A Pang is more conspicuous in Spring
In contrast with the things that sing
Not Birds entirely– but Minds–
Minute Effulgencies and Winds–
When what they sung for is undone
Who cares about a Blue Bird’s Tune–
Emily Dickinson, poem 1530
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Love Begins
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Doug Jones
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Mike Driver
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Origami Around
One Nice Bug Per Day
YOU ARE THE REASON
ojovivo

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@spieltreib
A Pang is more conspicuous in Spring
In contrast with the things that sing
Not Birds entirely– but Minds–
Minute Effulgencies and Winds–
When what they sung for is undone
Who cares about a Blue Bird’s Tune–
Emily Dickinson, poem 1530
'Spring'. Akseli Gallen-Kallela. 1900.
Mark Rothko, Personage 2, 1946, Oil on canvas 142 x 82 cm
© 1998 Kate Rothko Prizel & Christopher Rothko/Artists Rights Society (ARS)
“Fragment from Balustrade of the Temple of Athena Nike, Acropolis, Athens” by William James Stillman
c. 1882
albumen silver print from glass negative
Gillman Collection, Metropolitan Museum of Art
"All Souls' Day" by the Czech artist Jakub Schikaneder, created in 1888
moon
Book of Hours of Isabelle de Lalaing, Cambray, 15th Century
From a walk on the 25th of August 2019.
Arnold Heim - On the Pacific Ocean, 07.01.1912
Mark Rothko, Agitation of the Archaic, 1944
Oil on canvas, Gift of the Mark Rothko Foundation
© 1998 Kate Rothko Prizel & Christopher Rothko/Artists Rights Society (ARS), Courtesy of The Mark Rothko Foundation
A collection of Black Books of Hours
Black Hours, ca. 1475 (Morgan Library, New York)
Horae beatae marie secundum usum curie romane, ca. 1458 (Hispanic Society of America)
Black Hours of Galeazzo Maria Sforza, ca. 1466-1476 (Austrian National Library)
It is the phenomenon sometimes called “alienation from self.” In its advanced stages, we no longer answer the telephone, because someone might want something; that we could say no without drowning in self-reproach is an idea alien to this game. Every encounter demands too much, tears the nerves, drains the will, and the specter of something as small as an unanswered letter arouses such disproportionate guilt that answering it becomes out of the question.
Joan Didion, On Self-Respect, 1961.
i need to drink black coffee ina brutalist research building
~ Nike.
Date: ca. 190 B.C.
Place of discovery/origin: Myrina (tomb 112 B), Greece
PJ Harvey
i'm listening to gathering moss, by robin wall kimmerer, and she is talking about a very odd job she was consigned to do, where an eccentric millionaire recuited her to consult on a "habitat restoration". when she arrives, the job they actually want her to do is to tell them how to plant mosses on the rocks in his garden. he wants it to look like a specific, beautiful wild cliff in the woods nearby, with centuries-old beds of moss growing thick and strong. she tells him it is impossible. such a thing would take decades to accomplish.
later, she is called back to look at the progress of the moss garden and is amazed by the thick, well-established mosses. how did they do it? she asks.
then they take her out to the woods and show her that they have been blasting huge chunks of rock out of the cliff, packaging them in burlap, and moving them to the owner's garden.
This quote really got me: "The owner is a man who loves mosses, and the exercise of power. I have no doubts of his sincerity in wishing to protect them from harm, once they conformed to his landscape design. But I think you cannot own a thing and love it at the same time. Owning diminishes the sovreignty of a thing, enriching the possessor and diminishing the possessed. If he truly loved mosses more than control, he would have left them alone, and walked each day to see them."
- Gathering Moss by Robin Wall Kimmerer