Cow girl time!!!!
and then--

titsay
Today's Document
Sade Olutola
Cosimo Galluzzi

Product Placement
$LAYYYTER

祝日 / Permanent Vacation
KIROKAZE

JVL

@theartofmadeline
Aqua Utopia|海の底で記憶を紡ぐ

izzy's playlists!

if i look back, i am lost
Show & Tell
i don't do bad sauce passes
Misplaced Lens Cap
No title available
Three Goblin Art
noise dept.

blake kathryn

seen from Germany

seen from Malaysia
seen from Russia
seen from Norway

seen from United Kingdom

seen from United States

seen from Greece

seen from Switzerland

seen from Canada
seen from United States

seen from United Kingdom
seen from United States

seen from United States
seen from United States

seen from Türkiye

seen from Türkiye

seen from Germany
seen from United States

seen from United States
seen from Germany
@softenedsides
Cow girl time!!!!
and then--
Grande Ventres by Alina Szapocznikow
source
Elf yuri cleansing your timeline of curses
Giant whale mermaid feeds tiny gf
(Part 1)
(feeder) femme x (feedee) butch is my fave ship dynamic
Fantasizing…
Leon’s a softy ♡
(referenced from gainerforever !)
Fat boy illness
Next short piece up, done in 3 hours. Though I think my pen fucked up with the shadows but meh.
Being locked won't stop you from getting fucked 😤
He/they. formerly Pup Feng. Im an enby punk and a puppy.
Laura Aguilar is a Los Angeles-based photographer whose work mines the intersection between feminism, body image, queer politics, and latinx identity. Her earliest works depicted latina lesbians in intimate portraits, calling to mind the frankness of Catherine Opie, while her best known series features self-portraits of Aguilar posed nude in the California desert landscape. These photographs are instantly striking, finding in the artist’s body formal elements that echo the landscape itself, as in its doubling here with the giant rock that eludes the frame. Aguilar also forces our gaze onto a body that does not conform to stereotypical images of latinx or feminine identity—a body type that is not so much othered as invisible, despite its ubiquity. The artist originally began to produce these photos as a means of grappling with her own issues with weight and self-acceptance, but quickly came to see them as something more. They offer a profound, ambivalent vision of woman and nature. We see Aguilar dissolve into the landscape in search of anonymity, at the same time that she reclaims the pride and beauty in her body far removed from the society that rejects it.
Laura Aguilar, Grounded #111, 1992
When Ghost Hands Attack!
I love a good burger! What's your favourite?