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Another entry for my "SIrasa" HxH fic idea vault. Or more like general HxH fanart haha, this is Sarasa with all her friends future hair-dos-- her favorite (totally not biased) is Chrollo.
Oh Anthy, my darling dear
Kurta Massacre Investigation Theory
In this article, I would like to touch upon Kurapika’s story arc and the numerous inconsistencies associated with the conventional perception of the events — specifically, the massacre of the Kurta Clan and who the real culprit is. This is contrary to Kurapika’s own belief, as he functions in the story more as an unreliable narrator than an objective storyteller whose words should be taken as absolute truth.
As we all know from the canonical version of events (because that’s what Kurapika says), 4 years before the start of the main story, the Kurta Clan was wiped out by the Phantom Troupe for the sake of their Scarlet Eyes, which are extremely valuable on the black market. In response, Kurapika swore revenge. However, over time, this version of events appears increasingly implausible and convoluted. The impression that the Spiders did not kill the Kurta Clan formed in me about six years ago, after reading Volume 0 (released in 2014), which contains a detailed report on the Kurta Clan massacre.
After analyzing the manga’s narrative, the canonical interpretation of what happened seems highly questionable, full of holes and contradictions.
Why did Kurapika decide that the Phantom Troupe wiped out his clan?
No one in the world, except Kurapika himself, accuses them of the crime. Nothing in the information available to Kurapika (or anyone else) indicates that the Troupe was responsible. Yet from the very beginning of the story, Kurapika firmly insists that the Phantom Troupe exterminated his clan because of the ‘Scarlet Eyes’ value on the black market.
The fact that the Troupe carried out the Kurta Clan massacre is not common knowledge. This is confirmed by Leorio’s words: the Spider symbol is a well-known emblem of the Phantom Troupe, but the detail that the Kurta Clan was killed by them is described as “less widely known information” that he learned directly from Kurapika.
Let’s examine the information Kurapika could have obtained from the news report on the Kurta Clan massacre. The end of Volume 0 states:
“NEWS OF THE KURTA CLAN’S ANNIHILATION WAS REPORTED TO THE WORLD SIX WEEKS LATER. THE NEWSPAPER ARTICLES AT THE TIME SAID THE FOLLOWING…
A female traveler who wandered into the forest discovered that all 128 villagers had been killed.
Family members were seated facing each other. They had been stabbed multiple times and decapitated while still alive.
It is believed these wounds were not inflicted on Kurta Clan members bound by blood. Both eyes were gouged out from pure-blooded Kurta members. For outsiders who joined the clan through marriage, their eyes remained but were crushed. They suffered more brutal wounds than the other clan members. (Adult men had more wounds, but these were almost certainly sustained while fighting before they were captured by the criminals.)
It is also believed that the criminals particularly frequently and brutally mutilated the children in front of their parents to produce a more vivid scarlet color.
The scarlet color caused by anger is very rich and bright, and is highly prized in the criminal underworld.
Next to the bodies of the slain, a message presumed to have been left by the criminals was found:
‘We will take everything you leave behind, but never take anything from us.’”
Nothing in this news report indicates who committed the crime.
Many people mistakenly cite the message left by the criminals as evidence. It clearly points to the well-known motto associated with Meteor City, as explained by the mafia hacker in Yorknew. One might assume Kurapika concluded that Meteor City — and by extension the Spiders — were involved. However, neither Kurapika nor the general public knew at the time that the Spiders came from Meteor City or had any connection to it. The mafia itself only learned this after analyzing the Troupe’s fake corpses during the Yorknew arc, after which the bounties on their heads were withdrawn.
The connection between the Spiders and Meteor City was not public knowledge before the Yorknew events.
Moreover, the elders of Meteor City themselves are unlikely to have done it. As the mafia explains, Meteor City leaves such messages after acts of revenge against the outside world for injustices committed against one of its residents. For example, ten years earlier, after an innocent Meteor City resident was wrongly imprisoned for a murder he didn’t commit, 31 people involved in the case (police, judges, prosecutors, and lawyers) were killed by 31 Meteor City residents who used themselves as human bombs, leaving the same message behind.
If this message is the well-known signature of Meteor City/the Phantom Troupe, why didn’t the news reports identify the perpetrators or mention who the message is associated with? The news left the criminals anonymous and did not suggest the message pointed to Meteor City or the Troupe.
When Meteor City takes revenge, they always use human bombs, following the rule stated in Chapter 396: “Only life can compensate for life.”
In the case of the homeless man, 31 people involved in his wrongful conviction were killed, along with 31 Meteor City residents who sacrificed their lives — exactly 62 people total. Similarly, over 300 people died in the Chimera Ant attack on Meteor City (victims plus the residents who detonated themselves).
In contrast, the Kurta Clan massacre had a completely different modus operandi: 128 clan members were simply killed with bladed weapons, not bombs. Additionally, Meteor City only takes revenge on those directly responsible for the injustice, yet here everyone was slaughtered indiscriminately. The method is not characteristic of Meteor City.
