desolation (5).
No Noise November. everyone shut up
anneorion
John Milton, Paradise Lost, Book 3 [originally published 1667]