Art studies from HHN, based on both the Hollywood and Orlando performers. I should point out I did NOT see him flip off anyone in the parks, but I just think it was something he felt in his heart lol
Summary : In the sweltering summer of 1955, a quiet, disfigured boy endures cruelty in a town that won’t look him in the eye—until one classmate begins to see him differently.
Setting: Fuller, Texas – Summer 1955
Characters: Thomas Hewitt (teen), fem!reader (classmate)
⚠️ Content Warnings: Bullying, emotional abuse, ableism, mentions of disfigurement/insecurity, emotional neglect, social ostracization, implied parental abuse (reader's background), and psychological distress.
E's Notes : my first time writing for Thomas as I just rewatched the movies and just wanted to give him a hug , ignore typos , English is not my first language
The summer heat pressed down like a punishment. Fuller, Texas, sweltered in stillness—nothing moved but the bugs and the dust, and even the breeze felt like it was sighing.
Cicadas screamed from every tree like they were warning you to turn back.
The cracked pavement steamed, the wood of the porches warped, and the sun seemed determined to bake the whole world flat.It was the kind of place where things got stuck—dreams, people, regrets.
Where even time itself seemed too tired to move forward. You were sixteen that summer, and Fuller was already wearing you thin. The days bled together with a sticky sameness, and most folks just did what they’d always done—smoked, prayed, and gossiped.
And they talked. Always about him.
Thomas Hewitt lived on the edge of town, past the slaughterhouse where the air always smelled like rust and regret. People said his mama was strange. Said his family was cursed. Said the boy had been dropped straight from Hell and landed face-first.
Freak. Monster. Mute.
You’d heard it all before, the same cruel names, passed around like cigarettes at a bonfire. You remembered the first time you saw him in school. Seventh grade, gym class. The way the boys circled him like vultures, laughing, nudging each other.
"Bet he don’t bleed like the rest of us."
"Hey, Leatherface! What’s under that hair? Rot?"
He didn’t respond. He never did. But you remembered the way he flinched. It wasn’t like he didn’t hear them—he did.
He just took it. Like a rock to the back of the head. Over and over.
Sometimes they cornered him behind the school.
Sometimes they threw gum in his hair.
Once, someone spat in his lunch.
He didn’t cry. He didn’t yell. He didn’t even run. He just stayed quiet. Eyes low. Shoulders curved in like he was trying to fold himself out of existence. That summer, you started noticing more. You’d see him walking alone past the fields when the light dipped low, carrying rusted metal and wood scraps.
You wondered where he went, what he made with it. Once, you saw him digging something behind the fence behind the slaughterhouse.
Always alone. Always quiet.
There were stories, of course. There always are in towns like Fuller. Stories that he was born wrong. That he didn’t have a tongue. That he’d killed a dog with his bare hands. You didn’t believe that last one. Not after what you saw behind the school one day in late June.
You’d stayed late to pick up a library book. The halls were empty, sun painting long shadows across the tiled floor. As you passed by the back stairwell, you heard it—muffled grunting.
Then a thud.
You peeked around the corner.
Three boys.
Laughing.
Thomas, on his knees.
Blood on his lip.
"C’mon, make a sound, freak. Bark or something. Ain’t you supposed to be part animal?"
Another kick. Your stomach turned. You froze. But then something happened. One of them ripped the bandana he wore around his head—Thomas’s way of keeping his hair low, his face hidden—and exposed the left side of his face.
You caught a glimpse of the scarred skin, the twisted jaw, the deep lines that pulled like rope burns. He scrambled to hide it, hand flying to his cheek, body curling in. They laughed like it was the funniest thing they’d ever seen. You didn’t know what made you do it—maybe the look in his eyes. But you stepped into the hall.
"Coach is coming!"
They scattered like roaches. Thomas didn’t move. You knelt beside him. "You okay?" No answer. He wouldn’t look at you. His eyes stayed on the floor. You reached out slowly. He tensed when your fingers brushed his wrist. "They’re assholes. All of them." He flinched at the word, but not like he was scared. More like he didn’t believe it. He pulled his bandana back over his face, stood up without a word, and walked away. But something changed in your chest that day. Some slow, warm coil of empathy twisted into place.
Because for the first time, you didn’t just know about Thomas Hewitt.
You saw him.
You saw the bruises. The silence. The shame.
And that summer, the hottest on record, felt suddenly different. Like it might be the beginning of something.
Summary : In the sweltering summer of 1955, a quiet, disfigured boy endures cruelty in a town that won’t look him in the eye—until one classmate begins to see him differently.