It also couldn’t have been the Phantom Troupe itself. They never leave such messages. Even when they took revenge on the mafia for Uvogin during the Yorknew Requiem, they didn’t leave one. They simply don’t operate that way and are not directly tied to Meteor City’s actions. Moreover, they don’t take the concept of revenge as seriously as Meteor City’s elders. This is shown by how easily the Spiders (except Nobunaga) wanted to leave Yorknew without avenging Uvogin. Chrollo was very surprised by Nobunaga’s obsession with revenge and told him to forget about it. (Importantly, this scene plays out immediately after the mafia’s story about how important revenge is to Meteor City.) Thus, the narrative clearly separates the Troupe’s actions from those of Meteor City’s elders, indicating they operate independently and do not share the same philosophy.
Phinks openly mocks the philosophy of Meteor City’s elders and how they operate during the Chimera Ant arc.
Not to mention that the level of cold-blooded cruelty toward the victims in the Kurta Clan massacre does not resemble how the Spiders usually act. For such brutal killers, they are actually relatively merciful — they either attack in self-defense or target criminals and mafia members. In Yorknew, for example, they only killed mafia members and never touched Gon and Killua despite having multiple opportunities and justifications to do so.
They showed a certain level of cruelty during the requiem for Uvo because of Chrollo’s order to “make it a big show,” but even that, as Feitan emphasized, was a “very unusual” command. This indicates they normally do not behave this way, except in that special case.
Meanwhile, the Kurta Clan massacre displayed an unprecedented level of cruelty and violence: brutal stab wounds on men, women, and children; eyes crushed; heads severed.
As Togashi emphasizes during the scene of Luini’s meeting with the Spiders, they do not kill people indiscriminately or for no reason, and the public’s opinion of the Spiders (and, from a metatextual perspective, the opinion of manga readers) differs greatly from who they actually are.
Meanwhile, the Kurta Clan massacre displayed an unprecedented level of cruelty and violence: brutal stab wounds on men, women, and children; eyes crushed; heads severed.
Massacre does not resemble the Spiders style, but it fits the mafia perfectly.
Ultimately, anyone could have left that note at the massacre site to divert attention and shift blame onto Meteor City, knowing that the police are wary of getting involved with them after the famous incident with the 31 people killed over the wrongful conviction of a Meteor City resident. The note on the corpse’s leg is the only “evidence” suggesting the killers were from Meteor City. Remember how, early in the manga, Kurapika nearly killed a prisoner in the Trick Tower — one who had given himself a fake Spider tattoo — in a fit of rage. False accusations against Meteor City residents, criminals impersonating Phantom Troupe members, and some people’s awareness of the city’s “calling cards” are all realities in the Hunter x Hunter world.
False flag operations are commonplace even in real life, and this has already happened three times in the story:
Majitani, who fought Kurapika during the Hunter Exam. He was a small-time criminal pretending to be a Phantom Troupe member by using a fake Spider tattoo to gain more respect and instill fear.
Hisoka, who was a genuine member but insincere, and also had a fake tattoo.
Luini, who killed one of the Cha-R family’s men and tried to pin it on the Spiders to spark a war between them.
Togashi does not include such narrative elements for no reason. This hints that the root of the conflict between Kurapika and the Spiders lies in a false perception of who the real perpetrators of the Kurta Clan massacre were — because the actual culprits simply shifted the blame.
Moreover, there is a very amusing irony here: during the auction, the Spiders themselves steal from and kill mafia members while “pretending” to be mafia.
Kurapika firmly claims that the Kurta Clan was killed by the Phantom Troupe for their Scarlet Eyes, which are highly valuable in the criminal world and black market.
However, when he mentions them to Uvogin, Uvogin doesn’t even understand what he’s talking about — he has no idea who the Kurta are or what the Scarlet Eyes are. Strange questions for someone who supposedly participated in the genocide of 128 people specifically for those eyes.
Authors do not make such narrative choices by accident. Togashi is very subtly planting subtext that Uvogin genuinely doesn’t know what Kurapika is referring to, meaning Kurapika is deeply mistaken about the object of his hatred.
Many people point to the later scene where Uvogin finally sees the Scarlet Eyes as proof that the Troupe participated in the genocide, but technically, Uvogin admits nothing. Togashi deliberately uses vague language, especially in the original Japanese text:
Uvogin says:
「キレると目が赤くなる奴等!!」 “Those guys whose eyes turn red when they get angry!!”
「どっかの奥地でコソコソ暮らしてた」 “They were living in hiding somewhere in the boonies.”
「団長がいたく気に入ってたぜ」 “The Boss was really interested in them.”
「その生き残りか」 “So you’re one of the survivors?”
「あいつら強かったな…」 “They were strong…”
「ありゃあ大仕事だった」 “That was a big job.”
