(🎀) T̎he ̉sḣad̆ow ỹôu fíg̊ḧt̀ iṡ your ȯẁn̆
Cosimo Galluzzi

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Mike Driver
Claire Keane
2025 on Tumblr: Trends That Defined the Year
YOU ARE THE REASON
macklin celebrini has autism

blake kathryn
d e v o n

Kiana Khansmith
Monterey Bay Aquarium

ellievsbear
The Stonewall Inn

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Jules of Nature
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@stonedbasil
(🎀) T̎he ̉sḣad̆ow ỹôu fíg̊ḧt̀ iṡ your ȯẁn̆
I like in rpgs where if you don’t romance two of the characters they start romancing each other instead. You think you’re the only fish in the sea
cute and adorable detective girl and her evil and intimidating twin brother
tsukumos interaction
cute and adorable detective girl and her evil and intimidating twin brother
My terrible son who sucks so much
Everybody loves you!
i love you kako (and your brother too ig)
I genuinely wonder if people realize how many projects get abandoned because the readership "wasn't there", when in reality, the readership just stayed silent. It's a big thing in trad pub that book series get discontinued because readers pirate the books or wait until the series is finished to buy a copy, leading the publisher to think that nobody actually wants the book enough to continue the series, but it happens with indie creators too.
I've discontinued a lot of free, online series because it's not worth putting 3-5 hours a week into posting a project for no readers. Sometimes I finish the series for me but just never post it again, other times I don't finish it at all because it feels more worthwhile to put my time into other things. Sometimes I hear from readers who are sad or upset that I didn't finish something they were liking, but the *reason* it never got finished is because I didn't know anyone liked it. If you like something, tell the creator, tell your friends, make some noise about it. If you would be sad if a story never finished, make that interest known because one of my biggest considerations before discontinuing a series is "will people miss this? Will I be letting people down" and 9/10 times, I come to the conclusion of "no, it doesn't even seem like anyone's reading this" only to learn after I've moved on that apparently someone was.
I've said this before in a different way, and this post said it so well. With real examples. If you like something, tell people.
If you want more content from an artist or author, if you like their stuff, tell them. It will give them creative fuel to keep going. And often it gives them other resources as well. Recommend a work to other people. Leave a comment or a review. It doesn't have to be long, just genuine, a sentence or two. Not many people know that a book's success is judged by book reviews as well as sales. Review the book on Amazon or another site to help it pass the metric of success and be recognized by publishers and retailers.
This June, I need Gen Z queers to understand that some people are closeted.
I am saying this as a Gen Z queer, before y’all get your guns out to fucking shoot me.
But I need y’all to understand that if someone doesn’t give you their government name in a queer space, it’s not because they’re “mysterious,” and you do not have permission to take it upon yourself to figure out their “real identity” and go digging for them online like a private investigator. First, that’s creepy and a violation of privacy and reasonable boundaries. Second, some of us keep our private and professional lives very separate because we need to keep food on the fucking table and a roof over our heads, and our private life could jeopardize that.
“Why won’t you tell me about your parents?” “Why can’t I know your real name?” “Where do you work?”
1.) Not all our parents would bake us a fucking cake when we come out. Some of us are closeted. Surely you understand this? You also do not need to know my parent’s names or occupations; we are both adults. I do not need nor want to mix you and my private life with my parents and my public life.
2.) Trans people do not owe you their dead name or government name
3.) I’m not telling you for the sake of job security. I am a government fucking caseworker working amidst a fucking lavender panic!
“There’s no way you’re a different person outside this; you’re still you at your core. What harm is there—”
No, I am a completely different person. A different person with a different personality and different interests and a different name and presentation. I am a completely different person because I keep this life and my public life private to avoid fracturing 90% of my interpersonal relationships and 100% of my professional ones.
“You’re not out? But you’re so confident.”
See— that’s part of the issue. Y’all assume someone is in the closet because they hate themselves or lack self-identity. Some of us know exactly who we are, but need to prioritize financial stability or else our entire life gets exponentially harder immediately.
You meet queer people over the age of 40 and one of the first/earliest questions is “who knows?”
I need y’all to start bringing that energy. Because it’s not always safe for someone to be out and not everyone is safe to be out around.
There is a misnomer that “the closet” inherently means “doesn’t know they’re queer” and not “isn’t out widely and publicly.” “Outness” is often a patchwork.
