could i please request a blurb w hotch like the scaring off a creep one u did with james đĽšđŤś
Thank you for your request! fem!reader, tw unwanted advance
When a creep at the bar won't leave you alone, you look for the most intimidating man in the room. You know it might make things worse for you, but his suit jacket screams businessman, maybe lawyer, and while lots of lawyers are scumbags, he's standing with another man and two women, neither of which are under his arm, so you take your chances.Â
"Hey, I'm talking to you." A cruel hand tightens around your wrist.
"I already told you I have a boyfriend," you say, pulling your hand away from the creeper's reach.Â
"I already told you I don't believe it," he says.Â
You rag your hand out of his touch and weave through people, until you're close enough to almost throw the businessman off his feet as you slot yourself under his arm. He stiffens, and his friends all react defensively, but luckily he puts up his hand and nobody tries to tackle you.Â
The creeper is a couple steps behind you, and he doesn't see the strange reaction your 'boyfriend' has to your hiding in his side, thankfully.
"If you don't leave me alone," you say as bravely as you're able, hand curling with real nervousness into the businessman's shirt, "my boyfriend's gonna ask you outside."Â
Creeper looks at you, shocked, and then at the businessman with raised eyebrows, as if to say, Is she fucking for real?Â
The businessman's arm settles properly around your shoulder, his hand braceleting your naked upper arm.Â
"Did you hear her or not?" he asks, and his voice is so steady, so commanding, he startles not only the creeper but you, too.Â
"I can repeat it for you, if you'd like," says his dark-haired friend. She's almost as fierce as he is.Â
Finally, finally, your creeper admits defeat and turns away. You watch him walk all the way to the door, and then you turn around and hang your head.Â
"Sir," you say, "I am so, so sorry to just barge into you like that."Â
"Are you hurt?" he asks.Â
You look up, blinking. "Oh, no, not really. He grabbed me pretty hard, but that's when I came up to you." You smile at him and his friends. "You're the most intimidating person here. No offence."Â
He rolls his eyes at the wave of his friends' raucous laughter.
"He absolutely is," says a shorter blonde woman, grinning.Â
You nod your apologies at all of them and turn back to the maybe-not-businessman, who's really quite handsome both smiling and glaring. You decide you like the smiling more.Â
"Could I buy you a drink?" you ask. "As an apology? Or a thank you."Â
"No." He holds his arm out like he might steer you away and your heart drops, but he adds, "I'll buy you one. If that's alright."Â
There's nothing forceful in his offer. The pit fills. Excitement blooms.
"That's alright," you confirm, words coloured by a tell-tale happiness.Â
He guides you to the bar with a big hand behind your shoulder. Good-natured laughter follows from his table of friends, as well as a short but enthusiastic cheer of, "Go Hotch."Â
"What's a hotch?" you ask, perplexed.
He laughs, a light, airy thing, at odds with his stern looks. "No idea. My name's Aaron, by the way."Â
i know you said hotch and reader baby requests⌠but what about hotchâs daughter that he met as an adult meeting Jack for the first time? two babies in one! love you đ
âYou meet your little brother, with your dadâs support. fem, 1.6k
To grow up wondering if your father might love you is odd. You spend years wondering if youâd ever know him. Would he be proud of you? Would he like you? If you could find him, would he want you to?Â
And then you do find him, and youâre floored by how desperately he wants to take care of you.Â
Honey, his message starts, sent at 5AM that morning. Just to remind you, dinner is at 5PM, but you donât have to worry about being late. You can come whatever time you like, please let me know beforehand. Jack was so excited last night he couldnât sleep.
