haha nice try sponsored tumblr ads but you couldn’t have chosen a worse timing
hello vonnie
ojovivo
Lint Roller? I Barely Know Her
Alisa U Zemlji Chuda
almost home

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let's talk about Bridgerton tea, my ask is open
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Kiana Khansmith
i don't do bad sauce passes

roma★
styofa doing anything

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Discoholic 🪩

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trying on a metaphor
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@stannisisawesome
haha nice try sponsored tumblr ads but you couldn’t have chosen a worse timing
So now that ya’ll are jumping with glee that the Trump campaign is collapsing, is it okay with you if we don’t vote for Hillary? Will we no longer be literally Nazis and the KKK who for helping Trump get elected somehow by not voting for him?
News - StarTrek.com catches up with Alexander Siddig to talk about conventions, Deep Space Nine, Game of Thrones, playing Aristotle Onassis, and more. Read part one of our exclusive conversation at...
Siddig interview does not have dangerous sodium levels, but enough:
Q: Our prince did not meet a pleasant end…
He didn’t. It’s funny, I’m not really sure what happened there. I was contracted to do at least four episodes this season, but then I was in L.A. doing publicity for something else, and I got a call at the Chateau Marmont and there were familiar voices on the other end of the phone. It was one of those guys, and because they didn’t introduce themselves it was like, “Hi, it’s me.” I was like, “Is that David or Daniel?” Anyway, they said, “You know what this phone call is about.” I was like, “Yeah, well, I guess I do.” “So we were going to kill you off at the end of last season, but we decided that we’re going to have to kill you off at the beginning of next season.” I was like, “Okay, life goes on.” But there was something wrong about that because I had been contracted for four episodes in the following season, so if they were going to kill me off at the end of the last season why would they contract me for those four episodes? Because it costs them money whether I do them or not, so it’s not great business sense to do it just in case.
So something happened; I have no idea what. There was an enormous amount of fan excitement when I got named to be on the show, and everyone was like, “Oh my god, yes, Doran Martell. He’s going to be great as Doran Martell.” That might have been the kiss of death. Maybe they didn’t want quite that much attention on that character. Maybe they thought, “Well, let’s prove that we’re going to stray from the books. We’re going to do something else, and he will be our first example of that.” So maybe that could have been the case. Or maybe I just screwed up. Maybe I said the wrong thing to the wrong person.
Or maybe these writers are talentless hacks ¯\_(シ)_/¯
Like holy crap the dude playing Doran Martell blaming himself for this…how do you mess up something so perfect?
Just wondering...
@joannalannister Mentioned misinformation and lack of information is a common theme and I’ve often wondered whether or not at the end of it all, will all the characters know the roles they have played? Will they know of each other’s sacrifices and secrets?
Hi @thenoisytimetravelstudent! I don’t think ASOIAF is that kind of fantasy.
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game of thrones: just stands there, existing, doing absolutely nothing new at all
emmy voters:
So Sansa Stark’s devolution into Sandra Bolton just won an Emmy. Awesome.
The utter NERVE D&D had to “thank” GRRM and the books… for winning the Emmy for writing an episode that included Rickon Stark being murdered, making Petyr Baelish the savior of the North, and Sansa Stark officially becoming the exact polar opposite of the beautiful character that George created. Fuck you, guys. Really, Fuck. You.
I can’t believe they did this. Are they the meanest, pettiest writers ever or do they actually think they’re doing a good job as adaptation and just “fixing” the books? Anyway I don’t care. Out wth D&D.
Tbh though it does make sense that Sophie won something (I didn’t even know she was actually nominated?) considering some of the other nominees I heard about who really didn’t have much to do last season (not that they’re not good actors, but some of the material…).
Sophie didn’t win anything; the episode “Battle of the Bastards” (in which she kills Ramsay) won for best writing and directing. :-(
Th episode that had no dialogue for half of it won best writing
the episode that had Yara go “I’m up for whatever” (<--direct quote) won best writing
the episode that featured the phrase “happy shitting” won best writing
how did we as a society let this happen
The Nine Free Cities are the daughters of Valyria that was
when the fandom characterises your fave character badly and accepts it as canon
When the writers characterises your fave character badly and declares it canon.
Euron Greyjoy's Kingsmoot Speech
