Trip, Tom bridge
Kaleidoscopic collisions of cryptic colours crashing through our senses, who makes sense of such senseless systemless shit...
PUT YOUR BEARD IN MY MOUTH

祝日 / Permanent Vacation
dirt enthusiast

❣ Chile in a Photography ❣
KIROKAZE
trying on a metaphor
h
Cosmic Funnies
TVSTRANGERTHINGS
No title available
YOU ARE THE REASON
Monterey Bay Aquarium
sheepfilms
Mike Driver
RMH
Sweet Seals For You, Always
d e v o n

if i look back, i am lost

blake kathryn
tumblr dot com

seen from United States

seen from India

seen from Türkiye

seen from Singapore
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from Germany

seen from Russia
seen from Finland

seen from United States

seen from Malaysia

seen from United States
@sometime-archive-blog
Trip, Tom bridge
Kaleidoscopic collisions of cryptic colours crashing through our senses, who makes sense of such senseless systemless shit...
Ruins, By Aaron Holtappel
Ruins
Leaning trees, slanted with the flow of long-gone storm winds, slump their backs upon each other, clinging on with tendril-like branches. Light slips through the larger gaps, blinking between fast-moving clouds above woods that hang over pebbled beaches scattered with curved, water worn slate. Early afternoon glow splits itself through triangles formed by fallen trees, as cigarette smoke jumps from one hazy shaft of light to another. Tree-webs shimmer silver, trickling down to the forest floor where they weave their way from branch to branch, avoiding the bulging tumour-shrooms. Sea-birds burst from the frothing shore, grazing the surf with black wing-tips, whilst the Sun tends to yawning waves, flickering them white as they rise, before they darken with the fall. So the surface warps with the shifting light, settling to a calm at the peninsula wall; old, sturdy brickwork, pock-marked tangerine above the rim of the tide’s touch, where seaweed splays itself against the moist surface, cradling driftwood and crumbled stone. Lips purse at a collapsed entranceway, a dirtied wound where roots have upturned rock, leading to a mangled mess of thorns that linger; grazing scalps and biting at shoulders of those who follow faded trails on the eve of spring, in this rose-bush graveyard. The path falters in spine-bending hollows, where figures hunch by leafless trees and the gentle splashing of sea can be heard, post-pubescent boys wipe their brows, sweating like men in the humid, prickly grove, before adventuring further, dancing between the aged branches and bent stems, catching the sunshine as they emerge into open ground, like sea-birds fleeing the wet sand. Mountains hulk behind the forest, birthing the coast’s highest cusp; peaks of white and grey that meet the sky’s edge, risen on green slopes moulded against the dwarfed woodland and seashore. On a cloudy day, they intimidate storms with their size, and lightning flashes in sunken valleys, where thunder can only echo to the summit, mumbling up the mountain-side like a dull snore. Further along the horizon, the hillsides drop to the sea, one by one, like finger-tips fading to a fist in retreat from water’s breath. Upon the peninsula’s head stand roofless ruins; an isolated playground of brick and stone drained of colour, where water wobbles over sand-breaks into rock-pools, sinking through deep cracks that splintered the shattered patchwork walls. Foundation guts spill to the sea over misshapen iron stumps, rusted red and orange, jutting from the brickwork beach, wrapped tightly in black seaweed vines that sag sadly, serving fresh shells to nesting oystercatchers. Remains of windows and doors form frames full of beauty, angled towards Beaumauris and the Great Orme; Beaumauris huddles to the northwest, shrunken in shyness, opposing Snowdonia’s mountainous eastern presence, where ridgeback sky-piercers slouch beneath newly formed dome clouds. And elsewhere, across the vast green haze of water, Great Orme trails away from Llandudno, a lonely mass of cragged cliff-face, accompanied by dazing wind farms that whirl lazily as the sun drools across the waves. The tide soothes the shore, lapping at the ruins like an old lover, growing quietly whilst the world passes by. Such silent places hide just out of sight.
Lights around us, Tom Bridge
Yellow phosphorescent light illuminating the modern life, whining rumbling busy bodies about their hourly tasks living, leaving, moving, lurching, stop start, purposeful without a purpose droning into the night. We all share this desire, a desire to move, to realize, the dark embracing lull of the night. True nocturnals alone in ones reverie, found in the metal shell of industrializations permit. Alone we stand at the end of times, blackened by the fumes, by the past, inebriation inclining a purpose, this is our delight. The signs are everywhere, never ending in the long dark fruitless night…
Capper - Whiskey Bear
I asked some friends of mine if it was okay for me to use a piece of their music for a film I planned to make for the narrative unit. Though the film is still in production (I’ll be sure to elaborate) I thought I would post the clip of the track I want to use on this blog. The track matched the melancholy mood I was trying to create; with the build up towards the end useful for the climax of the film.
Credit to Whiskey Bear
A demo recording of the song "capper" Jackson and Tom recorded a while back. (the song was only mastered up until the distorted part, hence why it was cut short before the drop).
Artwork by Ralph Steadman.
Screenshots from a film that plays on an old TV set in the film I just edited.
Laura Milner, film
A screenshot from a strangling scene in the film i’m editing at the moment. The colours haven’t been messed with yet but I think her hair looks awesome.
Explicit astronaut mumblings crackle through radiowaves emitting from a green glass in blue sleeves, draining personality from the bottle splitting the cork right down the middle. Godless son cuts horizontally to get the job done, let loose from red puppet strings to bounce out to the black of space, shadowing the orange star. Burning in bathwater soiled brown with dirt, bleeding out to bright white lights and thinking about touching passing cars, fat face to yellow headlamps. Slam, smack, suckerpunch, skull skitters to pavement road kill with an angry family, fist to a public bathroom floor green hospital sick tiles, the needle does it’s work. noose on the bedroom door elevator cruise to the roof edging out to look down before wandering off, Crunch.
Colors of the Crunch, Aaron Holtappel (2012)
Demo recording of Joining the Wind, Bruja (2012)
White Rhino - Castle Romeo
Title track to an E.P me and my friends made a couple of years back
I took the music out and it destroyed the pace completely I’ll probably come back to it and re-export soon but for now i’m kind of sick of it! a slow piece of cinépoetry, enjoy x
Cinépoetry by Laura Milner
Hyped for tomorrow, especially when I think I now have a flash gun. Get ready to be mighty pissed off guys.
NEVER MISS A GIG.
Castle Romeo, Photographed By Kirstie Gray
kettle.
God hopes for drunken words, mumbling slurs that roll sweat-stained bedsheets around warm, wet skin. You aren’t even here, nowhere fucking near, and I’m twisted in a bed too big stinking of the sea and dreaming of you. I’m screaming in my sleep, squeezing teeth around my tongue to muffle the possibility of waking up, to nothing, knowing, I have to wait.
- Aaron Holtappel, 2013