/ Me in the club. Second from far right.
todays bird

Jar Jar Binks Fan Club
Noah Kahan
The Bowery Presents
The Bright Sessions
YOU ARE THE REASON
Phantogram Three
$LAYYYTER
ojovivo
NASA
taylor price

pixel skylines
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Lint Roller? I Barely Know Her

tannertan36

#extradirty

Origami Around
Mike Driver

titsay
hello vonnie

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@snoozycato
/ Me in the club. Second from far right.
/ The Red House. Newton, Auckland. (Circa 1990)
/ “RATHER BOGGY AND SAD”
“Ah! What a great way to start my day, by drinking a cup of delicious hot coffee.”
/ OTR.
/ Totally Sensible Plans for Retirement:
Live in a shack by the ocean.
Have tanned leathery skin and absurd white hair.
Swim every morning.
Wear nothing but silk turbans and body tents.
Read pretentious novels in espresso bars with my sibord.
Really earn the moniker ‘that crazy broad’.
/ MFW.
/ The humbling in learning about the albatross. (In order to write a television script for preschool children. Bleak.)
Photo: Chris Jordan
/ I’ve jumped the shark, guys. I’ve begun to think self help initiatives run by typographers are a good idea. Cool bai.
/ Thank you, Michel.
/ Think these strings might just be what unjustified anxiety sounds like.
//
We were in a Levi's commercial, shot in Berlin. Talent was crowd-sourced and none were paid. The carrot was a free party, music and drinks provided. We all signed release forms on the door. We then slowly realized the 'punch' contained worryingly large amounts of MDMA. We were discouraged from leaving and were filmed for over six hours.
- [redacted] in conversation, March 1 2015.
/ Jeeeeeeeeeeeeeeeesssuss.
/ Lovely.
//
Maybe that was a strange, personal job between me and myself, to show how overreaching I was being as a woman. The only way I could express that was by comparing it to the universe. If you can make nature and technology friends, then you can make everyone friends; you can make everyone intact. That’s what women do a lot—they’re the glue between a lot of things. Not only artists, but whatever job they do: in the office, or homemakers. [...] It’s like the end scene in Mary Poppins, when she’s made everyone friends, and the father realizes that kids are more important than money—and [then] she has to leave. [chokes up] It’s a strange moment. Women are the glue. It’s invisible, what women do. It’s not rewarded as much. - Björk, 'The Invisible Woman: A Conversation with Björk', 21 January 2015.
/ Oof.
[The Joni/Kanye mentions, later on in the above piece, are especially wonderful.]
/ Zip-a-dee-doo-dah.
/ Soon.