Sisigull

I, theoretically, should be straight but I am not. |Euro Musical Stan| she/her, ASPEC

[sisigull]

Introduction!! (I yap a lot)

Hello! Knowing that I have some more people following me or just snooping about, I think it's time to do an official intro ✨

You can simply just call me Sisigull or Sisi, and I use she/her. I am ASPEC but no specific labels. I am a minor so beware!! Hope you enjoy it here!

My Tags

#sisigull-rambles-yet-again : main tag, usually when I have smth to say

#by-sisigull : things created by me —> mostly art

#sisimoots : things by my mutuals

#sisiqueue’d : things I queued

More about me

✨ My main interest right now are my OCs, you WILL see a lot of them

✨ I do art! Mainly ocs and fan arts through painting, silly sketchies, and digitally when I am feeling it. I also occasionally linocut.

✨ I am a fervent theatre kid if that is not obvious :)) I enjoy all sorts of musicals, plays, and other preforming arts media. Not only that, I do theatre 👍. I have a soft spot for euro musicals but I also like mainstream ones and even more, nicher ones (A Man of No Importance my beloved). Some current favs: Amélie the musical (West End), The Wind in the Willows, Cabaret, Elisabeth das musical, RetJ, and much more!!

✨ I also like a lot of literature and fandoms. I like shows and media like Good Omens, PJO, classic lit, BBC Ghosts, Horrible Histories, Anne of Green Gables, Little Women, etc.

✨ I am a history nerd. I enjoy fashion history and just history in general, especially European from 17th cen to early 20th cen.

✨ I don't really play video games but I am weirdly obsessed with the Bioshock trilogy, Baldur’s Gate 3, Vampire: the Masquerade: Bloodlines, Assassin’s Creed, and Stardew Valley.

✨ My fav music artists are Paramore, Laufey, Fall Out Boy, MCR, Darling Violetta, etc 🫶

Boundaries and DNI

Please do not interact with me if you are homophobic, racist, transphobic, sexist, or anything of that sort. Bigotry is not welcome here in this blog. Please do not come here to start a fight just for the sake of it cause I already have enough to deal with irl 💀.

Anyways, have fun!! Not the most active but can't wait to know y'all, esp if you have the same interests as me <3

[feathery-bastard]

my part for an art trade with my GOAT @sisigull!!! thank you for doing this trade with me I had a ton of fun!

[sisigull]

AHHHHH ERNJIN ERNJIN ERNJIN

[atlas-ponders]

ERNJIN MY BELOVED

I MISS U

[sisigull]

They miss you tooooo 😭🫶🥀💔

[feathery-bastard]

my part for an art trade with my GOAT @sisigull!!! thank you for doing this trade with me I had a ton of fun!

[sisigull]

AHHHHH ERNJIN ERNJIN ERNJIN

[sisigull]

An art trade with the glorious @feathery-bastard!!

This is their oc, Yuri Akasaka ( @bloodied-apron )!! Bro was rly fun to draw, thanks for the opportunity my goat Crow

[peperomint-deactivated20160104]

do u ever send smth in a chat thats not even risqué like “i luv salsa” but no one responds so u start overthinking it like…. maybe one of their parents died making salsa…… maybe they were all just talking abt how they hate salsa……. maybe salsa isnt evn real and they have no idea what im talking abt

[sisigull]

An art trade with @altonate-universe !!

Here’s a little doodle of their oc, Carter!

I hope I captured his essence right 😋

[sisigull]

Oh how I dream to be you, Tremere PC from the cult classic game Vampire the Masquerade: Bloodlines

[ashleyslorens]

[altonate-universe]

a little doodle for @sisigull!

[sisigull]

PEAKKKKK TYSM!!

[sisigull]

“God doesn’t need to punish us. He just grants us a long enough life to punish ourselves.”

- The Poisonwood Bible, Barbara Kingsolver

The Price Girls, from top to bottom, left to right:

Leah, Adah, Rachel, Ruth May

This book needs more love, especially on tumblr, so I am stepping up by drawing these awesome portraits of the most poignant and raw characters of all time. My teacher said he’ll use these portraits in the slideshow so I have left a legacy back in my HS lol.

[fictionalgod]

MLP art by @onionpwder

[812eff]

Mirror🪞

[sisigull]

Causally asking, anyone up for an art trade?!!

I’m lowk bored and unemployed and this would be somewhat productive hey! Comment or dm if interested love ya!

