Uploaded by Evan Collins on are.na (https://www.are.na/block/4120668)
Fai_Ryy

Discoholic 🪩
DEAR READER
todays bird
Not today Justin
ojovivo

ellievsbear
Lint Roller? I Barely Know Her

⁂
No title available
Xuebing Du

JVL
I'd rather be in outer space 🛸
No title available
YOU ARE THE REASON
One Nice Bug Per Day
art blog(derogatory)

Product Placement
we're not kids anymore.
Peter Solarz

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from Australia

seen from United States
seen from Zambia
seen from United States
seen from Belarus
seen from Italy

seen from Malaysia
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
@stellargoodgreat
Uploaded by Evan Collins on are.na (https://www.are.na/block/4120668)
Upoaded by Evan Collins on are.na (https://www.are.na/block/5029149)
Nickelodeon Kids World Council bumper - The Light of the Sun
A raised countertop between kitchen and living area helps hide dirty dishes from view.
The Not So Big House - A Blueprint for the Way We Really Live, 1998
Martha Stewart Living: Holidays, 1993
Dale Anderson, ASID, Dale Carol Anderson Ltd., Chicago
100 Designers' Favorite Rooms, 1994
Roche d'Harveaux limestone, cut into sixteen-inch squares and placed in a running bond pattern, is used in all remodeled areas. The limestone picks up the tone of the maple cabinetry, while the black granite, devoid of grain, provides contrast.
Designing with Tile, Stone & Brick, 1995
The Smashing Pumpkins: Mellon Collie and the Infinite Sadness (1995)
Fire + Ice restaurant interiors from various Boston-area locations, designed by Connor Architecture (~1998-2001)
Some chaotic, wild, visual overload Memphis Jr/Wacky PoMo-hybrid style going on here. The 90’s were all about the widespread commercial implementation of trends that had started to emerge in the 80s amongst the ‘architectural elite’, like deconstructivism. You can see it in the skewed walls, forms & objects flying all over the place, and the industrial materials.
Helloo👷
I am a 25-year old "man" that was raised on Friends and Frasier. Let me enjoy my global village coffeehouse aesthetic in peace damn it
Global village coffeehouse. Another great 80s-90s corporate design aesthetic. It almost feels like a mix of whimsigoth and festival marketplace.
(via Pinterest)
Sudeley Castle estate as seen from Belas Knap. Winchcombe, Gloucestershire. Photo by flash of light on Flickr.