Uvogin says nothing about exterminating the entire clan, including women and children, nor about gouging out their eyes. The wording Togashi uses here is intentionally contextual and ambiguous, as many Japanese fans have long noted. It feels like Togashi deliberately chose very vague phrasing.
Furthermore, Uvogin’s words imply a brutal battle against strong opponents, not the cold-blooded murder of defenseless clan members, women, and children. He likely assumed Kurapika was seeking revenge for the strong Kurta members he fought before the mafia killed the rest and sold their eyes on the black market.
The other Spiders only vaguely recall that such a clan existed and that there was a survivor, without specifying what role they played in the events.
When Kurapika asks Chrollo directly, Chrollo simply stays silent and avoids answering — likely because he knows Melody is in the car and can detect lies, so he avoids saying anything unnecessary.
Thus, none of the Spiders have ever confirmed or denied their involvement in the Kurta Clan massacre.
Kurapika’s belief that they attacked for the value of the Kurta Clan’s eyes makes no sense and completely contradicts the narrative — as do Hisoka’s words.
Hisoka, speaking to Kurapika, described Chrollo as someone who evaluates and enjoys stolen goods before eventually getting bored with them and selling them. This is funny because we have never seen Chrollo enjoying the items they steal. After stealing the auction items, they simply celebrated the success of the operation, drinking beer and using the boxes as chairs.
When Chrollo was discussing with the Spiders who the “Chain Bastard” might be, he wasn’t even aware whether the Scarlet Eyes were among the auction items. The Scarlet Eyes are so unimportant to him that he didn’t even know if they had been at the auction or if the Troupe had stolen them. The only one who knew was Kortopi, simply because he made copies of all the stolen items.
One could argue they simply forgot because there were so many items, but the Scarlet Eyes were literally the last item of the auction. People tend to remember the first and last items, yet their presence went unnoticed by Chrollo.
Chrollo and the Spiders are generally not interested in money, and only mildly interested in the things they steal unless those items have practical value. Machi, for example, when wondering why Chrollo gathered them and what he wanted to steal from the Yorknew auction, first thought of books — because Chrollo loves reading. A very strange motive for a supposedly ruthless gang of thieves who supposedly do it for financial gain.
Chrollo himself says they are not interested in money.
The Spiders have a very unusual attitude toward theft and material possessions. Even when Shizuku really wanted the diamond that Gon, Killua, and Leorio earned by scamming people, instead of simply stealing it, she tried to earn it fairly by arm-wrestling Gon. After losing, she just left. She could have killed everyone in seconds, taken the diamond, and run away, but that never even crossed her mind. Very strange behavior for a group of ruthless thieves and murderers.
Here we have established that Chrollo is not interested in the items they steal (including the Scarlet Eyes) for money, nor as art objects — unlike characters with a clear interest in the Scarlet Eyes, such as Neon Nostrade and Tserriednich. They are collectors of human body parts, and it is their hobby.
Hisoka is most likely simply lying about Chrollo’s interest in the stolen goods, just as he lied about needing to destroy the “head” to stop the Spider.
Based on Uvogin’s words, it is reasonable to assume there was some conflict between the Spiders and the Kurta Clan — most likely occurring in the few weeks between Kurapika leaving the village and the clan being wiped out by unknown criminals. It was probably related to Sheila. After a brief conflict in which several of the clan’s strongest members were killed, the Spiders left. Then the mafia, learning of this, took advantage of the situation, killed the remaining clan members, and harvested their eyes.
Considering how Sarasa was killed in the Troupe’s childhood and how the Kurta Clan members were killed, there are many parallels. It is unlikely the Troupe would have done to the Kurta Clan exactly what happened to Sara in their childhood. I think these parallels are not accidental, and the true culprit behind the Kurta Clan massacre and Sara’s killers are connected.
When Chrollo describes how Sara was killed, he says the crime scene resembled a “theatrical stage” and that the recording of the murder was like a piece of “art” that the killers would want to share on the dark web. This imagery is very similar to Tserriednich, who views murder as a form of art. It is no coincidence that he possesses the last pair of Scarlet Eyes and the head of Pairo, Kurapika’s childhood friend.
There may also be a connection between the tattooed man who was with Riznoth during Sara’s murder and the tattoo artist who gave the childhood friends of Tserriednich their squad tattoos and was apparently with Tserri himself. As Tserri’s friends say, he previously worked for the Hei-Ly Family.
This is precisely why the Spiders are currently on the Black Whale: to find the people or organization responsible for Sara’s murder. We already know that one of them was likely connected to the Kakin Empire — Riznoth, one of Sara’s killers, was so well-known in Kakin that the 10th anniversary of his death was reported on the Black Whale in Chapter 406.
Most likely, Chrollo learned about the connection between Sara’s killers and the Kakin Empire, which is why their next target after the Yorknew mafia auction was the Kakin mafia. The trail of Sara’s killers led them there. They probably found the lead using their dark web site, just as Kurapika previously saw the last Scarlet Eyes in Tserriednich’s possession through the same site.