My art for your perusal underneath:

tldr: I am a trustworthy person to do an art trade with

[theateronfan]

Broadway Cares presents Broadway Bears (1997-2012):

Belle in BEAUTY AND THE BEAST (1994) / Amalia Balash in SHE LOVES ME (1963) / Javert in LES MISERABLES (1987) / Lola in DAMN YANKEES (1955)

Billy Bigelow in CAROUSEL (1945) / Lancelot in CAMELOT (1960) / Annie Oakley in ANNIE GET YOUR GUN (1999 Revival) / Percy in THE SCARLET PIMPERNEL (1997)

Anna Leonowens in THE KING AND I (1951) / Old Deuteronomy in CATS (1982) / Norma Desmond in SUNSET BOULEVARD (1994) / Mimi Marquez in RENT (1996)

Fanny Brice in FUNNY GIRL (1964) / Kate in KISS ME, KATE (1948) / Sally Bowles in CABARET (1998 revival) / The Witch in INTO THE WOODS (1987)

Tom Collins in RENT (1996) / Rosie in BYE BYE BIRDIE (1960) / Sally in YOU'RE A GOOD MAN CHARLIE BROWN (1999 Revival) / Che in EVITA (1979)

Mrs. Dolly Gallagher Levi in HELLO, DOLLY! (1995) / Danny Zuko in GREASE (1972) / Rum-Tum-Tugger in CATS (1982) / The Phantom of The Opera in PHANTOM OF THE OPERA (1988)

Dorothy Brock in 42ND STREET (2001 Revival) / Miss Hannigan in ANNIE (1977) / Emcee in CABARET (1998 Revival) / Bombalurina in CATS (1982)

Loveland Showgirl in FOLLIES (1971) / Policeman in THE FULL MONTY (2000) / Donna Sheridan in MAMMA MIA (2000) / Marion Paroo in THE MUSIC MAN (2000 Revival)

Fosca in PASSION (1994) / Evelyn Nesbit in RAGTIME (1998) / Dinah in STARLIGHT EXPRESS (1987) / Sweeney in SWEENEY TODD (1979)

Roger DeBris in THE PRODUCERS (2001) / Lorelle Robinson in DREAMGIRLS (1981) / Sarah Brown in GUYS AND DOLLS (1950) / Edna Turnblad in HAIRSPRAY (2002)

Little Sally in URINETOWN (2001) / Eponine in LES MISÉRABLES (1987) / Scar in THE LION KING (1997) / Puppeteer Stephanie D'Abruzzo with Kate Monster in AVENUE Q (2003)

Seymour Krelbourn in LITTLE SHOP OF HORRORS (2003) / Dot in SUNDAY IN THE PARK WITH GEORGE (1984) / The Lion in THE WIZ (1975) / Millie Dillmount in THOROUGHLY MODERN MILLIE (2002)

Elphaba in WICKED (2004) / Reno Sweeney in ANYTHING GOES (1987) / Lutiebell in PURLIE (1970) / Rose in GYPSY (2003)

Amneris in AIDA (2000) / Margaret Johnson in THE LIGHT IN THE PIAZZA (2005) / William Barfee in THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE (2005) / Frankie Valli in JERSEY BOYS (2006)

Celie in THE COLOR PURPLE (2005) / Elle Woods in LEGALLY BLONDE (2007) / Louise in GYPSY (2008 Revival) / The Drowsy Chaperone in THE DROWSY CHAPERONE (2006)

St. Jimmy in AMERICAN IDIOT (2010) / A Scottsboro Boy (Finale) in THE SCOTTSBORO BOYS (2010) / Jerry Lee Lewis in MILLION DOLLAR QUARTET (2010) / Albin in LA CAGE AUX FOLLES (2010 Revival)

Elder Cunningham & Elder Price in THE BOOK OF MORMON (2011) / Billy Elliot's in BILLY ELLIOT (2008)

[sisigull]

APs are out, never again IM FREE!

[awihog]

elisabeth double casting but no death okay.

in act one, elisabeth is played by the younger actress, and death by the elder. here, death acts as a symbol of freedom via being old and maturing, getting to make your own decisions. later in the act, death is the idea that elisabeth, should she only get older, will one day be able to make her own decisions, will one day get out of the court and be her own person. death says to her, I am what you could be. I am what you will be.

and it is the elder actress who sings ignm reprise, taking elisabeth's place as the character decides that she will become this person, will grow up and mature and be free that way. that that's how she's gonna gain control. but death now takes the form of the younger elisabeth, now beginning to taunt her. in a way, Elisabeth has, by becoming this person that death had shown her, given into them.

through act two, the elder elisabeth is now taunted by death in the very opposite way; death, now appearing young and free, says to her, I am what you could have been. I am what you never knew you had and will never have again. I am everything you should have taken advantage of. and elisabeth chases this figure, now, as she did before, desperate to regain something, anything, of her youth, her beauty, and her capability.

der schleier fällt is, then, not a meeting between death and elisabeth, but between elisabeth and herself, or between two facets of the same woman who have never been able to integrate, now face to face for the first time. and of course, the only way they can truly be one person is to die.

[sumbier0]

I miss my ocs,,,I MISS MY OCS,,, <-can draw them at any time