eat, spider.

eat, spider.

[spidersiren]

Visit Original Link

𝐚 𝐬𝐢𝐫𝐞𝐧'𝐬 𝐥𝐚𝐦𝐞𝐧𝐭 : a study in seasalt and sadness, loss so poignant it travels universes, girls with sharp teeth, and femme fatales, as told through the perspective of lorelai jones, an original character woven into the fabric of the spiderverse. utilizing beta editor. bit by dollie.

carrd | sideblog | playlist | pinterest

[spidersiren]

pssst. been on @griefology <3

[spidersiren]

helloooooo i need to set up my promo but lor has been moved to my new multi! i’m changing up some vibes but i would so love to follow you guys and continue writing (‘: you can find her here!

[leatherforhell]

🐝  *  ―  𝑺𝑯𝑶𝑼𝑻-𝑶𝑼𝑻𝑺 𝑶𝑭 𝑨𝑾𝑬𝑺𝑶𝑴𝑬𝑵𝑬𝑺𝑺. // 💻 ― excellent writing?

i mean, i simply cannot talk about good writing without mentioning Dollie (@lylarchive, @melanchylia, @spidersiren, etc) who is unfortunately on hiatus rn. Dollie has a way of using the English language that makes me actually understand the phrase ‘word weaving.’ she combines phrases and vocab in a way that evokes emotion and imagery SO vividly, and I will never not admire her for that.

[spidersiren]

hello,

[spidersiren]

i think i'm going to be rebooting lorelai on my multi under an entirely different concept but her spideyverse won't change! it'll just be an au <3

[spidersiren]

hello,

[spidersiren]

i had a very long day and i'm on the verge of tears <3

[spidersiren]

BITES YOU!!!

❝ [ . . . ] i bite harder. ❞

[disgustinggf]

[zahraaxix]

How to be both

[spidersiren]

i will be back. soon <3

[memesomething]

receiver's muse has just heard of a disaster/emergency involving sender. they've called everyone they can think of. nobody has news.

send "voicemail" for an anxious voicemail receiver's muse leaves for sender

send "call back" for sender to finally have a means of contacting receiver (and receiver will pick up)

send "search" for receiver to find sender, potentially injured/still in danger, but at least they Have Each Other

send "danger" for receiver to find sender recklessly, and now sender and receiver are both in trouble, but at least they're together

send "reunion" for receiver to be there when sender comes to, safe and whole, and recovering well

or if it's sender who's just heard about receiver (reversed):

send "missed call" to see receiver listen to one of sender's worried voice messages

send "what happened" to learn what disaster/emergency it is that has got sender so worried

send "static" to see the ways receiver is trying to let sender know they're OK (and/or why those ways aren't working - broken comms, downed phonelines, etc)

send "location" to see where receiver is & what they're trying to do about it post-disaster: buried alive, trapped in a burning building, down in the amazon after a plane-related disaster, kidnapped, etc

send "collaboration" to see/meet NPC in receiver's life who will help sender to look for receiver. this is especially fun if it's an uneasy alliance etc

[wavemotions]

[spidersiren]

lor's able to be so sporadic with being her city's spiderman due to the fact that, if you're evil enough, she will kill you.

petty crimes and criminals are often spared her ire, but the second you're really fucked up or putting lots of people in danger, well. you just started a countdown.

she's a sea spider, but she got the nickname the siren because she webs her victims (THE VILLAINS!!!!!) and drowns them underwater like that. for the fun of it, she's always humming, playing into this little role she's been assigned. it's haunting to hear at night.

this goes against a lot of the morals many of the variants have regarding killing, but lor plays by her own rules. she's not chaotic enough that everyone dies, and she has a bit of a strict picking on how she decides, but once you cross that threshold it's over.

[pink-usagi]

[beginagain]

and i’d be losing my mind if you lived in your writing...

WHERE DO WE GO NOW? - GRACIE ABRAMS

[leneemusing]

STAYING THE NIGHT PROMPTS

❝  don’t be ridiculous,  there’s enough room on this bed for both of us. ❞ 

❝  please stay.  i don’t think i can be alone tonight.  ❞

❝  i’m staying,  okay?  you don’t have to be alone tonight. ❞

❝  you shouldn’t be alone right now.  i’ll take the couch,  it’ll be fine.  ❞

❝  will you sleep with me?  i know how that sounds i just mean—  i feel safe when you’re there.  ❞

❝  i’ll be here the whole night okay?  nothing will get to you while i’m here.  ❞

❝  wait— have you been here all night?  ❞

❝  i thought you went home after i went to bed.  you didn’t have to do that— you could’ve at least joined me in bed that couch is shit for sleeping on.  ❞

❝  can i stay with you tonight?  i don’t wanna go home yet.  ❞

❝  it’s late,  you might as well just stay here.  ❞

❝  can you just…stay here?  and hold me.  ❞

❝  i know this might sound weird but,  do you wanna stay over?  i guess ‘sleepover’ sounds kind of childish but.  i think it’d be nice.  ❞

