Prominent people in the rap industry showcasing their roots and the source of their sound, back to their African American roots.
DEAR READER
h
Sweet Seals For You, Always
No title available
Sade Olutola

#extradirty
$LAYYYTER
YOU ARE THE REASON

No title available

pixel skylines
KIROKAZE
wallacepolsom

roma★
Jules of Nature
Peter Solarz
Aqua Utopia|海の底で記憶を紡ぐ

No title available
NASA
"I'm Dorothy Gale from Kansas"
we're not kids anymore.
seen from Spain

seen from Malaysia

seen from Türkiye
seen from United States
seen from Iraq
seen from Türkiye

seen from Mexico
seen from Italy

seen from Iraq

seen from United States

seen from United States
seen from Ecuador

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
@sophierockandroll
Prominent people in the rap industry showcasing their roots and the source of their sound, back to their African American roots.
Kool Moe Dee
We can see elements of every rap song that date back to early origins of African American culture. Boasting about oneself is common in their toasts and culture, and we can see that in many rap songs.
When looking at rappers today, we can see the gender gap still prevalent. Cardi B and Offset are about on the same level with experience; Offset’s net worth is twice that of Cardi B’s.
Mc Lyte (1991)
One of the first women pioneers of the rap era, she had flow and no censors which gained her much attention early on. She had mentioned that gender gaps really were prominent in the rap industry, where she was good and nominated for Grammy’s but not paid as much for a performance as her male counterparts.
The Blues Kitchen, Camden.
The intimate stage of small pub brought a lot of bands back to the center with audiences right there. Many bands had went the commercial route, playing huge stadiums, but the bands that went back to their roots and played at intimate spaces where they could see and hear their audiences reactions allowed them to create and tune their sounds to the audience.
Plenty of Work, Not Enough Pay
One of the most troubling unresolved issues in modern economics is the continued lack of wage increases even as unemployment has dropped to under 5%. This is a worldwide phenomenon and appears to be linked to a number of intertangled factors, like the decline of unions and collective bargaining, the rise of freelancing and outsourced work, immigration, and automation.
Peter Cooper and Jonathan Soble wrote a very solid exposition on this seemingly intractable problem, and its costs on society [emphasis mine]:
Peter Cooper, Jonathan Soble | Global Economy’s Stubborn Reality: Plenty of Work, Not Enough Pay
Why wages are not rising faster amounts to a central economic puzzle.
Some economists argue that the world is still grappling with the hangover from the worst downturn since the Great Depression. Once growth gains momentum, employers will be forced to pay more to fill jobs.
But other economists assert that the weak growth in wages is an indicator of a new economic order in which working people are at the mercy of their employers. Unions have lost clout. Companies are relying on temporary and part-time workers while deploying robots and other forms of automation in ways that allow them to produce more without paying extra to human beings. Globalization has intensified competitive pressures, connecting factories in Asia and Latin America to customers in Europe and North America.
“Generally, people have very little leverage to get a good deal from their bosses, individually and collectively,” says Lawrence Mishel, president of the Economic Policy Institute, a labor-oriented research organization in Washington. “People who have a decent job are happy just to hold on to what they have.”
The reasons for the stagnation gripping wages vary from country to country, but the trend is broad.
When labor markets tighten, wages are expected to rise. But in recent years, as unemployment has fallen below 5 percent in the United States, wages have not been increasing as fast as in the past. Economists debate the reasons; workers grapple with the consequences.
In the United States, the jobless rate fell to 4.2 percent in September, less than half the 10 percent seen during the worst of the Great Recession. Still, for the average American worker, wages had risen by only 2.9 percent over the previous year. That was an improvement compared with recent months, but a decade ago, when the unemployment rate was higher, wages were growing at a rate of better than 4 percent a year.
In Britain, the unemployment rate ticked down to 4.3 percent in August, its lowest level since 1975. Yet wages had grown only 2.1 percent in the past year. That was below the rate of inflation, meaning workers’ costs were rising faster than their pay.
In Japan, weak wage growth is both a symptom of an economy dogged by worries, and a force that could keep the future lean, depriving workers of spending power.
In Norway, as in Germany, modest pay raises are a result of coordination between labor unions and employers to keep costs low to bolster industry. That has put pressure on Italy, Spain and other European nations to keep wages low so as not to lose orders.
But the trend also reflects an influx of dubious companies staffed by immigrants who receive wages well below prevailing rates, undermining union power.
This is one of the defining problems of our economic system, and finding a path through to another sustainable world is critical.
Unemployment and other problems were a cause of pain for many people during the punk era. The sounds and lyrics of the time had people relate to it because they felt the pain too.
Anti everything, the punk rock groups brought an angry sound to the music genre. This era let people express their emotions through song, even if you didn’t have an amazing voice, this sound was more talking/screaming rather than singing.
The Ramones - Joey Ramone
The music by punk rock groups of this time showcase the self made, self produced, rugged groups of this time.
Very cool to see all the bands of this era
Jerry Garcia at Woodstock, 1969
The Grateful Dead performed at Woodstock, and they were a band that wouldn’t practice before hand, bringing a whole new feel to a live performance. Their performance at Woodstock didn’t go as well, with unplanned rain and other problems; they were not ready and their music was putting people to sleep. Their usual psychedelic sound was too drawn out to keep the attention of the crowd.
All About Peace: A girl makes hand signs at the ending of a song, Woodstock, 1969.
Woodstock brought people together and the songs and set lists of it represented the free spirited, peaceful and happy hippie sound the crowd was embodying .
Woodstock brought the idea of local bands being able to come together and bring people together. Woodstock represents a happy, free spirited place that people just cared about the music, and nothing else.
Don’t Let Me Down
On stage they seem to be reminded of why they started singing in the first place; at the studio they are distracted by guests and petty feuds. On the stage they are able to completely delve into the music and focus on that.
January 30, 1969 Apple Corps Rooftop 3 Savile Row, London, England
This was the group’s last performance; as we can see as compared to earlier photos is that they are no longer as jovial, not matching, not collaborating or working with each other on the stage; all individual.
Brian Epstein
It has been said that the beginning of the end for the Beatles was when their manager died. The group didn’t have the direction that he brought, which I think made them lose sight of what was important, and let distractions like feuds get in the way. They lost sight of their sound as a group by not collaborating as closely, and eventually lost the spirit of what made them so great.
The Beatles photographed in the back yard at EMI Studios, Abbey Road on the 1st July, 1963. On this day the boys recorded She Loves You and I’ll Get You.
Pics: Terry O’Neill.
Emergence of the boy band. Although the group didn’t have as crazy as a fan group as some do in the 21st century, i believe that if the Beatles were starting out in the 21st century they would be as big or bigger than they were in the 60′s; just by seeing what a following the group still has today.
The Beatles and George Martin Abbey Road Studios (1967)
By Henry Grossman
George Martin was their producer, and I think that this picture shows the admiration and respect that they gave to him. I think that the group needed someone to manage them to give them a focus and direction in their sound.