Her expression was a perfect blend of suspicious and hopefulness. "Why? Where are we going?"
The look that Draco gave her was dread squared to the power of infinity. "To see my father."
https://m.fanfiction.net/s/5095119/3/
taylor price
$LAYYYTER

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Discoholic 🪩
Jules of Nature
ojovivo

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PUT YOUR BEARD IN MY MOUTH
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AnasAbdin
Game of Thrones Daily

祝日 / Permanent Vacation
he wasn't even looking at me and he found me
wallacepolsom
Not today Justin
"I'm Dorothy Gale from Kansas"

titsay

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@sparkydice
Her expression was a perfect blend of suspicious and hopefulness. "Why? Where are we going?"
The look that Draco gave her was dread squared to the power of infinity. "To see my father."
https://m.fanfiction.net/s/5095119/3/
"I just thought I should warn you that someone –probably my Mother- has gone ahead and sent out the invitations to our wedding. Apparently it's this weekend." Draco said in a cold voice as he handed the invitation to Granger.
She looked from the fancy envelope back to his eyes and then back to the envelope. Draco could sense that her explosion was imminent and was bracing for it when Crabbe finally sprouted a pig's nose. Before any of them had time to react, Goyle grew a pair of donkey ears with a pop.
Hermione stared at the trio of Slytherins and burst out laughing. There was so much stress building up that she was either going to laugh, cry, or go on a rampage blowing up everything that crossed her path. Her hysterical laughter was soon bouncing off the stone walls all around them.
"We broke Granger," Goyle whispered fearfully.
https://m.fanfiction.net/s/6786794/2/
Draco chuckled. "Was there some sort of meeting or a gathering of randy teenage boys where you all got together and voted me your leader?"
https://m.fanfiction.net/s/12493939/5/
some twitter draws that were hella fun
fem!Zuko and male!Azula design. Somehow I don’t feel like Zuko would shave his/her head bald but a rough cut seems to suit her (and as the series goes on she’d prob grow her hair out in a more feminine style)
Avatar Kyoshi
Watercolor, Papercut
8.5″x11″
Commissioned Piece
"Would you care for a little cake, Prince Zuko?"
The young man straightened at that. "How is it we have cake if we're running out of food?"
"Cake is not actually food, Prince Zuko," Iroh said as he opened a lacquered box to reveal a few tiny finger-cakes. "It is important that a ruler remembers this."
https://m.fanfiction.net/s/6390871/4/
Outside, the light was orange and sharply angled. In his focus on his next culinary masterpiece, Sokka hadn't realized the day had come so quickly to an end. Aang had a point – Katara had been gone for hours.
…but then, she'd been in an awfully bad mood when she left to wash the laundry. She'd even commanded him – the man – to do the cooking. Sokka had put it off most of the day, preferring to nap in the chilly sunshine and snack on gathered nuts than to bend to his sister's will, but his past experiences with these sorts of snarled parting demands had taught him one very clear lesson; if Katara said 'cook' and Sokka didn't do it, there would be no hot food.
- https://m.fanfiction.net/s/6390871/3/
Sokka: Aang y'know how you took away Ozai’s firebending?
Aang: I recall yes
Sokka: can I have it
Aang: …what?
Sokka: can I have his firebending. just for like ten minutes
Aang: what no
Sokka: why not I wanna prank zuko
Aang:
Aang:
Aang: okay five minutes
Zuko, bursting in Katara’s door: HOW LONG HAS SOKKA BEEN A FIREBENDER
Katara, who has no context but likes to mess with Zuko: our whole lives why
Zuko: this is so messed up, I thought Sokka was a non-bender this whole time
Katara: you thought the avatar’s brother was a non-bender?
Zuko: … excuse me?
Katara: [airbends away]
Zuko’s one braincell, working overtime: Wait, why didn’t Sokka teach him firebending?
Katara: we wanted you to feel useful
Something flutters and warms in her chest. It's a second too late before she realises she's nuzzling his shoulder with her forehead.
He freezes. She freezes.
"Please tell me I did not just do that," she says a bit desperately.
"Uh …"
"No!" She covers her heated face with her hands and turns away from him. "Why do I still want to act like a cat? I'm a girl! I'm not a cat!"
It doesn't comfort her at all that Zuko bursts out laughing.
https://archiveofourown.org/works/17717408/chapters/42031838#workskin
Working on the full set! She has 43 costume changes over the course of the three movies- what an icon
