i’m amy i read a bit and you can find me on:
storygraph
One Nice Bug Per Day
Alisa U Zemlji Chuda
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dirt enthusiast
Jules of Nature
TVSTRANGERTHINGS

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Janaina Medeiros
NASA

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Discoholic 🪩

oozey mess
let's talk about Bridgerton tea, my ask is open
🪼
PUT YOUR BEARD IN MY MOUTH

shark vs the universe
RMH
d e v o n

@theartofmadeline

Andulka

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seen from Italy
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@starowls
i’m amy i read a bit and you can find me on:
storygraph
Mrs G: Miss Bennet needs to choose some dress fabric. M: I, er, find myself quite overwhelmed by... by the choice. T: Well, I shall be honest and say that my experience of picking dress fabric is limited to say the least but I shall try. M: Have you seen the names of these colours? You've got, er, Dust of Ruins. Er, Corbeau or, erm, Flamme de Ponche, anyone? T: Er, I think I shall take the drake's neck, with a splash of Nankeen! Anyone for Gamboge? M: Oh well, I mean, that's just yellow that one. T: Yes. M: Yes.
Mary Bennet & Thomas Hayward (the Other Bennet Sister 2026) and this being their thing
ELLA BRUCCOLERI as MARY BENNET
THE OTHER BENNET SISTER (2026)
dir. jennifer sheridan and asim abbasi
"The eye — it cannot choose but see; We cannot bid the ear be still; Our bodies feel, where'er they be, Against or with our will."
THE OTHER BENNET SISTER — 1.04 "Chapter Four"
Indira Varma as Mrs. Gardiner in THE OTHER BENNET SISTER
These are quite terrible. I mean, I don't even know what that is.
The TOBS maxxing continues
The Other Bennet Sister maxxing
"The eye — it cannot choose but see; We cannot bid the ear be still; Our bodies feel, where'er they be, Against or with our will" — Expostulation and Reply, Lyrical Ballads (1798) by William Wordsworth.
Mary Bennet & Tom Hayward in BBC's The Other Bennet Sister (2026)
GOOD OL' DAYS Hayley Williams & Jack Antonoff — Musicians on Musicians Live
System wallpapers from Windows XP's RTM, Build 2600; Microsoft Co., August 24, 2001.
Reblog and put in the tags the last full album you listened to
FAIRWEATHERMYTH + A(s)OTY 2025 CMAT - EURO-COUNTRY
In all, CMAT emerges as a rare and disarmingly compelling voice in today’s music landscape, equally at ease slipping punchy political observations and cultural critique into buoyant melodies, as she is with heartbreak and wry humour in her songwriting. EURO-COUNTRY cements this duality: it’s an ambitious but flawlessly executed leap uniting sharp commentary on capitalism, national identity, grief, fame, and beauty standards with emotional resonance, captivating hooks, and her signature comedic flair.
a little sketchbook drawing of skediceth from hannah kaner's "fallen gods" trilogy! love this little guy.
a bunch of sketches of Vina & Simran from The Isle In The Silver Sea by Tasha Suri!
CMAT + Interview Appreciation
I would say Irish culture is killing it at the moment because we are all a bit traumatised, we have a lot of generational weirdness going on, we have some post-colonial problems, we have a huge housing crisis, the government is a sack of spuds. Also we’re just really funny people who are very creative. It’s really bred into our culture that being creative, being funny, and making the best of a bad situation is the key to survival. We’ve needed to have a lot of survival instincts over the last 800 years, so I think that’s probably why. It’s come into fruition now, but we’ve always been brilliant.