archiving this and repurposing the url (:
PUT YOUR BEARD IN MY MOUTH
Peter Solarz

Kaledo Art

if i look back, i am lost
No title available
dirt enthusiast
noise dept.
Misplaced Lens Cap
Today's Document
I'd rather be in outer space 🛸

shark vs the universe
Three Goblin Art
Aqua Utopia|海の底で記憶を紡ぐ
NASA

祝日 / Permanent Vacation

JVL

izzy's playlists!
Acquired Stardust

oozey mess
RMH
seen from United States
seen from United States

seen from Vietnam
seen from Uruguay

seen from United States
seen from Greece
seen from United States
seen from Singapore
seen from United States

seen from United States
seen from United Kingdom

seen from United States

seen from France
seen from United States

seen from Italy
seen from Netherlands
seen from United States
seen from United Kingdom
seen from United Kingdom

seen from Switzerland
@spiridium-a
archiving this and repurposing the url (:
holy shit some of y’all are still alive and kicking in this house?
raudrakos:
Hannibal listens, and he observes, eyes too seeing and too knowing. “ You carry more than war on your back … all of it, you wear like concrete. You’re drowning yourself, Klaus … carrying your dead with you. “ He doesn’t know the full irony of his own words – the specters that cling to his ankles like iron lead – that drag him down and will not let him go. Hannibal makes the preliminary assumption that it’s part of the PTSD, part of the substance abuse and the addiction. A fair first conclusion to come to, but Hannibal is nothing if not thorough. No predilections without all the facts.
“ Who are the real ones you lost, Klaus ? “ ( he remains unaware even of his OWN GHOSTS, the ones brave enough to come near the SPECTER of their death, the RIPPER. He’s not sensitive enough to be aware of them, but OH the bold ones SCREAM their rage at him. )
THERE’S A SCOFFING LAUGH THAT FOLLOWS ; Lingers, even, like the specters that hover nearby. Some silent, others screaming. He craves silence. And among the cacophony comes a voice that pulls his attention, forces it to the front lines as he had been in war. Except this time, there are no whizzing bullets and tossed grenades. It’s a room, comforting and well-decorated, where he is alone with another. In Hannibal, he finds distraction. “ I can’t be the one drowning myself, when hands other than my own are holding me under. ”
A gaze, distant, drops from Hannibal’s face and finds interest in the furnishings. Detailed, expensive, almost reminding him of the home he came to resent. Klaus sinks lower, posture sloppy as though he had every intention to avoid sitting proper, though he never dares to set his feet upon the chair where they don’t belong. The question, though, goes ignored, finding interest ELSEWHERE, even as an idle hand finds purchase on the tags dangling upon a thin chain. The answer is obvious: Dave. Ben.
“ You’ve lost lots of people, haven’t you? ” Voice carefree, unafraid, almost tired as though he’s experienced this before ( he has ); his words point towards Hannibal, but his eyes fixate elsewhere, following a seemingly invisible force. “ Must be nice to know they were, at least, real. No reason to be unsure, to question everything you know. ”
it’s my headcanon that klaus always treated vanya with kindness and respect, and treated her as his equal, because he did everything in his power to FORGET about his abilities. and when he was high? he really was just a normal kid without any powers. so i feel like, when vanya was treated as an ordinary child, klaus lived vicariously through her when he suppressed his own powers. even later, when vanya realizes her power for the first time and klaus explains that she’s probably scared and confused due to what she’s found out, he KNOWS how she feels. he, too, found a new power he never thought he had and feels like he could help her through this. klaus, ben, and five were likely the three siblings to treat vanya FAIRLY, ignoring the conditionings of their shitty father, and that’s my tea. i’m spilling it. it’s scorching hot.
My favorite Girl Scout Cookie are the Peppermint #『family』ʲᵒᵇ ᵈᵉˢᶜʳᶤᵖᵗᶤᵒᶰ: ᶠᵃᵐᶤˡʸ ᵈᶤˢᵃᵖᵖᵒᶤᶰᵗᵐᵉᶰᵗs.
I want to take a heaping batch of #『ic』ᵈᵉᵃᵈ ᵖᵉᵒᵖˡᵉ'ˢ ᵗʰᶤᶰᵍˢ ᶠᵒʳ ˢᵃˡᵉ and spread it all over me like I’m that peanut butter baby. You know the one.
trans day of visibility klaus wearing pastel blue eyeshadow, black eyeliner, and a pink crop top with his nails painted the trans flag colors
literally any academy sibling: brings a guy / girl home literally all of the other academy siblings: (ง'̀-'́)ง
The second choice sounds like an ARG and one I'd try to follow
It’s… kind of similar? Except you wouldn’t be able to help anyone. To give context, the premise of the story is there’s an organization in a small town where they create strange anomalies in the environment, and then choose a witness of that particular event to murder and showcase as their inspiration. I would make a Tumblr blog to post story updates, articles, and hints ( all made by me, with graphic edits also made by me ) to get a community involved in something. But every piece of writing is posted as though I’m the organization leader, the mastermind behind every anomaly, every murder, etc, but in the obvious mind of a fictional character ( because I’m not gonna go out, fuck with nature, and then murder somebody for a fictional story ).
