shout out to characters who died for womanpain. u may have died but at least u gave a bitch something interesting to reckon with. ur sacrifice will be appreciated o7 o7 o7
hello vonnie
occasionally subtle
PUT YOUR BEARD IN MY MOUTH
𓃗
Misplaced Lens Cap
TVSTRANGERTHINGS
Sade Olutola
Today's Document

Discoholic 🪩
YOU ARE THE REASON

roma★

Love Begins
Aqua Utopia|海の底で記憶を紡ぐ
Cosimo Galluzzi
Jules of Nature
🩵 avery cochrane 🩵
let's talk about Bridgerton tea, my ask is open
noise dept.

No title available
No title available
seen from Brazil
seen from Türkiye
seen from Portugal

seen from United States
seen from United States
seen from Italy
seen from United States
seen from Türkiye

seen from United States
seen from United States
seen from United Kingdom

seen from Australia

seen from Malaysia

seen from Indonesia
seen from France
seen from Bangladesh

seen from United States
seen from Russia
seen from China
seen from Mali
@smrttrtl
shout out to characters who died for womanpain. u may have died but at least u gave a bitch something interesting to reckon with. ur sacrifice will be appreciated o7 o7 o7
"LEGALLY BLONDE" 2001, dir. Robert Luketic
And speaking of Sophia Tolstoy, her diaries are just so depressing.
“I am to gratify his pleasure and nurse his child, I am a piece of household furniture, I am a woman. I try to suppress all human feelings. When the machine is working properly it heats the milk, knits a blanket, makes little requests and bustles about trying not to think […].“
She wrote this when she was 19, one year into her marriage to Leo and as she was pregnant with the first of his 13 children.
A few years later, when she was 25 or so:
“I am so often alone with my thoughts that the need to write in my diary comes quite naturally … Now I am well again and not pregnant—it terrifies me how often I have been in that condition. He said that for him being young meant “I can achieve anything”. For me […] reason tells me that there is nothing I either want or can do beyond nursing, eating, drinking, sleeping, and loving and caring for my husband and babies, all of which I know is happiness of a kind, but why do I feel so woeful all the time, and weep as I did yesterday? I am writing this now with the pleasantly exciting sense that nobody will ever read it, so I can be quite frank with myself […].“
During her 12th pregnancy she wrote about taking scalding baths and jumping from high pieces of furniture to try and miscarry. And at one point while reading her husband’s diary (which he told her to read) she found the sentence “There is no such thing as love, only the physical need for intercourse and the practical need for a life companion.” In her own diary she wrote “They ebb and flow like waves, these times when I realise how lonely I am and want only to cry…”
A few years before her husband’s death, she published a cycle of prose poems titled “Groans”, under the pseudonym “A Tired Woman”.
the most depressing quote from her diaries:
“I have served a genius for almost forty years. Hundreds of times I have felt my intellectual energy stir within me and all sorts of desires - a longing for education, a love of music and the arts… And time and again I have crushed and smothered these longings… Everyone asks, “But why should a worthless woman like you need an intellectual or artistic life?” To this question I can only reply: “I don’t know, but eternally suppressing it to serve a genius is a great misfortune.”
Love character arcs where two people start in the same shitty place but one of them starts toward redemption and the other spirals further and further downward. Like yessssss the hardship of choosing to become a better person in spite of who you were before and the people who want you to stay like that. yessssssss suffer and spiral and become worse in spite of the better choice you refuse to accept. yesssssssss the inherent tragedy of losing someone you once loved to the person they are now.
Gotta love a pathetic man
liking a ship but disliking the distinct set of stock fanon that they have been assigned is like one of those punishments dante came up with when he wrote the worldbuilding for hell in inferno
if i had a husband id perform surgery on him
u know uve reached peak blorbo understanding when you sound like a hater to the stans and like a stan to the haters
trans flag colour picked from screenshot of arcee with a gun
art of arcee with a gun colour picked from the flag
tf141 now movie stars!
despite everything, it’s still you (derogatory)
wait hey man wait whoah hey
I cackled
Ew dude gross, don't put your faith in me, I don't know where it's been.
i'm not immune to older korrasami
Something I genuinely wish was explored more in the ATLA universe/fandom is how Katara is the last waterbender of the Southern Tribe. Like, I understand why it's not spoken about as much as Aang being the last airbender, because he is simply the only airbender left. But Katara is the last link in her entire tribes history of bending.
Sure, the Northern Tribe might have benders, but they have such a different culture/identity around bending compared to the South. We see in Hama's flashbacks that the Southern Tribe had male and female benders at the helm, fighting equally, learning the same things, sharing the same tactics. They weren't left behind as strictly healers or defenseless women given a man's gift, they were strong.
And the thing that separates Katara and Aang's stories being the last benders of their nations is that Aang remembers what it means to be an Air Nomad. There are obviously blind spots because of how young he was, but Aang knows the customs and the culture and spiritual practices. He was able to pass those down to Tenzin and his grandchildren, he was able to start the process of rebuilding what was lost.
But Katara? She was even younger than Aang was when the Southern waterbenders were eradicated. There are Southern practices that are most definetly just... a fractured part of history because she never got to experience them. There are ways of hunting, of building, of navigating the waters, ways of healing, probably even spiritbending, that are simply lost to time.
And maybe her grandmother can clue her into it, memories from a nonbender living aside benders, but it's not the same. She didn't get to hear it from the waterbenders, she didn't get to learn from a Southern waterbender, she doesn't even know what to rebuild because it was never something she was versed in.
That's why The Puppet Master is such a heartbreaking episode. Because Hama could have been the Southern teacher Katara clearly wanted, she could have shown her more, but ended up passing on her legacy of Bloodbending. And on the inverse, I can't even fully call Hama a villain for wanting Katara to know how to bloodbend, because the ache of thinking you were the only one left for so long, the rage against a Nation known for destroying nations, would've driven anyone insane.
We know that Tenzin felt an intense pressure to keep rebuilding Air Nomad culture, but I'm so convinced that Kya probably felt something similar with Southern waterbending.
haha nooooo fandom don't sand off all the rough edges and pointy bits off of that character those are the parts I scratch my brain with haha