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@spazionegativo
Solchi Silenziosi
A photographic series focused on 78 rpm records and the physical matter of recorded sound.
Fragments, surfaces, dust, wear and memory become abstract forms suspended between archive and silence.
Each image originates from a close observation of the record as a fragile physical object: consumed, damaged, surviving.
A form of listening without sound.
Complete series on: spazionegativo.tumbler.com
Herbarium — 1967
A photographic series based on a botanical herbarium compiled in 1967 for a university botany examination.
Pressed plants, fragile papers and handwritten annotations are observed not only as scientific specimens, but as quiet traces of time preserved within a domestic archive.
The project focuses on the material presence of the herbarium: aging paper, translucent protective tissues and the subtle marks left by decades of preservation.
Lieder ohne Worte (study)
Segni, intervalli, silenzi.
Un tentativo di ascoltare ciò che resta sulla superficie.
Serie completa su spazionegativo.tumblr.com
Signs, intervals, silences.
An attempt to listen to what remains on the surface.
Complete series on spazionegativo.tumblr.com
Deviation is a study of subtle displacement within the ordinary landscape. Walls, edges, empty spaces, fragments of structures: elements that appear stable, yet hold a quiet imbalance.
The images are built through reduction. Form, light, and surface become the primary language.
Within this minimal field, small irregularities emerge— a line that resists the grid, a volume slightly out of place, a pause in the rhythm of the built environment.
These photographs do not document events. They isolate moments where the familiar shifts almost imperceptibly.
Deviation exists in that narrow distance between order and fracture. A place where the everyday begins to move away from itself.
Silence is not an absence. It is a substance that fills the space between bodies, a constant pressure that gives shape to shadows. In this photographic exploration, the object ceases to be a mere object and becomes a vessel for everything that remains unsaid.
Negative space is not a void; it is the invisible mass of all that we are slowly forgetting.
[View the complete series in the dedicated gallery]