Humphrey Bogart and Ingrid Bergman, Casablanca (1943)
$LAYYYTER
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Humphrey Bogart and Ingrid Bergman, Casablanca (1943)
fuck w me
queer and here to wreck ur life ⋆
Apparently how people feel after waking up from naps.
How I feel after waking up from naps.
re blogging for that second gif
1. Always take the initiative. 2. There is nothing wrong with spending a night in jail if it means getting the shot you need. 3. Send out all your dogs and one might return with prey. 4. Never wallow in your troubles; despair must be kept private and brief. 5. Learn to live with your mistakes. 6. Expand your knowledge and understanding of music and literature, old and modern. 7. That roll of unexposed celluloid you have in your hand might be the last in existence, so do something impressive with it. 8. There is never an excuse not to finish a film. 9. Carry bolt cutters everywhere. 10. Thwart institutional cowardice. 11. Ask for forgiveness, not permission. 12. Take your fate into your own hands. 13. Learn to read the inner essence of a landscape. 14. Ignite the fire within and explore unknown territory. 15. Walk straight ahead, never detour. 16. Manoeuvre and mislead, but always deliver. 17. Don’t be fearful of rejection. 18. Develop your own voice. 19. Day one is the point of no return. 20. A badge of honor is to fail a film theory class. 21. Chance is the lifeblood of cinema. 22. Guerrilla tactics are best. 23. Take revenge if need be. 24. Get used to the bear behind you.
The definitive manifesto.
//summer//
Im feeling more open with my body and sexuality so heres this
Stalker (1979) [Re-Upload / Tarkovsky Appreciation]
Director: Andrei Tarkovsky
Director(s) of Photography: Aleksandr Knyazhinsky Georgi Rerberg, & Leonid Kalashnikov (Uncredited)
Aspect Ratio: 1.37:1
Some of the most beautiful images and photography in film can be seen in any number of Soviet/Russian filmmaker Andrei Tarkovsky’s films. Each and every film he creates is meticulously crafted and beautifully realized. His films, although slow in pace, are deserving of their speed, as it gives one the time to fully invest themselves into the world of the film. They bestow a dream-like quality on the viewer quite unlike anything else in film. “Stalker” is beautiful, yet haunting visually, while also the same in terms of it’s story. It depicts a world in which a guide leads two men into an area known only as “The Zone” in order to reveal one’s inner most desires. “Stalker” is one of my personal favorite films, in terms of it’s story and it’s overall aesthetic. Shot in both high contrast sepia monochrome and color, as well as numerous long, uncut shots, Tarkovsky’s Stalker really plays out as a dream - as well as stays with you as one.
As I have said in an earlier post (read HERE), I will be doing posts over the next few weeks on some of Tarkovsky’s films. “Stalker” is my favorite work from him, so it was only right to start with it. Stay tuned for more posts!
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Never quit, Alazne Arratibel
GRAN FURY ALL PEOPLE WITH AIDS ARE INNOCENT , 1989
Manhattan, NYC
via TrollX
”Look at those assholes, ordinary fucking people. I hate ‘em.” Repo Man (1984) dir. Alex Cox
When twitter tells it how it is
my love 🌼