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Jules of Nature
$LAYYYTER
Alisa U Zemlji Chuda
PUT YOUR BEARD IN MY MOUTH
styofa doing anything
Mike Driver
Not today Justin
RMH
Today's Document
i don't do bad sauce passes
wallacepolsom
will byers stan first human second
"I'm Dorothy Gale from Kansas"
let's talk about Bridgerton tea, my ask is open
trying on a metaphor
AnasAbdin
Keni

Product Placement

shark vs the universe
Peter Solarz
seen from Estonia

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seen from T1

seen from United States

seen from New Zealand
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seen from Malaysia

seen from Egypt

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seen from Germany
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@sundaycomputerclub
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Electrical Tape.
Twitter / Instagram / Gumroad / Patreon
KnownOrigin / SuperRare / OBJKT / Zedge
Light Source.
Twitter / Instagram / Gumroad / Patreon
KnownOrigin / SuperRare / OBJKT / Zedge
Bubble Surface.
Twitter / Instagram / Gumroad / Patreon
KnownOrigin / SuperRare / OBJKT / Zedge
Autumn Brook Maxfield Parrish — 1948
Rookery. Flock series no4, Gentoo Penguins
Superaudio Matcha 83 (version 2)
Winter Night Landscape Maxfield Parrish — 1956
Specimen, Fanette Mellier Context: Pôle graphisme de Chaumont, 2009 Printed by: Imprimerie du Petit-Cloître Description: 120 × 176 cm
This poster, announcing a series of “graphic design and publishing” themed shows, isn’t a conventional image. It’s more of a printed object linked to its subject. The front, fully saturated with color and technical elements related to printing (scale 1), is offset printed with a very thin raster. This space saturation, like an obsessive canvas, presents graphical tools that are a common vocabulary for books makers. The title and info are printed on the back. The fold lets the title appear: the poster becomes informative and evokes at the same time the delicate materiality of a page.
Artwork Copyright © Tyler Spangler
Shop: shoptylerspangler.com
Visual development for The Lion King
Visual development for Frozen II by Annette Marnat
𝔖𝔩𝔢𝔢𝔭𝔦𝔫𝔤 𝔅𝔢𝔞𝔲𝔱𝔶 𝘤𝘰𝘯𝘤𝘦𝘱𝘵 𝘱𝘢𝘪𝘯𝘵𝘪𝘯𝘨𝘴 𝘣𝘺 𝘌𝘺𝘷𝘪𝘯𝘥 𝘌𝘢𝘳𝘭𝘦 𝘵𝘰 𝘤𝘦𝘭𝘦𝘣𝘳𝘢𝘵𝘦 𝘵𝘩𝘦 𝘧𝘪𝘭𝘮'𝘴 65𝘵𝘩 𝘢𝘯𝘯𝘪𝘷𝘦𝘳𝘴𝘢𝘳𝘺
manuel canovas
Vibrant Refraction - 230910
How the West was Won, Hayley Eichenbaum