Setting: Fuller, Texas – Summer 1955
Characters: Thomas Hewitt (teen), fem!reader (classmate)
⚠️ Content Warnings: Bullying, emotional abuse, ableism, mentions of disfigurement/insecurity, emotional neglect, social ostracization, implied parental abuse (reader's background), and psychological distress.
E's Notes : my first time writing for Thomas as I just rewatched the movies and just wanted to give him a hug , ignore typos , English is not my first language
The summer heat pressed down like a punishment. Fuller, Texas, sweltered in stillness—nothing moved but the bugs and the dust, and even the breeze felt like it was sighing.
Cicadas screamed from every tree like they were warning you to turn back.
The cracked pavement steamed, the wood of the porches warped, and the sun seemed determined to bake the whole world flat.It was the kind of place where things got stuck—dreams, people, regrets.
Where even time itself seemed too tired to move forward. You were sixteen that summer, and Fuller was already wearing you thin. The days bled together with a sticky sameness, and most folks just did what they’d always done—smoked, prayed, and gossiped.
And they talked. Always about him.
Thomas Hewitt lived on the edge of town, past the slaughterhouse where the air always smelled like rust and regret. People said his mama was strange. Said his family was cursed. Said the boy had been dropped straight from Hell and landed face-first.
Freak. Monster. Mute.
You’d heard it all before, the same cruel names, passed around like cigarettes at a bonfire. You remembered the first time you saw him in school. Seventh grade, gym class. The way the boys circled him like vultures, laughing, nudging each other.
"Bet he don’t bleed like the rest of us."
"Hey, Leatherface! What’s under that hair? Rot?"
He didn’t respond. He never did. But you remembered the way he flinched. It wasn’t like he didn’t hear them—he did.
He just took it. Like a rock to the back of the head. Over and over.
Sometimes they cornered him behind the school.
Sometimes they threw gum in his hair.
Once, someone spat in his lunch.
He didn’t cry. He didn’t yell. He didn’t even run. He just stayed quiet. Eyes low. Shoulders curved in like he was trying to fold himself out of existence. That summer, you started noticing more. You’d see him walking alone past the fields when the light dipped low, carrying rusted metal and wood scraps.
You wondered where he went, what he made with it. Once, you saw him digging something behind the fence behind the slaughterhouse.
Always alone. Always quiet.
There were stories, of course. There always are in towns like Fuller. Stories that he was born wrong. That he didn’t have a tongue. That he’d killed a dog with his bare hands. You didn’t believe that last one. Not after what you saw behind the school one day in late June.
You’d stayed late to pick up a library book. The halls were empty, sun painting long shadows across the tiled floor. As you passed by the back stairwell, you heard it—muffled grunting.
Then a thud.
You peeked around the corner.
Three boys.
Laughing.
Thomas, on his knees.
Blood on his lip.
"C’mon, make a sound, freak. Bark or something. Ain’t you supposed to be part animal?"
Another kick. Your stomach turned. You froze. But then something happened. One of them ripped the bandana he wore around his head—Thomas’s way of keeping his hair low, his face hidden—and exposed the left side of his face.
You caught a glimpse of the scarred skin, the twisted jaw, the deep lines that pulled like rope burns. He scrambled to hide it, hand flying to his cheek, body curling in. They laughed like it was the funniest thing they’d ever seen. You didn’t know what made you do it—maybe the look in his eyes. But you stepped into the hall.
"Coach is coming!"
They scattered like roaches. Thomas didn’t move. You knelt beside him. "You okay?" No answer. He wouldn’t look at you. His eyes stayed on the floor. You reached out slowly. He tensed when your fingers brushed his wrist. "They’re assholes. All of them." He flinched at the word, but not like he was scared. More like he didn’t believe it. He pulled his bandana back over his face, stood up without a word, and walked away. But something changed in your chest that day. Some slow, warm coil of empathy twisted into place.
Because for the first time, you didn’t just know about Thomas Hewitt.
You saw him.
You saw the bruises. The silence. The shame.
And that summer, the hottest on record, felt suddenly different. Like it might be the beginning of something.
a talking point i often see when defending the consumption of dark content is that it’s a coping mechanism for those with trauma which is very valid and true but i also want to make this abundantly clear: you can like dark content for no reason. you can enjoy fucked up shit in fiction because it’s enjoyable and entertaining. trauma is not required as a ticket for entry. enjoy your dark content bc it’s fun and sexy and don’t let anyone take that away from you
It’s not old, but there’s a good movie called “Reincarnated”. People making a movie about a massacre that occurred in a hotel are haunted by the ghosts of the victims while filming at the hotel. It’s by the guy who made Ju-On.
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