Sculpting the Thingness of Light
LOS ANGELES — For Helen Pashgian, art exists at the intersection of the material and immaterial. Her use of industrial materials, such as acrylic, epoxy, resin, and metal, combined with complex fabrication processes serve to make the presence of light a substance unto itself. Helen Pashgian: Light Invisible, the artist’s first large-scale sculptural installation, at the Los Angeles County Museum of Art, showcases the alchemy of this intersection that transforms both material and light into visibly evanescent forms.
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