Speaking of who is truly responsible for the Kurta Clan massacre, suspicion falls on either Tserriednich or the previous head of the Hei-Ly Family. Reasons:
The three main Kakin mafia families have different primary activities on the Black Whale. Cha-R controls the flow of raw materials and goods. Xi-Yu profits from human trafficking and raw material distribution. Hei-Ly earns income as an intermediary between the black market and the wealthy. The Scarlet Eyes were sold precisely through the black market.
The patron of the Hei-Ly Family is the 4th Prince, Tserriednich.
From a narrative standpoint, given the parallels between Sara’s death and the Kurta Clan, it makes sense that Togashi is trying to bring Hei-Ly/Tserriednich together as a common target for the Spiders and Kurapika. Currently, the Spiders are at war with Hei-Ly (after the encounter with Luini), while Kurapika wants to reach Tserriednich.
Given that Morena became the head of Hei-Ly only recently, she was probably not the leader at the time of the Kurta Clan massacre (six years ago). She has already killed the previous leader. In that case, Kurapika is either left without a target for his revenge, or the responsibility still lies with Tserriednich.
Slightly off-topic, but trying to predict the future direction of the narrative, it’s worth noting Togashi’s love for JRPGs and his previous manga Level E. Togashi likes to play with similar ideas and archetypes in his stories.
One of the main probable inspirations for Hunter x Hunter was the JRPG Arc the Lad and Arc the Lad II.
Arc the Lad (1995, PlayStation, developed by G-Craft) has many events that resemble Hunter x Hunter to some degree. Here are some comparisons:
The game begins in the Kingdom of Saryia with Kukuru, a member of the Sacred Clan responsible for guarding a Flame that has burned for centuries atop a mountain. Mount Kukuru is the name of the mountain where the Zoldyck family lives.
Young Ark, living with his mother, is about to set off on a journey, just as his father once did (who was later declared missing). This is very similar to Gon’s journey to find Ging.
The sequel Arc the Lad II starts exactly where the first game ended. It introduces a completely new cast and a new main hero — Elk. Elk is a Hunter (a mercenary who takes jobs at Hunter Guilds for money and fame).
Elk’s family and fellow villagers were killed when he was a child, and the subsequent events were so horrific that he lost almost all his memories. This may have influenced Kurapika’s backstory.
In his childhood, Elk was placed in a facility where children underwent fusions with monsters, turning them into chimeras. This was done by the Romaila Empire, the game’s main evil organization. There is no direct parallel with the Chimera Ants, but I see similarities between the Romaila Empire and NGL.
The second game takes place in a city that strongly resembles New York, where the antagonists are the mafia and you have to protect a girl — lots in common with the Yorknew arc and Neon.
In one image, you can see three characters with design and/or color palette similarities to Kurapika, Gon, and Hanzo. The character similar to Hanzo — Shu — also wears a bandana to emphasize that he is a shinobi.
Elk, the main hero of the second game, also strongly resembles Ging in the Greed Island flashback.
In Arc the Lad, the main hero Elk belongs to an indigenous tribe called the “Piuruka Clan” and has a similar origin to Kurapika. He initially mistakes the main characters from the previous game for those who attacked his native village and swears revenge. Later the misunderstanding is resolved, they reconcile, and fight together to defeat the evil Romaila Empire.
If we follow the pattern of the game, in the future Kurapika should learn that the Phantom Troupe was not actually involved in the murder of his clan, and the blame lies with the Kakin Empire/Tserriednich or the Hei-Ly Family. Kurapika and the Troupe will join forces to defeat them.
Before Hunter x Hunter, Yoshihiro Togashi wrote the manga Level E (1995–1997). In Chapter 14 of Level E (“The Boy Meets the Girl”), there is a specific storyline about a mermaid poacher that echoes Kurapika’s storyline and is likely an early prototype.
A group of two-tailed mermaids (an endangered alien species secretly living on Earth) was captured by a ruthless poacher — a wealthy, long-haired aristocrat with a cruel and sadistic personality (Like Tserriednich). The poacher keeps them as goods for an illegal auction or trade, exploiting their rarity. Later, the Mermaid (Kurapika) is saved from the poacher (Tserriednich) by a group of child Power Rangers (the Phantom Troupe / The Power Cleaners).
Considering the parallels with Hunter x Hunter’s plot, it is clear that in the future Kurapika will team up with the Phantom Troupe to kill Tserriednich.
In the end, their paths are already beginning to converge smoothly. Kurapika needs to stop the Succession Contest ritual, and the most reliable way to do so is by stealing the Kakin regalia — which Chrollo is currently targeting.
I expect that in the upcoming chapters, Chrollo and Kurapika will learn that they have both suffered at the hands of the same people, and they will have no choice but to start working together.
