fate is a fickle thing ; a nuisance that the shape doesn’t care nor actively believe in . yet life in haddonfield proves to become more interesting with each passing year , each passing second . how was the shape to figure that gouging out another’s eyes all those years ago would bring them full circle once again . oh , fate is a fickle thing , the shape knows that now . knew ever since his eyes fell upon the elam boy , the ilk of another but he’s still too close in that bloodline for comfort , with his obnoxious presence hovering around his niece’s . almost akin to a puppy , following at the heels of another until it grows up , and learns how to bite —
toleration is the only word he’d use when explaining the boy’s continued breathing ; the shape is many things , but merciful has never been any of them . try as hard as she might , allyson’s insistence on the boy’s survival wore his patience thin , but he relented — once . the shape is not merciful .. until he was for a brief moment . ( isn’t it unnatural how she’s able to control the shape – like a puppeteer . it reminds him of days long past . cults and promises , and an unhealthy obsession with the supernatural . ) her bird bones would break eventually , the shape remarked , and it would prove fatal due to her stubbornness . bird boned with a bad taste in company , whether he’s speaking of himself or the elam boy , well — her blind trust in people will be her downfall . this he knew , this he saw as the elam boy presumed to do his niece harm . where the girl goes , the shape follows , and follow he did . a shadow that watched the procession of men ; those assuredly out to get him , revenge can be a dirty business . this is why the shape doesn’t tolerate nor act as if he has some type of empathetic bone in his body . all the shape knows is the end , and allyson’s attempt to curb it due to some sense of duty because she’s of his blood — look where it’s gotten her .
so he followed and he watched , knife poised in a white knuckled grip . bird bones , bird bones , bird bones . how they’ll break eventually . revenge is a dangerous proposition that can be successful , yet how foolish of them to think that they’d get far with him . michael myers , the boogeyman of haddonfield – to seek death so readily … if he had any emotions he would pity them . pity the fact that they’re so easy to gut .
blood slick on his fingers , the shape takes cover once more in the shadows . where they heard his entrance and the squeals and screams of carnage , the shape cocks his head at the stumble of feet , of a voice that makes his shoulders stiffen . duke never was cautious . the next moments are a blur : a bird boned girl relieved , the splatter of his own blood soon comforted by the presence of the floor against his back . the shape feels no pain and has no end . there’s a gentle touch , a gasp and the knife that lie dormant near him finds its way into flesh once more . the shape would know the sound of death anywhere . it is the clattering of steel , the pressure of a body next to his that jostles him out of his stupor ; bloodied fingers finding themselves atop a brown head , brushing through once before dropping his hand to his side . her gaze catches the glint of light behind his mask ; she cannot see him , but his look is almost chastising . allyson knows better than to think him gone so easily . she remains a child with her teary hiccups , with the way she clings to a murderer’s side . he exhales , raises to see duke’s body sporting oozing knife wounds . his gaze travels back to his niece , cocking his head as if to say you killed him , are you satisfied ?
with a fluidity that belies his countenance , the shape takes to his feet … gazes down at his niece – stretches out a hand to bring her to her feet . bloodied knife finds its home in his hand once more , and the other found pressed against her cheek . it’s obvious she hates the stench and feel of blood . his look is piercing – you’re just like me .
the shape moves , brings bloodied hands to the walls . a childishly written ’ cameron ’ in bloody strokes finding its place amongst the myers’ walls . there is no saving the boy now , for fate is a fickle thing . and so , the shape hunts .
𝐈𝐍 𝐓𝐇𝐄𝐈𝐑 𝐋𝐀𝐒𝐓 𝐌𝐎𝐌𝐄𝐍𝐓𝐒, 𝐏𝐄𝐎𝐏𝐋𝐄 𝐒𝐇𝐎𝐖 𝐘𝐎𝐔 𝐖𝐇𝐎 𝐓𝐇𝐄𝐘 𝐑𝐄𝐀𝐋𝐋𝐘 𝐀𝐑𝐄. allyson had always thought that was something she’d heard in a movie, that it couldn’t possibly be real, but it’s proven true so far. it’s proven true for sartain, begging desperately for michael to say something before ultimately meeting his fate ------ it’s proven true for duke elam, who was too distracted by his desire to see the boogeyman responsible for his disfigurement wiped out to notice the REAL THREAT literally under his nose. and it’s true for cameron elam, who finds his name written in blood on the wall and simply stands there, staring with wide eyes frozen in the threshold at the sight of them. allyson can only imagine what she looks like ------ covered head to toe in blood that is and isn’t her own, with only the whites of her eyes and whatever inches of her bright blue work scrubs aren’t covered in blood ---- and she knows michael’s terrifying. even with the way she leans into the palm over her cheek, she trembles in fear of him, in fear of what she’s done ------ in fear of what he plans to do, especially when he pulls away from her. her gaze flicks quickly to the curly haired boy in the threshold and she knows there’s no stopping the shape, not with all of the blood and carnage around them that only serves to make her sick ------ so she backs up against the wall and crowds herself against it, closing her eyes and covering her ears.
even then, his screams are something not from this world. she’s never heard a noise like it before, and she feels her body wracking with sobs as her nails claw at her scalp. she leans against the window pane to make sure she doesn’t fall and hurt her fucked up knee anymore, or her torn rotator’s cuff. he screams, and screams, and screams ------ over the sound of flesh tearing, over the sound of blood and intestines, until he’s gurgling with nothing left in him. she only opens her eyes when she hears his body fall to the floor.
it takes a few blinks, to get the sting of tears out of her eyes enough to see from the dismal yellow streetlights that bask the living room, and she covers her mouth when she sees cameron ------ so mutilated that she doesn’t recognize him. she inhales sharply, smelling only blood and metal, which only serves to make her even more sick with that white hot pain from where she’d been hit ------ and chances a step toward the shape. he is a shape in this light, somethng more than human, something out of this world that makes her tremble and wrack with sobs. still, that same pull that’s gravitated her toward him since they were trapped in the back of that police cruiser a year ago ------ it’s still there, stronger than ever, and she steps toward him with shaky knees like a doe. sniffling, tasting blood in the back of her throat with her post-nasal drip ------ she reaches for one of his hands and ignores the blood there.
looking between her battered ex-boyfriend and michael, allyson is quick to make her choice.
“ michael. ” allyson breathes, entwining big coarse fingers with lithe digits, pulling him gently. nothing behind it. god, she’s going to faint, thinking of the sounds, of knives entering flesh, of screams. in that way, they’re both the same, and that fact will follow her to sleep tonight and beyond that. she’d never thought she would beg him to stay, to come with her, but she doesn’t know what she’s going to do when she steps out of that door so she knows she needs him with her more than ever before because how else is she going to do this ? how else is she going to get through this, besides with the only person who understands.
I KILLED HIM. I KILLED HIM. I KILLED HIM.
“ we have to ------ we have to go. the ---- the police are coming. we have to go. please. ”