i'm not sure if our views on tsr totally align (i'm inclined to believe all three of them were kind of showing their asses during that episode) but i 100% agree that discussion of it inevitably spirals into an absolute shitshow. feel like a lot of people deliberately interpret the characters in bad faith in order to further their ships (like belittling the genocide of aang's people and making zuko a total dick) and it leaves a bad taste in my mouth.
I confess, I have a love-hate relationship with TSR. It’s a gorgeous episode. I love the animation, the fight scenes, the mood. It also has a lot of my favourite story-beats, like Zuko finally confronting Katara and digging to the bottom of her anger, understanding Katara’s backstory (and why it’s so hard for her to process it - because of the guilt aspect; Kya died for HER), Katara’s bending, which is a perfect visual of those feelings of anger, and of course the Katara / Zuko reconciliation which felt like a really well built and earned moment of their relationship.
But there are some really “off” moments as well, and I above all, hate what it does with the Zuko - Aang friendship (maybe my favourite relationship in the entire show, next to Zuko and Iroh), which was developed absolutely beautifully until the Firebending Masters, and then it felt like they kind of dropped it, in favour of pushing an implied (never explicitly admitted) love triangle (and I hate hate hate love triangles, they are hardly ever done well).
It’s difficult to have rational discussions about that episode, because - even shipping aside - it is such an emotionally charged one, with a story of unspeakable loss, grief, anger, rage on all sides. And it’s difficult to insert well a discussion of absolute morals into such an emotional maelstrom (you can’t calm people by rationalizing their feelings, first you need to show you understand them). If anything, I said that while I don’t think it makes sense to compare traumas (all these kids suffered and lost so much, albeit in different way), but to me it’s significant that Katara’s loss of her mother parallels very closely Zuko’s loss of Ursa (down to the point of guilt; their mothers were protecting them), and because of that, it was easier for him to tap into Katara’s emotions and it was somehow fitting for them to take that road together. He had her back and listened, and in that moment that was the most important thing he could do for her.
I think in the end they piled too much into this episode; the entire Katara-Zuko baggage, Katara’s own grief and anger, the moral arguments of non-violence (and as far as the actual moral argument is concerned, I actually lean towards Aang - I don’t believe in vigilante justice either, though I also don’t believe it’s black and white). And certainly it doesn’t help that there is this shipping layer which just makes the emotions flare up.
I definitely feel that there was disagreement on the creators’ side what they wanted to bring out in this episode, and it shows on the final product, and that, like you said, for me also leaves a bit of bad taste (we would have deserved the same “pure” roadtrip between Zuko and Katara [that was about them] as the ones he took with Aang and Sokka). And because of this, it’s my least favourite road trip episode even if it contains some of my favourite moments.
I feel the same about this episode. There are things I like and things I really don’t like. I LOVE Zuko and Aang’s friendship, and hurt a little every time I think how the show needlessly forced a love triangle (just ugggggh, this show would have been sooooo much better with no concrete endgame pairings or blatant ship teases).
But anyway, at the end of the day I feel this episode was about Katara. She didn’t need Aang or Zuko to tell her how to behave; she had to work through her grief and rage and guilt in her own way. I feel if she had chosen to kill Yon Rha, she wouldn’t have regretted it. But the fact she doesn’t is also the thing I would expect from her, so I’m happy with how that all played out.
But seriously, people just need to take the ship wars right out of that episode.
When I first watched A:TLA as a child, one character really stood out for me: Zuko. There was just something about him that kept me coming back through to my 20s, (and not just the fact that he's HOT!). I didn't quite get it then, but now I see that it was because he inspired me. I was kind of a troubled kid, and he gave me hope. But I can't quite explain why. Since you're so good with words, I really wanted to see your take on this. What do you think we can all learn from Zuko?
Zuko is a redemption arc done right–perfectly balanced and with loads of nuance that makes it stand the test of time. There are so many things going for his character path that it’s hard to list them, but here are a few reasons for Zuko’s success as an inspiration.