Another sent at 5:16AM. I canât wait for you to meet him. How are you feeling about it? If this is too much, you donât have to.Â
At 5:25AM. Please call me to talk when youâre awake, if you can.Â
You think perhaps your father might be as nervous as you are to introduce you to his family. Because Aaron, your dad, has a wife and child. Haley, his high school sweetheart (though there had been that brief separation in college that allowed your existence), and Jack, his four year old son.Â
This might be hard for everyone, but at least you arenât destroying a family by existing. Aaron didnât do anything wrong in getting your mother pregnant. He had no idea about it until you showed up at his office.Â
You rub your tired eyes and decide against calling him right away. You have work soon, and heâs probably at his own place of work already. Instead, you make yourself a cup of tea and breakfast you canât eat. Turns out youâre more nervous than you thought.Â
You call him on your lunch break.Â
He said you can call him whenever you want, just heâs busy, and canât always answer. He also said you can call him whatever you want. It had been a strangely touching moment at one of your âcatching up on a whole lifeâ dinners. Mr. Hotchner was extremely formal, and made him laugh every time you said it. Aaron was better, but you could call him dad, if you liked. The paternity test agreed.Â
âWill that be weird for you?â youâd asked.Â
âHoney, Iâve had someone calling me dad for the last four years. You can call me what you want.âÂ
Some part of you wished he insisted, but maybe itâs best the choice be down to you.Â
âHello?â he asks as he picks up. âY/N?âÂ
The will to call him dad dies. Itâs too awkward, what if he hates it? âHello,â you say instead, stammering trying to sound natural.Â
âHi, honey. Are you still coming to dinner tonight?âÂ
âYeah, I wouldnât miss it.âÂ
After an investigation and a motherâs confession, you found Aaron Hotchner online. Watched him behind podiums and sat at conference tables, even found his guest lecture at your university. It was a few years before youâd attended, but you canât help thinking: what if youâd watched him talk? Would you have known he was your father? Of course, you couldnât know. But maybe he would have.Â
Aaron took one good look at you in his office and believed you. Well, you had a photo of him and your mom, and you offered to take a paternity test then and there, but he told you he knew pretty quickly.
âYou okay?âÂ
âJust terrified,â you say.Â
âHaley⌠Haley isnât mad at anyone. She has,â âhe clears his throatâ âa very tight picture of her life in her head, and her husband having a child without her wasnât in that picture, but she also has a really big heart. I promise you have nothing to worry about.âÂ
âItâs not Haley Iâm scared of.âÂ
âHoney, Jack canât stop telling people he has a new sister. People keep giving Haley congratulations.âÂ
You rub your eyes. Youâll be surprised if your makeup survives the day. âAre you sure you even want me to come?âÂ
âI want you more than anything.âÂ
Which doesnât answer the question youâd voiced, but reassures the one youâd been thinking. âI just wouldnât blame you if you didnât want me to. I canât imagine how terrible this has been for you. Iâve disrupted your whole life.âÂ
âIs that what you think?â he asks gently.Â
You can imagine him sitting at his desk. His office was roomy, with heavy furniture, big windows, and a gaggle of photo frames on the desk. He is intimidating, but he doesnât talk to you with any meanness, or sternness. Heâs been careful with you this whole time, so no, youâve no reason to think he doesnât want you around, but maybe heâs too good a man to admit it.Â
âIf itâs too much for now, we can wait,â he says. âWe have all the time in the world. But I promise it wonât be what youâre thinking. You certainly arenât disrupting my life.âÂ
You decide to be brave about it and go to dinner. Only when youâre standing on the Hotchner porch do you remember heâd wanted to talk to you about something. He opens the door quietly, ushering you in with a smile, and before you know it heâs offering a hug in the small foyer.Â
âHi,â he says, patting your back. Your hands rest tentatively on his sides.Â
âHi.âÂ
He holds you at armâs length before dropping his touch. âYou look pretty,â he says.Â
Which is a whole other category of thing. âThank you. Is this the sort of thing you wear to dinner?âÂ
âYou can wear pyjamas, if you like. Jack usually does.â
âThat would make a good first impression.âÂ
Haley appears from a doorway. âOh, youâre here,â she says, smiling. âHello, hello!âÂ
You get another hug. Haley smells like expensive perfume and softness. Her hair is perfect. Sheâs one of the most beautiful women youâve ever seen, and itâs emphasised by her glowing smile. âJack is bouncing off the walls, but he might get a little shy when he really gets to meet you.â Her smile softens. âWow. You donât look much like him, but you have his frown. Howâs that possible?â She nudges Aaron. âYouâre so moody itâs in your DNA.âÂ
âIâm sorry, Iâm just nervous,â you explain.Â
âMe too,â Haley says.Â
âItâll be okay.â Aaron gives Haley a squeeze around the shoulders. âHeâs in the living room. Are you ready?âÂ
âMaybe she should go in by herself.âÂ
You and Aaron both stare at Haley.Â
âI should?â you ask.Â
She shrugs. âItâs not like weâre going anywhere. But maybe Aaron can introduce you and then bow out. Itâs less pressure on both of you.âÂ
You honestly couldnât agree less with her, and Aaronâs giving her a dubious frown, but sheâs Jackâs mom and your dadâs wife and youâre too scared of upsetting her to disagree.Â
Aaron, however, isnât worried. âYou donât have to,â he says, giving Haley a rub on her shoulder, âitâs just a suggestion.âÂ
âItâs okay. Um, whatever you guys think is best.âÂ
So Aaron opens the living room door and walks you in.Â
Jack is drawing a bright picture on the floor, surrounded by a spread of crayons and washable markers. He has a huge sketch pad, where light from the TV stains the white with cartoon colours.
