How To Survive In The NOW PublicationÂ
@lynette-voâ @studiogatewaysaiâ @cindyjiang

Kiana Khansmith
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YOU ARE THE REASON
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How To Survive In The NOW PublicationÂ
@lynette-voâ @studiogatewaysaiâ @cindyjiang
Nowness distribution - Videography: Sasha Teffaha, Editor: Saira Arias @lynette-vo @cindyjiang @studiogatewaysai
Assessment 3 // Manifesto
NOWNESS is a quality or state of existing or occurring in or belonging to the present time (Google Definition). Therefore, the value of something existing changes over time as NOWNESS evolves. But how does time change the value of objects to a person as the NOW changes? Some objects increase in value, both personally and monetarily. Others decrease in value in which are often regarded as ârubbishâ. As a group, we would like to investigate how the âNOWâ by curating multiple objects together to showcase personal value.Â
NOTE:
We have yet to decide what ways in which we can show this NOWNESS concept.Â
@lynette-vo @studiogatewaysai @cindyjiang
Intervention
We sat in the elevator for 15 minutes with a bean bag.Â
@lynette-vo @cindyjiang @studiogatewaysai
ADAD N°3 INTERVENTION STATEMENT
We are here.
This was a performance piece whereby our group would occupy the D-Block elevator with a bean bag. In this we would become a glitch to the students in COFA; an unexpected an interruption to their travels between class. The responses and reactions were variedâstudents would awkwardly manage their way in and avoided making any eye contact with us while some left upon the elevator doors opening, revealing us as we monotonously asserted: âWe are here.â Also, we occupied a space that marked a transition but by bringing a bean bag with us, we also managed to further âglitchâ the elevatorâs purpose into one of leisure. There were moments, that were unfornatuentely not recorded, where we made light-hearted conversation and even extended offers to students using the elevator to sit down on the bean bag with us.
ADAD N°2 FINAL WORK
ADAD N°2 CONCEPT STATEMENT
1. Art and design often explore relationships between humans and non-humans, the environment and ecology. How can contemporary art and design propose new possibilities for imagining the âhumanâ and the environment?
This work explores the ecology of the home; its inhabitants, and by extension, their positions in the household and their identities. This is revealed through not only the resources that speak of intimacy, or how the final creases bend, but also through direct experience. I observed revealing performances. Performances that highlights the difference between my father's spontaneous folds straight through the paper and my mother's aggressive paper twisting, and my brother's decision to evict me out of his room when I kept pestering him to fold more paper.
The significance of paper folding is in its act of permanence, a crease once made cannot be undone and is irreversible. This detail then becomes a metaphor for life whereby the decision on how, where, and how hard to fold are symbolic of our actions and accordingly, the creases we make become our consequences. Fittingly, Robert J. Lang asserts, "... in a crease pattern, you can see everything that is hidden in the folded work.â
As mentioned, the material for folding has been deliberately selected to further this theme of the personal; envelopes that once carried the electricity bills addressed to both heads of the household, the leftover square-patterned paper from a university student's assignment, a pre-pubescent boy's unsigned permission slips, and a geography assignment along with old word searches, that parents had printed out, done by siblings on a boring day when the wifi was down.
The identities and connections of this home ecology become apparent. However, as much as my family belongs to this environment, we simply don't just exist in this space. We are not entirely confined and bounded to a gray brick townhouse just a street away from a valley's lane. While this setting completely composed of us, we are not entirely defined by ecology because we are complex and multi-faceted; a point that I felt that needed to be addressed in the work.
In continuing my work from the first assessment, I chose to narrow my focus on the origami aspect to it whereby I was challenged by my tutor to resist the traditional art practice of paper folding which was apparent in my poster. While somewhat monotonous, I enjoyed spontaneously making creases without thinking too much. I was also able to pick up a certain style in the way I had made my foldsâcorner to corner and an inclination for creating curves. I would then understand this would already be my personal story and identity coming through into the work. Despite my fascination and research into artists who specialized in origami, their work deviating from the traditional practice, I still had initial trouble in understanding the connection between what I was exploring and the topic I had chosen. This was mainly because my focus on nature had carried over from the first assignment into this one. Although, this was made clearer to me after having a discussion with my tutor whereby my perspective of what ecology meant expanded. I took in a few pointers, however, the idea that intrigued me the most was having others participate as a reflection of ecology. The conversation between a friend and myself as we folded away. Ultimately, I decided to shift my focus to home. I did consider a university environment but thought that it would be too difficultâcarrying the papers to and from school, meeting up with everyone when they were available, or actually getting the origami forms back.
In the end, I couldn't apply those techniques that I had looked into to my final work because I wanted honesty, a good reflection of the identities within the household.
BIBLIOGRAPHY
Baik, K. (2016). This Paper Magician Constructs Unbelievable Origami. [online] Creators. Available at: https://creators.vice.com/en_us/article/535axa/jun-mitani-is-a-paper-magician-constructing-unbelievable-origami-forms [Accessed 17 Sep. 2017].
Between the Folds. (2008). [video] Directed by V. Gould. USA: Green Fuse Films.
Langorigami.com. (2017). Crease Patterns | Robert J. Lang Origami. [online] Available at: http://www.langorigami.com/crease-patterns [Accessed 18 Sep. 2017].