Wait I think you're oomf from twitter lol. Jokes aside, this was a really compelling read. I think your explanation is very coherent and does a great job tying everything together.
The only point I don't fully agree with is the idea that the troupe weren't capable of that level of violence. Personally I think that if they had a reason, they'd be willing to do just about anything. What makes the kurta massacre so strange to me is the lack of a clear motive. They just don't operate like how the news article at the end of vol0 said. In chapter 405, we also got confirmation that news is not to be taken at surface level and it's interesting to note that Chrollo was in that panel.
To add to your analysis, I also think Tserriednich's obsession with both the scarlet Eyes and Pairo's head suggests he has some kind of personal connection to the massacre. Why would he be so fixated on an "art piece" that wasn't even created by him? That's why I think the kurta massacre might have been his first real pursuit of "art" and Morena's predecessor helped him shape that obsession.
Sheila is another anomaly in all of this. My current theory is that she was the one who gave the heil-ly information about meteor city which ultimately enabled everything that followed. I don't necessarily think her intentions were malicious but she may have accidentally set a chain of events into motion. But then, I don't believe that the female traveller was her. Perhaps it was someone from the heil-ly who wanted Kurapika go after the troupe?? I'm not sure honestly...
The recent chapters seem to place a lot of emphasis on room 1014 wanting to bring the succession war to an end so I feel like we're going to see Chrollo enter the picture again very soon. Oito has gotten a lot of pagetime in this batch which kinda helps strengthen my Chrollo-Oito love dial theory lol.
I also think that Morena is eventually going to become involved with both Chrollo and Kurapika because Tserriednich is her antagonist too. Togashi really loves the character design of Tserri, who knows since how long has he wanted to make him the main abhorrent villain.
Once again fantastic analysis, I really enjoyed reading it!!
On Kurapika and Pakunoda and the price of love - And Kurapika's ultimate fate
A discussion of the theme of love in Kurapika and Pakunoda's arcs, parallels and what I believe will become Kurapika's ultimate conflict
These are two characters who chose to save their friends, wrapped a chain around their hearts and collapsed at the end of York New from the weight of supporting that decision.
Kurapika's draining use of of emperor time is the primary reason he got overwhelmed by the end, however, the length and severity of his affliction were most probably a result of the inner turmoil and confict he felt after the events that had just transpired, as we see even in the manga, the effects of overusing his power aren't usually as severe as shown here.
Pakunoda's collapse is of course, her death. It's a harrowing scene, especially enhanced in 1999's tragically masterful portrayal that depicts the gentleness and humanity of a member of one of the most feared groups in the world. Her being enamored by a random stray, and the frivolity of meowing back captured her humanity in a way that immerses you so deeply, you could forget she is a murderer. A perfect mechanism to convey to us that these troupe members are not monsters, they are humans. Monstrous humans, capable of unforgivable evil, but humans nonetheless, and every bit as wistful, mysterious and lost as us.
The next scene, we see perfectly encapsulated the most gruelling curse of being a human. Love. In this final moment, Pakunoda's most desperate wish was for her to be the last casualty of the Phantom Troupe, in a sacrifice of her own life to fulfil the people she loves with restful assurance about the fate of the leader they all love.
Pakunoda did not need to save Chrollo, as the spider would have lived on without him, and he himself procreed that the survival of the head was not necessary, but in doing so, she was able to cling on to her own fragile emotions of care and admiration for Chrollo. Humans can try to imitate cold and emotionless monsters, but the fact remains that we are humans, and here we see this cold blooded killer latch on to that humanity she must have tried to bury so deep in herself, and make the emotional choice of a desperate friend, rather than the strategic choice of a criminal.
In the end, what was truly tragic was that this display of love for the troupe is pitifully meaningless, as an unpredictable wild card, Hisoka, ultimately marked their deaths regardless. Her confused trance of love did not produce strategically sound outputs, but it just felt right. And in the end, though that is tragic, humans are nothing without these fleeting, pitiful and frivilous emotions, for love is the most powerful source of joy in a bleak and bloody world, particularly one as dark as Hunter x Hunter's, and the only thing to give life meaning for so many characters.
Pakunoda had been uprooted into a harsh cruel existance since the untimely and violent death of Sarasa. The sadistic, cruel world gave her love for Sarasa back to her in a contorted twisted form, quite literally, of her mangled and abused body, twisting innocent love into hatred for the world.
Her power seeds out deception, through directly observing memories, because of the distrust she built for the world, and can only be shared using bullets, even to those she trust. It feels metaphorical, to me, for how she accepts her place in the toupe and accepts their love, but has walls put up making her difficult to read. Nobody could even understand her willingness to go with Kurapika's deal in Yorknew, even though it was obvious. Because she loved Chrollo.