So as updates come out, it’d be up to the community to try and figure out who’s behind the organization / the overall plot to the story / the ending, but nobody will TRULY know until the last “post” is made. And the organization is not a secret. People KNOW it exists, as they run a website ( obviously I can’t just buy a website for this so rip ) and publically post about things.
I’d also have an in-character Twitter for the organization to post little small updates and hints, that way the story blog itself isn’t flooded with little things here and there. Also a Twitter account and Tumblr blog would let people involved interact with each other, they can search hashtags and find other peoples’ thoughts and insight, etc.
If that makes sense? You’re not trying to HELP anyone, rather, you’re trying to figure out the ending before it actually ends.
i know i’ve been posting strawpolls lately, but this is something i want to get a viewpoint on
let me hug you!
so i don’t want to start anything controversial, but i genuinely want to get the community’s standpoint on this for a little bit of a research experiment i can use for a politics class paper.
PLEASE VOTE ON THE STRAWPOLL HERE, TO KEEP ANONYMITY.
klaus: finally conjures dave five: yEeT
coffive:
child’s hands cling that much tighter to waterlogged sleeve, curling in the fabric halfway taught before forcibly letting go, breathing deep through his nose and hoping his brother couldn’t feel it through the rain because — because it’s a useless gesture, one that leaves his teeth aching, grinding together in something akin to anger but burning cold instead of hot beneath his ribcage.
smoldering coals doused in water froze over is easier than the ache guilt burning just below the surface of his skin. the familiar blister that flares every time he sees a scratch in the hardwood that wasn’t there before he left, a hairline scar carved just above Diego’s ear, dimmed eyes somehow dimmed even further, grown bodies somehow gaunt, frail, weathered, understandably so ( already witnessed, just halfway under rubble and lifeless instead ) but it’s different actually seeing it in the shadows embedded beneath Klaus’s eyes, the glaze of something turning blue a dull gray to match the clouds, and it makes his fingertips tremble where they hover useless nearby.
the smell of blood, familiar, too much, still leaves him almost dizzy but not quite, painfully present, drenched to the skin and bone and somehow Klaus feels even colder. “ shut up, Klaus, ” he repeats, useless, but he needs to say it, to stop, ignore the indication of his words, as if Five would just leave — as if that’s so impossible to imagine —
“ i’ve killed more people than you could comprehend, ” and it comes out too sharp, brittle, as if it’s about him even if that’s the furthest thing from the feeling trapped deep in his throat, “ and i’ll kill them if they even fucking breathe down his alley. ” in fact a part of him longs for them to come back, to indulge him his bloodlust, old friend, always turning quivered hold to steady, an unrivaled focus, but that’s not important right now, not when he can still smell it, see the glimpses of red through Klaus’s huddled form. “ how bad is it, Klaus? — no bullshit. ”
KLAUS MISSES THE COMFORTING COILS OF RISING SMOKE THAT TENDS TO OCCUPY THE SPACE BEFORE HIS EYES . The way they danced and intermingled, looped into one another and clung before pulling away with polite departure. What he wants even more now than ever is to retreat into one of his lengthy baths, music drowning out the silence, the spirits, and to ignore the problems for an hour or so. But he knows it won’t be so simple, knows Five will persist and persist until answers are given. In truth, he VALUES such a quality.
And then comes the confession Klaus had always dreaded. For a man who walks the border between the living and the dead, there’s subtle fear hinting at the edges of his eyes. He’s seen those who’ve fallen victim to Hazel and Cha Cha, the brutality and mercilessness, bodies twisted and carved to horrific misfigurations. This... only makes him aware of what else he may see around Five. Will he see the same? He wants to ask, but he doesn’t, mouth kept SHUT on the topic in favor of remaining as ignorant as possible. Such a virtue, it was.
“ You tell me, ” he begins, willing himself to uncurl despite how every nerve SCREAMED begged him not to move. With effort, and a whine he hoped Five hadn’t heard, luxurious coat is pulled to the side, half-shirt lifted up more to reveal just the beginning of ugly bruises: a vibrant red already turning plum, along his ribs. “ Guess it could be worse, huh? I could be dead. ” No, that would be the preferable option, but he doesn’t voice that aloud. Pretty crimson ribbons run over porcelain skin, streamers of lacerations, medium in length, carve into his hip. It’s clear they intended to HURT him, not kill him. A warning to be hearkened.
Yet he smiles --- PAINED as it is --- and rests his head back against the wall behind him. There’s a labored inhale, even a sarcastic chuckle, avoidant of eye contact. Emerald greens stare down the other end of the alley, away from his brother. “ My whole life I tried so hard to prove daddy dearest wrong, but turns out he was right. I always was the family fuck up. ”
hi this made me cry and now y’all have to watch it ( spoilers, tho )
am i iconing pictures of rodrick heffley as teen klaus’ faceclaim? yes