祝日 / Permanent Vacation
NASA
taylor price
blake kathryn
No title available
RMH
Product Placement
Not today Justin
Kaledo Art
Jules of Nature
Andulka
Show & Tell
Cosmic Funnies
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No title available
ojovivo
Game of Thrones Daily
Misplaced Lens Cap
JVL
Stranger Things
seen from United States
seen from United States
seen from Indonesia
seen from Austria
seen from Türkiye
seen from Italy
seen from Australia
seen from Nepal
seen from Nepal
seen from Malaysia
seen from Malaysia
seen from Nepal
seen from United States
seen from Austria
seen from United States
seen from United States
seen from United States
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seen from United States
@subaquaticbase-blog
hey do you have a saved/uft url page
hey anon! i just made up a list on pastebin, separated by fandom. if you want any of them please contact me literally anywhere but here because i don’t actually use this account anymore lol
current tumblr: @manjohme
twitter: @ blastblight
and my discord is kas#8759 if you’d like to speak there; thanks!
Ensemble Stars! 2nd Unit CD Vol.10 Trickstar
01.HEART→BEATER!!!!
Hidaka Hokuto (CV: Hosoya Yoshimasa), Akehoshi Subaru (CV: Kakihara Tetsuya), Isara Mao (CV: Kaji Yuuki), Yuuki Makoto (CV: Morikubo Shoutarou)
Ensemble Stars! 2nd Unit CD Vol.10 Trickstar
02. 虹色のSeasons (Nijiiro no Seasons)
Hidaka Hokuto (CV: Hosoya Yoshimasa), Akehoshi Subaru (CV: Kakihara Tetsuya), Isara Mao (CV: Kaji Yuuki), Yuuki Makoto (CV: Morikubo Shoutarou)
me: *is constantly worried im annoying*
me: hey guys
no one:
me in my head: fuCK FUCK FUCK FUCK FUCK FUCK FUCK FUCK
Holy shit i do
is origin telling me i have every sims 3 expansion and stuff pack
i think the coolest thing would be to see a new color
right so theres this thing called the bullet shrimp
and not only are these things totally badass and stylish
they have 16 colour cones in their vision
us humans only have 3
these things can literally see over 5 times as many colours as we can
literally they can look at what we would see as a completely black space and see thousands of colours we don’t even know exist
do you understand how fuCKING COOL THAT IS
not only that but they can punch a hole in an aquarium tank.
that’s pretty fucking radical.
not only punching through aquarium walls too
these little demon-spawn can punch so hard and so fast that
IT BREAKS WATER PHYSICS
their punches cause water to boil and create a bubble underwater, which kills its prey if it has contact with it, cooking them from the outside
BUT IT DOESN’T EVEN NEED TO MAKE CONTACT
the collapsing bubble sends out a shockwave strong enough to kill anything in a 10 cm diameter due to pure pressure
this fabulous sob is death incarnate and don’t forget that
Even better - the inside of that little bubble before it collapses is over 5,700 Kelvin, hotter than the surface of the Sun.
what’s it called when a shrimp kills another shrimp
a krilling spree
no it’s fucking murder
Trying to draw buildings
yo here’s a useful tip from your fellow art ho cynellis… use google sketchup to create a model of the room/building/town you’re trying to draw… then take a screenshot & use it as a reference! It’s simple & fun!
Sketchup is incredibly helpful. I can’t recommend it enough.
There’s a 3D model warehouse where you can download all kinds of stuff so you don’t have to build everything from scratch.
reblog to save a life
This is an incomplete tutorial, and it drives me crazy every time I see it come around.
We live in a pretty great digital age and we have access to a ton of amazing tools that artists in past generations couldn’t even dream of, but a lot of people look at a cool trick and only learn half of the process of using it.
Here’s the missing part of this tutorial:
How do you populate your backgrounds?
Well, here’s the answer:
If the focus is the environment, you must show a person in relation to that environment.
The examples above are great because they show how to use the software itself, but each one just kind of “plops” the character in front of their finished product with no regard of the person’s relation to their environment.
How do you fix this?
Well, here’s the simplest solution:
This is a popular trick used by professional storyboard and comic artists alike when they’re quickly planning compositions. It’s simple and it requires you to do some planning before you sit down to crank out that polished, final version of your work, but it will be the difference between a background and an environment.
From Blacksad (artist: Juanjo Guarnido)
From Hellboy (Mike Mignola)
Even if your draftsmanship isn’t that great (like mine), people can be more immersed in the story you tell if you just make it feel like there is a world that exists completely separate from the one in which they currently reside – not just making a backdrop the characters stand in front of.
Your creations live in a unique world, and it is as much a character as any other member of the cast. Make it as believable as they are.
Great comments and tutorials!
I’m a 3d artist and have been exploring the possibilities of using 3d as reference for 2d poses. I want to add a couple of tips and things!
Sketchup is very useful for environment references, and I assume it’s reasonably easy to learn. If you’re interested in going above and beyond, I highly recommend learning a proper 3d modeling program to help with art, especially because you can very easily populate a scene or location with characters!
Using 3ds Max I can pretty quickly construct an environment for reference. But going beyond that, I can also pose a pretty simple ‘CAT’ armature (known in 3d as a rig) straight into the scene, which can be totally customized, from various limbs, tails, wings, whatever, to proportions, and also can be modeled onto and expanded upon (for an example, you could 3d sculpt a head reference for your character and then attach it to the CAT rig, so you have a reference for complex face angles!)
The armature can also be posed incredibly easily. I know programs exist for stuff like this - Manga Studio, Design Doll - but posing characters in these programs is always an exercise in frustration and very fiddly imo. A simple 3d rig is impossibly easy to pose.
By creating an environment and dropping my character rig into it, I have an excellent point of reference when it comes to drawing the scene!
Not only that, but I can also view the scene from whatever angle I could ever want or need, including the character and their pose/position relative to the environment.
We can even quickly and easily expand this scene to include more characters!
Proper 3d modeling software is immensely powerful, and if you wanted to, you could model a complex environment that occurs regularly in your comic or illustration work (say, a castle interior, or an outdoor forest environment) and populate the scene with as many perspective-grounded characters as you need!
Reblog to save broken hands
me (cleaning up): holds knife
intrusive thoughts: what if-
me: ok edgelord we get it what if i slit my wrists right now can we please just focus
ritz crackers
