cinema
Sade Olutola
Claire Keane
🪼

ellievsbear
he wasn't even looking at me and he found me
Keni

Kiana Khansmith
art blog(derogatory)

Product Placement
Sweet Seals For You, Always

PR's Tumblrdome
trying on a metaphor
Cosimo Galluzzi
dirt enthusiast

Kaledo Art

oozey mess
Three Goblin Art

★
almost home

Andulka

seen from Japan

seen from Malaysia
seen from Singapore

seen from Germany

seen from United States

seen from Malaysia

seen from Türkiye

seen from United States
seen from Netherlands

seen from Canada
seen from United States

seen from Lithuania

seen from United States

seen from South Korea
seen from United States

seen from Hungary

seen from Singapore

seen from Singapore
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@spymore
cinema
Sarah vs the Implausible
“That’s the long and the short of it, yep.” It wasn’t personal, per se. More a matter of business, meaning her business was hers and hers alone, and if these … Fulcrum wanted to go poking around in it she would make sure they knew the cost of it. “Do what you gotta do but stay the hell out of my way and do yourself a favor - forget you ever saw me.” She unslung the semi automatic from its resting place at the small of her back, offering it out to the blonde, a couple extra clips retrieved from the side pocket of her bag.
“If you’re going to insist on giving me orders, you’re going to need to get some stars on your shoulders,“ Sarah said, holding up a hand in refusal of the offered weapon. She had her own, and no desire to go into an uncertain situation with a weapon that felt unfamiliar in her hands. “Thanks,“ she said, coolly, “but I’m good. Now, are we going in or not?“
I got magic comin your way baby.
“ do you wanna talk about this, or be distracted, or left alone? “ / morgan
"Fourteen hours, cramped thumbs, and I get killed in the final level." It was a tragedy. A gaming tragedy. "Yes I want a distraction. I want a stiff drink."
“ you wanna get out of here? i know a great coffee shop a few blocks away. “ / ellie
"I just worked a double shift - coffee has never sounded so good," Ellie said. She really ought to go home and try to get some sleep, but it hadn't exactly been the best day at work and a distraction first would be more than welcome.
𝐑𝐄𝐀𝐒𝐒𝐔𝐑𝐀𝐍𝐂𝐄 𝐏𝐑𝐎𝐌𝐏𝐓𝐒.
idk what this is my dudes, i got angsty, then spot.ify gave me a soft song, and i decided to resolve the angst briefly by writing up these! i hope y’all enjoy!
DIALOGUE PROMPTS.
“ hey, look at me… you can do this. okay? you can. “
“ it’s gonna work out, alright? i promise.
“ you’re not alone, okay? not anymore. i’m right here with you. “
“ you good? “
“ here. hold my hand. you get scared again, squeeze tight, and i’ll help you. got it? “
“ shh… it’s okay… breathe with me, okay? in… and out… good job. “
“ we’re gonna figure all this out together, i promise. “
“ that’s it… there we go, good job… let it all out. “
“ of course i came. you called me. what’s wrong? “
“ hey, why don’t we get out of here? would that be better? “
“ you wanna get out of here? i know a great coffee shop a few blocks away. “
“ do you wanna talk about this, or be distracted, or left alone? “
“ you don’t have to be so strong all the time. it’s okay. cry. i’ll be strong for both of us. “
“ hey, i got you some water. drink it all, you’ll feel better. “
“ it’s been a long day. why don’t you stay here tonight? i can take the sofa. “
“ c’mon, you gotta eat something. and i can’t cook, so take-out it is. eat up. “
“ let’s go for a walk. staying here is the worst thing we can do, right? “
“ don’t you pay any heed to those morons. they don’t know you. not like i do. “
“ it’s okay. i got you… “
“ we don’t need to talk unless you want to. i’m happy to just sit with you for a while. “
“ it’s alright. you take your time… i’m gonna be right here whenever you want to talk, okay? “
ACTION PROMPTS.
[ KNEE ]: sender gently rests a hand on the receiver’s knee to stop them from shaking it.
[ MOUTH ]: sender notices the receiver’s distress from across a crowded room, and silently mouths “are you okay?” to them.
[ SIT ]: sender guides the receiver into a seat after noticing them becoming upset.
[ BESIDE ]: sender sits next to the troubled receiver at a social event so that they don’t have to feel alone.
[ BACK ]: sender rests a gentle hand against the receiver’s back, silently checking in on them.
[ HAND ]: sender takes a gentle hold of the receiver’s hand, as a form of emotional support and reassurance.
[ JOIN ]: sender follows the emotionally unsettled receiver out of a crowded party and into a secluded space to check on their well-being.
[ BREATHE ]: sender begins to take slow, deliberately even breaths, encouraging the receiver to copy their motions until their own breathing is back to normal.
[ SPOON ]: sender lies beside the receiver and becomes the big spoon to comfort them.
[ GLANCE ]: sender glances at the receiver while in a public setting to assure them they aren’t alone, and ground them in doing so.
[ BLOCK ]: sender deliberately stands in front of the receiver to prevent them from seeing something that may upset them further.
[ SHIELD ]: sender deliberately stands in front of the receiver to protect them from a targeted attack (verbal or physical).
[ DISTRACT ]: sender, noticing receiver’s distress, provides a distraction for them (by conversation, a mobile game, a detour, etc.).
[ ARRIVE ]: sender shows up at the receiver’s door after receiving a troubled phone call from the receiver.
[ CIRCLE ]: sender rubs slow circles on the receiver’s back while hugging them in an effort to calm them down.
[ FOREHEAD ]: sender lowers their head to press their forehead against the receiver’s, trying to comfort them in the process.
[ ANCHOR ]: sender places a hand on the back of the receiver’s neck and pulls them close in an effort to physically and emotionally ground them.
[ HOLD ]: sender holds out their hands to the receiver, either to hold hands or to hold them.
[ AROUND ]: while sitting together, the sender quietly wraps an arm around the receiver’s shoulders as a support.
[ SHOULDER ]: sender reaches out and places a hand on the receiver’s shoulder, both to catch their attention and silently ask if they’re okay.
[ JACKET ]: sender notices the receiver beginning to shake after an immensely distressing incident, and removes their own jacket to wrap it around the receiver’s shoulders.
[ CATCH ]: sender, noticing the receiver’s legs beginning to give out beneath them, rushes over to them and catches them before they collapse to the ground.
get to know me: [4/5] favorite female characters - sarah walker “You got me. I’m just a needy, love-crazed girl on a husband hunt, who’s trained in over 200 ways to kill you.”
Chuck x Sarah Meme ϟ [3/5] Kisses
top 10 ships: #7 chuck + sarah (chuck)
“My vows. My turn for vows. They just don’t cut it, I’m sorry, Sarah. How do I express the depth of my love for you? Or my dreams for our future? Or the fact that I will fight for you every day? Or that our kids will be like little super heroes, with little capes, and stuff like that? Words can’t express that, they don’t do it justice, they just don’t cut it. So no vows. I’ll just prove it to you every day for the rest of our lives. You can count on me.”
@viciousgold
“Do we have a deal?“ Sarah asked, doing everything she could to make eye contact with her mark and not that strange monkey clinging to the woman’s shoulder. Something about its eyes unsettled her in a way she couldn’t quite explain. Her cover was that of a unwavering rogue agent - not the sort of person to be thrown by someone’s strange pet. Still... its eyes. “My... employers don’t like to be kept waiting.“