Even if someone who isnt out does share any life details with you, you keep those to yourself. You tread carefully and assume others dont know until told otherwise. And sometimes you lie and help keep that closet door shut. It is ok to feel super weird about it if someone comes out to you as trans but tells you to only use their preferred name and pronouns privately just the two of you. It's fine to feel uncomfortable when people ask you if a gay person has an opposite gendered partner. It is so valid to feel weird and bad deadnaming someone even though they requested it. It stops being valid if you do anything other than they asked. Feel your feelings, and keep them to yourself - someone else's identity isn't about you.
It makes me happy when they listen
YES. YES YES YES THANK YOU
I cannot recommend bringing your heritage and culture into how you view media enough.
It is important to consider the culture of the person who created the piece, absolutely; but the different perspectives offered by the viewers is fascinating in and of itself and does not always detract from the message.
As an example, when I was younger, I watched Schindler's List. This movie is famously shot in black and white except for one section, concerning a little girl in a red coat. The camera follows her until her eventual death.
I am Turtle Island Indigenous and I was always taught that the only color spirits could see was red, because it is the color of life and blood.
So the second the girl in the red jacket came on screen, something inside me chilled with fear.
The only color in the movie was that red. At some point, I, the viewer, had died.
I remember sobbing at the sight of the burning human piles that were shown, convinced I was buried in there somewhere. The reason I had only seen red on the girl was that my death was recent. I was the ash in the air mistaken for snow. I had died before her and had followed her, helplessly, until she followed me.
The message I got for that was maybe not what the creator had intended: that there was no "being clever enough" or "good enough" or "kind enough" that would shield or protect you from such a massive tidal wave of evil.
You are not exempt from tragedy, that red jacket whispered. You are not special.
When I told some of my white friends about my experience with viewing Schindler's List, some were shocked and the rest just out-and-out mocked me for my "media illiteracy".
"it was just a filming trick to make you feel something," I remember one saying, which terrified me. How had he not felt anything even before she showed up?
However, when I repeated my viewing to a college class, they were fascinated. The implications of what I had seen and felt made the film all the more terrifying and solemn. It encouraged a lot of people to try to ask themselves what media meant from a cultural perspective, where they hadn't done that before.
drew myself as a goblin shark
Would be a strong fursona contender if drawing her in front facing view wasn't so... maybe I can figure it out.
I think her front facing potential is quite beautiful
oh my GOODNESS
I like this, but I think I took a wrong turn
I fear I'm getting charmed by this shart...
I feel like I’m in hard denial about code lyoko making a comeback lol
Tips for Writing Trauma!
i love you all and i need you to stop writing trauma as a single breakdown scene in the rain after which the character is Healed and Ready to Love Again. that is NOT trauma :(
⊹ Trauma doesn't announce itself. it shows up as your character suddenly not being able to eat a specific food, or going very quiet in a loud room, or laughing at the wrong moment because their nervous system decided that was the appropriate response. it's mundane and weird and it makes no sense from the outside. the dramatic flashback sequence is the least realistic part. the most realistic part is your character suddenly needing to leave a grocery store for a reason they can't articulate.
⊹ The body keeps score and it keeps it in the strangest places. a particular smell. the quality of light at a certain time of day. a tone of voice that sounds like someone who hurt them. your traumatised character doesn't think "this reminds me of the bad thing." their heart rate spikes and they don't know why. they feel wrong and they can't locate the feeling. they're irritable for three days and only later, if ever, do they make the connection. write the disconnection. it's more honest.
⊹ trauma also does not make people universally sympathetic and wise. it makes some people controlling. some people funny at inappropriate times. some people very good in a crisis and completely unable to handle a normal day. some people are generously kind to strangers and absolutely terrible to people they love. trauma shapes behaviour in contradictory, inconvenient ways that don't resolve into a lesson. your traumatised character can be difficult to like. that's not a flaw in the writing. that's the WRITING.
⊹ Healing is not linear and it is not a destination. your character does not get better and stay better. they have a good month and then something small undoes two years of progress and they have to start again with slightly more tools than before. that's the actual shape of it. the spiral, not the arc. the scene where they finally open up and cry is not the end. it might not even be progress. sometimes it just means they were tired that night.