Now how does this relate to Kurapika? Well, he like Paku, is driven by the tragedy of his childhood towards dark and sinful goals, avenging his clan who were massacred and choosing this path of revenge and darkness that brings peace not to him nor his friends and would probably be the opposite of what his dead friend wanted. But hate drives him forward anyways. Hate.
Perfectly stated by the fifth ending song of the anime, Hyori Ittai -
'Light and Darkness, Love and Hatred, all emotions of the same roots.'
They are two sides of the same coin, love and hate. Kurapika's hatred stems from a love that had nowehere to go, not unlike Pakunoda. Having anything to love as a human is so difficult becuase that which you loved can slip away, and leave the worst pit of emptiness and anger.
Kurapika had a dream independent from his family and home, of adventuring the world as a Hunter, but when the massacre occurred, it was clear what was the most important was gone.
Without Pairo, he would abandon their shared dream of adventure, and without his family, there would be no home to return to anyways.
I think the significance of the latter is especially evident when Gon returns home at the end of his journey, and we understand the privilege of safety, normalcy and unconditional love waiting for you somewhere in the world, despite the obstacles you face in life.
The troupe's tragedy could also be metaphorically considered to be about losing your home. They are a group formed as the clawing resistance against a world that would treat their loved ones as disposable nobodies, who might as well not have existed, and in fighting against it, they united and found a home in each other.
However, as that home has crumbled away, with the member's deaths, Chrollo has become similarly obsessed with revenge and miserable as Kurapika, and it certainly wounds the group's hearts to see him this way.
Pakunoda sadly could not honour Chrollo's wishes to die, and I fear now Chrollo will not be able to honour her wish for the Troupe to survive. He no longer appreciates detours, as he is obsessed with his goal.
Without that privilege of a home, Kurapika also had no reason to enjoy the small detours, because there was no one to enjoy his life for. I think part of the reason he may not accepted a goodbye from Gon was to avoid an expectation of growth of improving his life, like Pairo had once given him as he departed, because he couldn't bear upholding another friend's impossible wishes.
Paku cannot use her power on Chrollo, and Kurapika never used his power of Gon. A sense of observing the ones they care about, but not creating the connection, because they fear the conclusions and understandings they will gain, and dread losing someone else.
One of the cruellest things I think we see in Hunter x Hunter is how many characters loose their best friends, often at a very young age. Chrollo, Pakunoda, Kurapika, Leorio, Nobunaga, Fugetsu and even Killua in a way.
They all have different trauma responses, but without his love, without the connections and bonds of other people, Kurapika had nothing left to loose. He was overcome by the darkness, being free to abandon his morals and values without a second thought, and killing Uvogin so coldly.
This had been until his a connection re-appereared in his life. His friends. Suddenly, they were wrapped up in this treacherous mess, captured by the phantom troupe, and he again was pulled in by this most frustrating emotion of love that wouldn't allow him to forsake them, despite evrything he had done up to this point to consider himself completely changed and driven towards revenge.
There must also have been something triggering, of sorts, of the same group who killed his clan to threaten his friends, that when coupled with the implied survivior's guilt he feels, probably deeply influenced his actions emotionally in this arc.
Afterwards, once again, he is that confused boy, swirling with love and hate and uncertain to what extent he can ever let go of his principles again. That turmoil and personality shift is so deeply confusing and exhasting, it bleeds out in the form of fever.
In the end, Kurapika did let himself fall into darkness once more, severing the connections that held him back, but he teeters on the edge of a tightrope, trying to become a monster but unable to let himself fully go. Half angel, half god of death describes him perfectly, because his is torn between the loving, observant and supportive friend and the murderous vessel of revenge towards the troupe.
Kurapika, to me, is a character who wants to love again, to form meaningful connections and be loved, but the pressure to keep his friends safe and his unhealthy obsession with his goal prevents this, and so he pushes his loved ones away to protect them, and his own fragile heart.
'And yet... reality is never so simple'
This moment, to me, cannot symbolise anything other than Woble taking the place of Gon and Killua in this arc, and most definitely preparing to once again offer him the final decision between revenge or his loved ones. Togashi clearly intends to highlight the prominence of Kurapika's love for Woble, by placing him right beside characters like Gon and Killua.
There are other characters he may have bonded with, like Melody and Mizai, but I feel this sequence is to show Kurapika's most dear friends, the ones that could never be servicable pawns under any circumstance, and who he has 'unfortunately' grown to love.
With all the ways this arc parallels YorkNew, from the heavy focus on Kurapika and Chrollo, the distinct focus on Chrollo losing his loved ones and seeeking out the murderer, and Kurapika chasing his goal recklessly once more. I am led to believe the climax may also parallel it, but this time, with Kurapika taking Paku's place, accepting terms of a condition detrimental to him.
A choice between his love for our dear baby prince, or his thirst for revenge, likely in a sense that he only has so much power left to give, and life left to loose, so he will sacrifice it for only one of these two objectives.
