𝐒𝐓𝐑𝐈𝐊𝐄 𝐂𝐀𝐑𝐒𝐎𝐍 — a twenty-eight year old horror movie director who thinks she's still a regular person, penned by 𝓯𝓮𝓻𝓫 for 𝖓𝖊𝖕𝖔𝖋𝖒. INTRODUCTION , PLAYLIST & PINTEREST.
𝐁𝐀𝐒𝐈𝐂𝐒
lorde. she/her. cis woman. › spotted at the met steps , lucky strike carson , most likely listening to heads gonna roll by jenny lewis with their airpods pro . the twenty-eight year old gained quite a reputation , known to be -uncompromising yet +inventive to anyone who knows them . you'll easily spot them when you hear about carefully categorized prints of 1970’s horror films stacked neatly in a home theater , the whisper of uncertainty — asking if another miracle can happen , the magic of fame wasted on a girl obsessed with being an outsider , deep insecurity hidden behind cigarettes and snark , followed by old cigarette smoke and vintage perfume . latest nepoupdates article talks about the newest queen of horror isn’t as down to earth as she seems — production assistant tells all! , but i guess any reputation is good reputation .
𝐒𝐓𝐀𝐓𝐒
full name: lucky strike carson
nicknames: mostly goes by strike, unless you've know her a long time. does not tolerate "lucky" except from those very close to her.
birthday: june 29, 1995
zodiac: gemini
hometown: topeka, kansas
occupation: film director
sexual orientation: bisexual
face claim: lorde
career claim: ari aster
𝐇𝐄𝐀𝐃𝐋𝐈𝐍𝐄𝐒
NEWEST FILM BY LUCKY STRIKE CARSON MAKES $22MIL ON LIMITED RELEASE — The Hollywood Reporter, 15 August 2023 STRIKE CARSON WINS INDEPENDENT SPIRIT AWARD FOR MIDSOMMAR — Sight & Sound, 5 March 2023 STRIKE CARSON SMOKES A CIG WITH SETH MEYERS TO PROMOTE NEW FILM: SEE FULL VIDEO — Variety, 1 December 2022 SURPRISE HIT WITH A24'S HORROR FILM, HEREDITARY: READ OUR REVIEW HERE ! — The Guardian, 19 October 2020 WINNER OF STUDENT FILM FESTIVAL: MUNCHAUSEN WRITTEN AND DIRECTED BY LUCKY STRIKE CARSON — The NYU Times, 14 April 2017
𝐑𝐔𝐍𝐃𝐎𝐖𝐍
she's been weird her entire life - and really, with a family like hers, how could she not be? the only daughter in a gaggle of boys, surrounded in her family's trailer by both love and constant criticism. each of them latched onto something - she just picked the old vhs copies of slasher films that her uncle left over, the last time he ever visited. and that would be her saving grace, and her downfall.
she buys a camera - or, well, you could say she sort-of steals a camera - when she's twelve. she pawns a few things she picks up off of the porches around the neighborhood, and then uses that to buy a film camera that's a bit too old and a few rolls of film. and then it begins, she's directing little movies with her brothers in starring roles - everything from war dramas to romantic movies featuring their girlfriends as love interests.
they put up with it, until she's in high school and it's no longer a product of her youth. then, she's got to recruit the losers and the theater kids from her high school - this time, all to make a full film reel. she's got her sights set on film school, on getting out of the town she's in and moving to new york city. and she'll need a scholarship to do it. so she works her ass off, and gets the scholarship, and the rest is a carefully crafted montage of packing up a life and moving it across the country.
film school is everything she thought it would be and more. she's got the freedom now, between her very structured classes, to branch out - try new, more experimental things. and she's got the equipment to meet the ideas she has in her head. nyu loans her real cameras, and she goes a little insane for the first two summers she's there - filming everything she possibly can and entering film festivals with short films that she actually feels meet her expectations.
she meets abel there, in class, and she actually finds someone who she values the opinions of. most people know that strike has never been able to be told she's wrong - too opinionated and hardheaded to actually be reasoned with. but abel's ideas are good, and their delivery's gentle enough that strike doesn't feel attacked all the damn time. they fall into the relationship with ease, like it's something that it's supposed to be. and strike doesn't even mind that misses a class or two, if it means she's actually got something real.
she wins, at the student film festival, with a short about the death of familial relationships - and she feels accomplished in a way she never really has before. she wants more, wants to actually bring some of the horrifying shit she's been writing to life - but she has to finish school first, has to perfect her screenplays and create a pitch, and she disappears for a little while, into her dorm room, to work on that. abel is the only one who actually sees her, for a while.
and then the relationship is over, one random morning, and strike is left alone in her dorm room. and she can't even process the heartbreak - she has a meeting coming up with several production companies and she works through it - works through everything. she's a bit of a workaholic, chasing a legacy that she knows she can leave. only her brother really gets through to her, when he moves up to new york, too. she's glad - he reminds her to eat and... exist, outside of the confines of a film set.
she wins an award on her first feature, and the accolades keep coming in, and being as meticulous and rude as she was during development seems... worth it. yeah, some of her actors hate her - but she got their names out there, by word of mouth and good performance, right? everything can be forgiven if it's a means to an end.
she releases another film with incredible turnaround time, and that one wins bigger awards - makes more money than she knows what to do with. they offer her a ridiculous amount of money - enough to buy the entire goddamn trailer park where she grew up, and she... turns it down. or - tables it, is a more correct way to put it. strike wants to be a person, and not a little worker bee.
so, she takes two years off - or, she gets the production company to agree to her taking two years off - and goes into the city to actually experience it. she'd never even been to central park, before - and she lived not ten blocks from it, during college. and when she starts to interact with the people around her, she starts to realize - she doesn't belong among them, still too many sharp edges and too much history. people think she's grown, a rags to riches success story - but strike's still that same girl, stealing off the others in her trailer park to chases insane dreams.
𝐂𝐎𝐍𝐍𝐄𝐂𝐓𝐈𝐎𝐍𝐒
THE ACTORS — people that appeared in her movies! strike is intense on a set, a whole different person than she is outside. you either hate her, or respect her for the way that she's able to push her actors into performances of a lifetime. no matter the opinion, her movies have garnered acclaim, so often those in them might hate her on set, but love her once the reviews are released.
THE COMPETITOR — perhaps another director, who attended nyu at a similar time - someone who's been coming up at the same time. neither of them are sure whether the rivalry is real of something they're both just clinging to - especially since they work in wildly different genres. nevertheless, the two are probably being eyed to be in an oscar race eventually - and that will be a bloodbath, if they don't make nice soon.
PLATONIC — she's hard to like, on set, but off of it - she's completely an open book. abrasive to a fault, strike's friends will have to be laid back and easygoing, able to take a joke ; people who also came from nothing, or who are less interested in living a life of luxury and more into smoking cigarettes outside of dingy bars that remind her of home ; anyone who might be interested in being in a movie - this could be someone who's a little more manipulative of her, she's desperate to feel normal again, and a friendship could get their food in the door.
ROMANTIC — hookups! strike's known for picking up at bars and trying to be completely normal about it afterwards - even worse, she's good at it. sex doesn't mean a lot to her - which could cause some conflict ; an ex that she "forgot" about during production, probably it fell apart due to her just... not ever texting back... could be dramatic!
ANTAGONISTIC — people who think they're better than her, or at least people who act like they're better at her ; people who are way too proper and upper class who might think she's a bit of a street rat (she is) ; anyone who doesn't like a random 5'1 girl swearing up a storm in their general vicinity - no matter what her status is in the movie world.