❝  i’m not expecting anything,  i just,  thought it’d be nice to keep you company tonight. ❞

❝  i don’t have nightmares when you’re there.  ❞

❝  i get you’re doing the whole protective thing— and i appreciate it.  i do,  but there’s no reason for you to stay awake all night.  might as well come to bed.  ❞

❝  thank you for staying.  it just gets so lonely at night sometimes.  ❞

❝  i don’t want you to be alone tonight and honestly,  i don’t really wanna be alone either.  ❞

❝  do you wanna stay with me tonight?  ❞

❝  stay,  please.  ❞

❝  i’ll stay.  ❞

❝  i’m staying.  ❞

❝  i’m staying.  end of discussion.  you gotta learn to let people take care of you.  ❞

❝  i’m not ready to say goodbye yet.  ❞

❝  i don’t wanna have to say goodnight.  ❞

❝  honestly i can’t sleep,  so if you wanna stay up with me?  ❞

❝  i don’t sleep a lot either these days.  we can be insomniacs together.  ❞

❝  well,  i can think of some ways to wear you out.  ❞

❝  if you can’t sleep,  there are other things we could do.  ❞

❝  i’d rather fuck than stare at the ceiling counting sheep to be honest.  ❞

❝  it doesn’t have to mean anything,  i just don’t wanna feel lonely tonight.  and i want to feel good for once.  ❞

❝  please don’t go—  i need.  i need someone—  i need you.  ❞

❝  the night doesn’t have to end here,  you know.  ❞

❝  i like it when you’re here.  so stay.  please?  ❞

❝  you’re just as lonely as i am.  might as well be lonely together.  ❞

❝  you can stay but i’m not letting you sleep on that couch.  ❞

❝  chivalry is overrated,  get in my bed.  ❞

❝  you’re clearly exhausted.  you can go in the morning.  ❞

❝  you don’t have to pretend to be fine,  if you need me to stay i will.  ❞

❝  when i said i wanted everyone to leave me alone i didn’t mean you.  i can’t handle everyone else right now but you…you’re different.  ❞

❝  you need someone right now.  and i’m the one that’s here.  let me be what you need.  ❞

SCENARIOS

[ GUARDED ]  sender insists on staying the night to keep watch over receiver who has been in some kind of danger. 

[ GUARDING ]  receiver insists on staying the night to keep watch over sender who has been in some kind of danger. 

[ UNEXPECTED ]  one muse stays the night to keep an eye on the other after something traumatic and they end up having comfort sex.

[ CONSOLE ]  sender asks receiver to stay the night because they don’t want to be alone and they end up cuddling.  

[ CONSOLED ]  receiver asks sender to stay the night because they don’t want to be alone and they end up cuddling. 

[ ACCIDENT ]  sender winds up staying at receiver’s house all night because receiver fell asleep against them/in their lap and they didn’t have the heart to wake them. 

[ UNPLANNED ]  receiver winds up staying at sender’s house all night because sender fell asleep against them/in their lap and they didn’t have the heart to wake them. 

[ STAY ]  sender is carrying receiver to bed because they fell asleep somewhere else but when they start to walk away,  receiver grabs their hand so sender joins them in bed. 

[ STAYING ]  receiver is carrying sender to bed because they fell asleep somewhere else but when they start to walk away,  sender grabs their hand so receiver joins them in bed. 

[ APPROACHED ]  sender is staying with receiver for safety and asks if they can sleep in their bed with them. 

[ APPROACH ]  receiver is staying with sender for safety and asks if they can sleep in their bed with them. 

[ SHARE ]  sender is unexpectedly staying with receiver overnight,  receiver insisted sender sleep on the bed while they take the floor but sender winds up insisting they join them in bed. 

[ SHARED ]  receiver is unexpectedly staying with sender overnight,  sender insisted receiver sleep on the bed while they take the floor but receiver winds up insisting they join them in bed. 

[ FOUND ]  sender is staying with receiver who had them take the bed while receiver takes the couch.  in the middle of the night,  sender goes out to join receiver on the couch because they don’t want to sleep alone. 

[ FIND ]  receiver is staying with sender who had them take the bed while sender takes the couch.  in the middle of the night,  receiver goes out to join sender on the couch because they don’t want to sleep alone. 

[ DISCOVERED ]  receiver wakes up in the morning to find sender asleep on their couch because sender was watching over them. 

[ HAVEN ]  receiver wakes up in the morning to find sender asleep on their couch because sender felt safer with them. 

[ WEARY ]  sender cries themselves to sleep in receiver’s arms. 

[ TIRED ]  receiver cries themselves to sleep in sender’s arms. 

[ PROPOSITION ]  one or both muse(s) are having trouble sleeping so they have sex to pass the time. 

[ PURPOSE ]  one muse can’t sleep so the other initiates sex to wear them out. 

[ TRAPPED ]  one muse ends up staying the night with the other due to a storm. 

[ KEEP ]  sender fell asleep on receiver and when receiver tries to get up,  sender whines so they stay put.