If he sets his previous goals aside to focus on what really matters, I can only assume the same situatuion as Yorknew will occur, where the child/children he protects bring his own salvation by protecting his morals and personhood, so he does not fall into the cycle of a anger, violence and regret. I think when Pakunoda walked alongside the boys, who told her they wanted to protect their friend from becoming a murderer, a part of her was overcome with despair, deeply wishing she could have done the same for Chrollo.
A decision from Kurapika to avoid conflict against Chrollo or Tserri may seem underwhelming or disappointing to some fans, but I think the severe inner turmoil of rejecting his revenge could be even more emotionally riveting and complex than either of these fights, and it just feels like something subversive of our expectations that Togashi would write.
Taking the reins of a goal more important than revenge, fuelled by compassion and love, so that he can end the succession war, and be the 'last' in this cycle of hatred and revenge. Even still, he may not succeed, but if he can protect his own values and morality he once distanced himself so far from, that's all his friends would have wanted for him. And to survive of course, which I do actually think he will do.
She deserved the world and got homophobia instead
a rushed Indian anthy piece
Chrollo Lucilfer - HXH Full Sheet
A passion project on one of my favourite hyperfixations.
Below are the full sheet w/o text, separate sections w/ their variations, and the initial draft composition sketch
Click on the images for higher quality! :)
i support ginger kurapika
MY FAVE KURAPIKA I LOVE HIM
i never understood "mamapika" as a concept to be honest (hold awnnn ok)
i know it's more of a fandom joke than anything, but it still feels so deeply mischaracterizing that i just don't understand where it even comes from. like- kurapika is quite the opposite of a mom friend to me. no hate to him, i really love this character. i'm just being honest here. kurapika is simply too focused on revenge to be here for his friends in the way your typical mom friend would. the affection he feels for his friends is something very real but someone this self-destroying and goal-driven cannot be classified as a mom friend. (he is NOT an emergency contact— matter of fact, he wouldn't even pick up the phone)
I saw someone reblog this tweet and I absolutely had to do this
What a parental rivalry
Anytime i see a bunch of pride flags i have to restrain myself from saying "where mexico" bc i doubt anyone will know I'm referencing this
picture i got at pride last week; here mexico
This is very dumb but hey
your face when you feel complicit in the birth of a monster (i love you theta)
Is Sheila heading to the Dark Continent right now? (A Reintroduction Theory)
[Manga Spoilers ahead. Read at your own discretion]
. . .
It's hard to speculate about Sheila at all because not only do we know too little about her, but we don't even know whether she's dead or alive to begin with. There is no concrete evidence to build a strong theory either way, so a lot of the discussion ends up being speculation built on top of other theories and headcanons. I don't strongly support any specific theory, and I'm not particularly attached to any of them, including this one. Ultimately, I'm open to whatever explanation Togashi chooses to reveal.
Still, I'll try to chew on it a little bit.
First, we know Sheila was an avid reader and always carried her D. Hunter book with her. This book is often speculated to be a fictionalized and simplified version of Journey to the New World, the book written by Don detailing his discoveries in the Dark Continent. In this hypothetical commercialized version of the original book, Dino would serve as a stand-in for Don.
Sheila admitted that she was heavily inspired by this book, to the point that her dream of becoming a hunter was largely shaped by it. Because of that, it's not far-fetched to think that, after becoming a hunter, she would try to follow in Don/Dino Hunter's footsteps. This also further contrasts the paths that Chrollo and Sheila chose after Sarasa's death; instead of succumbing to darkness, Sheila decided to pursue her dream (and actually achieve it).
The people Beyond assembled for the expedition were hunters who had been preparing for the journey to the Dark Continent long before Beyond and Nasubi made the official announcement. Whether they are currently aboard the Black Whale or traveling on a separate vessel remains unknown, but they are heading to the Dark Continent nonetheless. Out of the nine members of this temp hunter crew, only three remain unnamed: the chef, the boy hoping to pay for his sister's medical treatment, and this lady.
If we examine this character, while she isn't a 1:1 match with Sheila, her design has a few striking similarities. Most notably, both characters share completely black eyes, entirely lacking the typical highlights that Togashi usually gives to most characters. She also wears a Yotsuba-like hairstyle with four buns, the upper two being larger and tilted upward, which could subtly evoke Sheila’s old animal-ear headband. On top of that, assuming Sheila is still alive, she’d be roughly 27 or so by now, an age that more or less lines up with this lady's appearance.
Another detail that rarely gets brought up is the lower part of her outfit. While it's most likely just part of her dress, it has a bandaged appearance that brings leg wraps to mind. Sheila is portrayed as being quite clumsy, often injuring her leg as a result. As a child, she had a small bandage on one leg, and by her teenage or young adult years, that bandage had become noticeably larger. It's not impossible that her clumsiness continued into adulthood, leading to injuries in both legs and, consequently, the need to cover both.