Schlender, S. (2013). For One Man, Origami Unfolds a Better Life. [online] VOA. Available at: https://www.voanews.com/a/for-one-man-origami-unfolds-a-better-life/1579066.html [Accessed 17 Sep. 2017].
ADAD N°2
These photos are of arrangements that Iâve been deliberating on, though, I think Iâll settle for the third. The idea is to have the wire and bamboo settle on a flat surface and a majority of the folded paper forms attached to the materials while other paper pieces seemingly âspill outâ of this invisible frame that has been set.
That even though my father, mother, brother, and myself belong to this environment, we also exist outside of this home ecology; we are not restricted, bounded, or bounded to it.
If available, Iâve decided to use the âlight up tableâ in one of the animation rooms located in the basement that I had used for my previous experiment. This is because I feel like it would further this feeling of being bare and stripped, something revealing.
ADAD N°2
In being faced with a problem of my wire piece being too short, Iâve decided to use a wire cutter to cut it into strips as opposed to having a whole piece. I also had some leftover bamboo poles from the first assignment that I thought would contrast nicely against the aforementioned material. Thereâs something nice about having something so solid, thick, and definite alongside while not exactly transparent, something bare, naked, and malleable?
ADAD N°2
I have wire similar to chicken wire. Initially, I was thinking using it in a way that combines all the folded paper pieces, however, there isnât enough for all of the paper pieces I have and it is quite tricky to work with. My fingers were numb and I had to use multiple band-aids as I tried to figure out a form.
ADAD N°2Â
âOrigami crease patterns serve many purposes: to the designer, they provide a structural representation of the artwork. To a folder, they can provide signposts on the way to a fold. To the everyday viewer, they provide an alternate way of looking at the folded subject: in a crease pattern, you can see everything that is hidden in the folded work.â
Robert J. Lang is a creative practitioner most recognised for his origami, his designs celebrating a marriage between âthe Western school of mathematical origami design [and] the Eastern emphasis upon line and formâ. Langâs work are noted for their complexity and realism.
Japanese computer scientist and origami extraordinaire shares a few words on his custom developed software and paper collaborations in fashion and more.
ADAD N°2Â
âI thought that I should challenge origami, particularly the geometrical constraint, which is harder than in papercraft.â
In moving away from the traditional art practice of oragami, Japanese computer scientist, Jun Mitani, specialises in geometric modelling in computer graphics, applying his knowledge of algorithms and user interfaces. Besides from this challenging, what attracts me to his designs would be the thoughtful geometry and thought that goes into it? This maths and science that underpin his art?
ADAD N°2
These are the only gifs Iâm posting because itâs such a hassle for me to upload gifs onto Tumblr because the app doesnât work on my phone.
ADAD N°2
Iâm currently trying to think about how to present this all together. For my first experiment, I had just laid them out on a table in one of the animation labs in the basement. Though, I really liked the fact that the table had a feature of lighting up that gave my experiment some sort of depth, I want to just have it as a backup option at this point. Since the topic is ecology, I feel best that there was something connecting all the individual paper forms as opposed to having them scattered on a table.
ADAD N°2
This would be some sort of collaboration between me and my brother, I guess. I asked him to fold but he told me he was lazy so I finished up the rest. The papers are old word searches my parents had printed out and past assignments I helped him with. This coupled with the actual experience of folding would tell a wonderful story about our sibling dynamicâme barging into his room to order him to do something as the older sister but still having to do it myself in the end. Also, the material would also speak of our identities as the children of the house, which was something I was dwelling when I folded the squared pattern paper in the beginning.
ADAD N°2
These papers belong to my kid brother. They are school permission slips that he forget to give in. The final forms are scrunched up a lot. I donât know if this is because he doesnât know how to fold, itâs a personal style, or the fact that I interrupted him while he was playing some random game about slime on his laptop. In conclusion, all this information should tell you that heâs just started high school.
ADAD N°2
For this, I cut open and disassembled the envelopes of my parentsâ mail. Most of them were about taxes and all. All that boring adult stuff. I had my parents fold the paper as they watched a movie in their bedroom. I think this reflects well on who they are? Well, at least to an extent. Resources and material that detailed responsibility but forms created during recreation? They were watching some movie on TV and my dad was playing Candy Crush on his phone while my mom was scrolling through Facebook. My mom couldnât be bothered and only folded two, instead she nagged my dad to do the rest. I think itâs interesting? What I noticed during this process is that my dad for most of the time went for spontaneous linear folds while my mom tried twisting the paper while having a vision of what she wanted?
ADAD N°2
Here, I folded leftover paper from drafting for a 3D modelling assignment. Unlike my previous experiment, I wanted to use material and resources that would reflect identitity? This would be so that the final work would be able to tell a story about the individuals connected to each other in this ecology? I donât know how to properly word it but think of it like this giant ocean, whole and complete, but made up of individual ripples that in the end still belong to the ocean. Anywho, this would be about the identity of a university student that I assume at home. Iâm still a daughter foremost, and maybe Iâll find a way to incorporate that later, but the fact that I go to university affects everyone? Be it in their schedules and to a sadder extent, their finances. With being a student of higher education, also comes with responsibility towards my studies and those that naturally present themselves to me as I make that really awkward transition into adulthood. You could say that the forms I fold could reflect upon me struggling to figure out myself? A compromise with whatever? Creativity with my past and arguably current studies. My beliefs and my momâs conservative views. Thereâs this juxtaposition between the geometrically linear patterns on the paper and its scrunches and curved form.