- Zuko’s problems have a recognizable cause that is treated seriously and has long-term repercussions on his behavior.
- Counterweight: Zuko’s wrongdoing is not swept under the rug even though he was abused; he must alter his behavior and not only apologize, but make restitution for his misdeeds.
- Zuko has an anger problem and expresses it in ways typical for a sixteen-year-old boy.
- Counterweight: Zuko also expresses the full range of human emotions such as grief, hope, shame, and love, not just anger and depression. Also, Zuko gets to work through these emotions organically on-screen; if he doesn’t know where they come from, he struggles until we see him understand himself better.
- Zuko repeatedly falls into bad habits even when a better path is shown for him.
- Counterweight: Zuko learns and grows from his mistakes, and the pitfalls he experiences are usually different each time. This makes the audience aware that, even though he feels “stuck” a lot, he actually is moving forward on his path, whether he realizes it or not.
- Zuko has a lot of help during his redemption arc, from his uncle and from his friends.
- Counterweight: Zuko ultimately is the one who saves himself. He comes to the decision to tear himself away from his father and everything Ozai stands for when Zuko is alone and under intense pressure to be the perfect son.
Each aspect of Zuko’s character and his arc has an opposing force in the story that keeps him from descending into villain, emo teen, petulant child, or bad boy. The most important part, though, is that last one: Zuko saves himself. He saves himself even though he has made mistakes. He saves himself because he has made mistakes. He saves himself despite being stubborn. He saves himself because he is stubborn. Zuko’s strengths are his weaknesses, and his weaknesses are his strengths: it all depends on how he chooses to apply them. So many characters who come from dark pasts are tainted, in their own eyes or by the narrative, so that no matter what, they can never truly come back from their experience. That is not Zuko’s story. He can choose a good life, friendship, happiness, and honor, without ignoring or denying the person he once was.
Hi Araeph! Thanks for the always wonderful and spot-on metas, especially those on Katara! I have a question, maybe it's been asked before, but I kind of fail to see why, in the Ember Island Players, they made Zuko sit between Katara and Aang (and Aang objecting). What was the point? Other than to prelude the "he's like a brother to katara" doubts that Aang gets/the weird Z/K romance they put on in the play. I just... don't get it. Your thoughts?
That, sadly, was probably the entire point. Zuko getting in between Katara and Aαng was intended to instill a sense of insecurity in the latter that continued with his actor in “Ember Island Players” (a woman instead of a boy), as well as Katara’s portrayal (acting flirtatious with actor!Jet, seducing actor!Zuko), all of which built up to that damaging confrontation he had with Katara on the balcony.
Like many of Bryke’s attempts at a romance, what was intended as fuel for the “will-they-won’t-they” tension ended up sinking the Kαtααng ship before it even left the harbor. Because you know what would have been better for Kαtααng than showcasing Aαng’s anxieties over Katara not being “his” girl?
Engaging in friendly banter.
Zuko: They make me sound totally stiff and humorless. Katara: Actually, I think that actor’s pretty spot on. Zuko: How could you say that? Actor Uncle: Let’s forget about the Avatar and get massages. Actor Zuko: How could you say that?!
Mirroring each other’s body language.
Or one party showing concern for the other’s emotional wellbeing.
Katara: You didn’t really say that, did you? Zuko: (turns his head away) I might as well have.
The very setup intended to get the audience to fret about whether Aαng would emotionally connect with Katara actually helped Katara connect emotionally with Zuko, ironically in a much more natural manner. And it appropriately (albeit unintentionally) demonstrates that the biggest obstacle to the canon romance isn’t Zuko: it’s Aαng himself.
"My terms? If I ended everything on my terms I'd have had your… friend in a cell back in Otosan Uchi."
"Not for long you wouldn't have. I'd come for him and then I'd have come for you," she said, scowling at him.
Which most likely had the opposite of its intended effect as Zuko found it extremely attractive.
"I have no doubt of that," he said with a slow smile.
Katara flushed and jerked her head back towards the ring.
They sat in silence once again.
https://m.fanfiction.net/s/13032754/5/