As for this lady's personality and mannerisms, compared to Sheila, her demeanor appears somewhat more composed and elegant, while Sheila came across as more whimsical and scatterbrained. Of course, this could easily be explained by the passage of time, as well as the experience and maturity she may have gained through her profession.
Even so, there still seems to be a subtle resemblance in the way they carry themselves. Both have a playful side and an affectionate nature, yet can also be quietly assertive when interacting with others. It's a subtle similarity, but one that makes the comparison feel a little less far-fetched.
One final observation when it comes to similarities is that this lady and Sheila are introduced in remarkably similar ways. When Ging offers money to Beyond's hired staff, not everyone is willing to accept it. Ging then mentions that he will extend the offer to the remaining members who are not present. At that point, this lady interrupts and remarks that, as long as everyone is aware of the offer, she might accept the money. This is her first spoken line in the manga.
Likewise, when Sheila is introduced in the Phantom Troupe flashback, she says that she will take part in the voice acting only if Sarasa agrees to do it as well. In both cases, their first actions involve withholding a decision until everyone else is on the same page.
Now, let's look at a few points that make this theory somewhat flimsy:
Outfit: This lady wears an Asian-inspired outfit, whereas Sheila typically wears fantasy-style dresses.
Eyelids: Togashi usually draws this character without visible eyelids, except in a few specific panels where they suddenly appear (most likely art inconsistency?).
Face: Her face isn't a 1:1 match to Sheila's. However, it's worth noting that this lady is drawn inconsistently across the panels she appears in. Sometimes she looks almost identical to Sheila, other times she just looks vaguely similar.
***Possible explanation: If Togashi intended to subtly reintroduce Sheila, making this lady an obvious copy of her might have given away the connection too easily. In that case, it would be understandable for him to make the two characters similar enough to invite speculation without making the answer immediately obvious.
Hunter profession: This lady is a temp hunter. While temp hunters are still fully licensed hunters, the role is often looked down upon by other hunters. ***Note: "temp hunter" does not mean a temporary or unofficial hunter. It is simply an dismissive label for hunters who work government jobs instead of operating independently. But temp hunters are still pro hunters. The reason I bring this up is that it's unclear whether someone like Sheila would choose that kind of career path.
With that in mind, let's dive into how this character could be officially reintroduced into the manga, assuming this theory holds water.
-
As mentioned earlier, Beyond assembled this team specifically to help him once he reached the Dark Continent. However, Beyond is currently being held by the Zodiacs under orders from the V6, whose objective is to prevent him from escaping and carrying out his plans.
In Chapter 361, Kurapika asks Bill (who was secretly working under Beyond) whether there is any alternative way to leave the ship. Bill replies that there are only two possibilities: one involving Beyond and the other involving Pariston. In practice, both options would lead to the same result, since Beyond and Pariston are ultimately working toward the same goal.
It is also known that Pariston remains Beyond's closest ally, even if he is no longer the second-in-command in name. That position now belongs to Ging, who coincidentally supports Beyond's objective as well. Whether Beyond escapes by his own means or receives assistance from Pariston or Ging, the most likely outcome is that he eventually reunites with the crew assembled for the expedition.
Kurapika is already tied to this side of the conflict through several individuals connected to Beyond, including Bill, Kurton, Sayird, Pariston himself—whose former position as the Zodiac Rat Kurapika now occupies—and even Longhi, Beyond's daughter, who formed an alliance with him. At the same time, his duties as a Zodiac would require him to oppose any attempt by Beyond to see his plans through.
Because of this, a clash between the two factions feels less like a possibility and more like an eventuality. On one side are the Zodiacs; on the other are Beyond and the people he gathered for the expedition. Among them is this unnamed lady, a character whose role and name remain unclear but who was nevertheless selected for the mission to the Dark Continent.
If she truly is Sheila, then such a confrontation could naturally bring her and Kurapika’s storylines together. Given how many threads already link Kurapika to Beyond’s organization, their paths wouldn’t need much setup before crossing once the conflict between both sides unfolds. From there, things would likely fall into place on their own, and it would simply be a matter of how it plays out. . . .
That’s pretty much the extent of the theory. I came across it on Reddit years ago while browsing for theories about Sheila, and at first it felt pretty sketchy and very vague, as the user who came up with it only pointed to the similarity in her eyes and hair buns, with little else to support it. Still, after rereading the manga, I thought it would be fun to try connecting a few more dots and see if there was anything else that might support it.
I was pretty skeptical when I first read about this theory on reddit but after reading the draft you shared with me on twitter and now the full post, I can definitely see it as a possibility. The visual similarities alone wouldn't convince me but the parallels in their introductions and Sheila's dream make it feel less random than I initially thought. I'm still not fully sold on it being true but it's definitely one of the more interesting Sheila theories I've seen. It's certainly more compelling than the theories that focus solely on her being evil lol. Anyway, I really enjoyed reading this, thank you for sharing your thoughts!!
dress from different materials put together
the bodies were fake ⭐UwU💧