unfold

Shreya/23/Toronto

[smutmouth]

Hi everyone 👋🏽

[ryandonato]

Ryan Donato, Untitled (Orange on white), 2016. Oil, gessso, watercolor on canvas. 36″ x 48″.

[dawnawakened]

Christean Kareem

[smutmouth]

🌃🎆💙

[thunderstruck9]

Konrad Klapheck (German, b. 1935), Zwei Kameraden [Two Comrades], 1966. Oil on canvas, 100 x 80 cm. Museum Kunstpalast, Düsseldorf.

[smutmouth]

It's been so long

[nobrashfestivity]

Yayoi Kusama, Infinity Nets, 1960′s

[blue-voids]

Marlies Plank

Foam

Milk

[blue-voids]

Marie Hudelot

[mercy-misrule]

[antipahtico]

Sea Nymphs ~ Norman Lindsay

[thunderstruck9]

Ernst Nepo (Czech, 1895-1971), Norwegian Langfjord, 1943. Watercolour on paper on board, 57 x 79 cm.

[smutmouth]

Ive been working since 9am and I'm still working and it's been almost 12 hours wow kill me 🔫🔫🔫

[archatlas]

I Left My Heart In Tokyo

In the words of the artist Audun Grimstad:

I’m a Norwegian painter and illustrator living in Brooklyn, New York. My work is primarily focused on traditional media like oil painting and graphite drawings, but I do digital work as well.

Images and text via

[smutmouth]

Alex Goh Chun Seong

[smutmouth]

Andreas Levers

[smutmouth]

Christian Schmidt

[archatlas]

The Unseen: An Atlas of Infrared Plates

In his book The Unseen: An Atlas of Infrared Plates Ed Thompson has set out to explore the boundaries of perception, whether they are things outside our visual spectrum or events that go unnoticed or unreported.

A respected British photographer, his work has focused on various subjects over the years – from covering environmental issues, socio-political movements, subcultures and the consequences of war. In his work he often tries to be as intimate with a group as possible, to empathize with them and try to see what they saw in themselves. But there are limits to our sight; a documentary photographer can only photograph what they can see.

Images and text via