What GRRM wrote: "Who knows more of gods than I? Horse gods and fire gods, gods made of gold with gemstone eyes, gods carved of cedar wood, gods chiseled into mountains, gods of empty air... I know them all. I have seen their peoples garland them with flowers, and shed the blood of goats and bulls and children in their names. And I have heard the prayers, in half a hundred tongues. Cure my withered leg, make the maiden love me, grant me a healthy son. Save me, succor me, make me wealthy... protect me! Protect me from mine enemies, protect me from the darkness, protect me from the crabs inside my belly, from the horselords, from the slavers, from the sellswords at my door. Protect me from the Silence." He laughed. "Godless? Why, Aeron, I am the godliest man ever to raise sail! You serve one god, Damphair, but I have served ten thousand. From Ib to Asshai, when men see my sails, they pray."
what D&D wrote: Lol I have such a big dick, let me make a bunch of dickjokes to Theon and tell the entire Ironborn (or at least the 20 extras HBO could afford) about my entire plan lolololoooo
a song of ice and fire aesthetics:
THE AGE OF H E R O E S
So what kind of character summary or back story did the writers of Game of Thrones give Dillane when they hired him to play Stannis? “They didn’t. I had to fish around to get any sort of information and even then it was just ‘Oh he’s won a few battles’ and the rest of it I had to glean from the scripts. I had no idea at all, really, and that probably shows. If you look back on it, you probably see somebody standing there looking pretty bewildered, wondering what on earth is going on and where this is leading. You just have to trust that the fact that you’re in the dark is in some way playing out well.”
Brisbane Times interview with Stephen Dillane (x)
LOL
(via maidenoftheforestlight)
@bienenkiste
(via weatherall)
So I always hear Stannis's "saving the kingdom to win the throne" line praised as proving he's the only king who cares about his kingdom. I was shocked to see this response, because when I read it I thought it said something deeply unpleasant about Stannis's priorities--that he isn't saving the kingdom because it's the right thing to do, or even the smart thing to do, but because it will put him on the throne. I thought it painted him as power-hungry. Have I badly misunderstood something?
Well, you have to look at the line in its entirety and in context.
“You came because we sent for you, I hope. Though I could not say why you took so long about it.“
Surprisingly, Stannis smiled at that. “You’re bold enough to be a Stark. Yes, I should have come sooner. If not for my Hand, I might not have come at all. Lord Seaworth is a man of humble birth, but he reminded me of my duty, when all I could think of was my rights. I had the cart before the horse, Davos said. I was trying to win the throne to save the kingdom, when I should have been trying to save the kingdom to win the throne.” Stannis pointed north. “There is where I’ll find the foe that I was born to fight.”
Stannis’ endgame was always saving the kingdom, whether from the Lannisters or the Others. But before the end of ASOS, Stannis always filtered this genuinely righteous drive through his bitter resentments and grievances. There’s a certain catharsis in imagining Stannis striding into King’s Landing at the end of ACOK and uprooting every conspiracy within in one fell swoop (indeed, my first time through AGOT, I was expecting Stannis to show up at the end to save Ned’s ass), but he lacked the right mindset at that point to be the best possible version of himself. As we see in ASOS regarding Edric Storm, Stannis was buying into an ends-justify-means philosophy aptly summarized as “win the throne to save the kingdom.” The struggle over Edric’s fate crystallized the costs of such an approach, and ended with Davos making the case that it matters how Stannis comes into his rightful power. He must demonstrate what kind of king he would be. He must save the kingdom first.
And Stannis does exactly that, because not only does he save the Watch and North from the wildlings, he then proposes to let the latter through the Wall under terms of peace. In the context of a book in part about war between the wildlings and the Watch, it’s a radical proposal, one from a man who has come to see his kingdom as more than an abstraction on a painted table. Jon and Stannis forge an alliance on the idea that the wildlings are included in the realms of men.
Again, look at the context. Jon has just bluntly called Stannis on not doing this sooner. Stannis agrees–this was his duty, and Davos reminded him of it. This isn’t about ambition, it’s about Stannis acting as king instead of just declaring himself king. He rejected the temptation of the stone dragon in favor of earning the title “Protector of the Realm.” And though I think he’ll ultimately succumb to sacrifice later on, it’ll be in the attempt to avert apocalypse.
why esactly do you love the lannisters so much?
Short answer: I love GRRM’s “long autumn” themes of death and decay. The Lannisters are as delightful to me as the crunch of dry leaves on an October sidewalk.
“I’ve always been attracted to twilights, endings, the idea that summer is over and winter is coming. We’re in the long autumn.” [x]
Long answer: I can’t discuss this without discussing what I see as House Lannister’s place in the narrative.
I think of ASOIAF as having three major families, in terms of how the narrative is constructed: Targaryen, Stark, and Lannister.
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