âJack.â Aaron touches the back of your arm. âBud, Y/Nâs here for dinner.âÂ
Jack whirls. As predicted, he sees you and his smile turns to shyness. Youâre feeling shy, too, tempted to hide behind Aaronâs arm, but stepping forward when he prompts you to.Â
âHi, Jack,â you say.Â
âHi,â he says, lookin at Aaron.Â
âThis is your big sister,â Aaron says.Â
Because Jack is your little brother. Half brother, but brother. You werenât expecting to feel so awed.Â
You step out of your heels, you shouldâve at the door, and use the armrest of the couch to lower yourself onto your knees. You just wanna see him.Â
Heâs quite big, for his age. Heâs tall. He has brown hair with slightly blond ends, and his eyes are big, flush with dark lashes. You have some of the same DNA, but youâre not sure you could tell with the two of you side by side.Â
âYou look like your mommy,â you say.Â
âYou donât,â Jack says.Â
âI look more like my mommy.â You smile at him. âItâs nice to meet you, Jack.âÂ
âYou donât look like a sister,â Jack says. âYouâre old.âÂ
âIâm not that old.âÂ
Aaron laughs and touches your shoulder again. Itâs nice to think heâs standing by.Â
âI⌠I can still do big sister stuff, even if Iâm old,â you hedge gently. âI can still do fun stuff, I swear. Iâm super fun.âÂ
Jack pulls himself on knees to sit very close to you. He takes the skirt of your dress into his hand and pets it. âWhat if we ruin your dress?â he says worriedly.Â
âI have so many like this, itâs okay.âÂ
His smile warms. âOkay. You want to colour with me?âÂ
âYes, yeah, I do. I really want to, what can we colour?âÂ
âIâll draw you a picture.âÂ
You look up at Aaron with a smile that threatens to set with the wind. Youâd be stuck like that, grinning with a mixture of relief, pride, and affection.Â
âIâm gonna go help Haley set the table,â he tells you. Youâre probably wanting more than heâs giving, but you swear, he talks with love. âOkay?âÂ
âOkay.âÂ
âOkay, dad,â Jack says, taking your hand to pull you to the crayons. âWeâre gonna colour now.âÂ
If I were to write a criminal minds fic thatâs more in the spirit of an episode (focuses on a made up case as well as readers bond with more characters than just the love interest. Also probably pretty long) would this be well received or would it die on post
Oh my god, Spencer thinks desperately, could she give me a break?Â
You waltz into the conference room wearing a smile (your smile, as heartbreakingly perfect as always) and a motorcycle jacket buttoned to the chin. There's something about it. Spencer doesn't know what it is, just that it makes you even more attractive than usual. He toys with the word sexy, and sure, you are when you want to be, but he thinks about it long and hard. You're a fucking bombshell, and you're going to kill him one day.Â
âWhat's with the outfit?â Morgan asks immediately.Â
âYou can't wear that to the precinct,â Hotch says, though he sounds curious rather than annoyed.Â
âYou called us in unexpectedly,â you defend, holding up two perfect hands. Calluses from shooting practice line the palm of your dominant hand and you've a cut down the side of the other, and they're still perfect. Everything about you compliments everything else. âI was out.âÂ
âWhat, on your motorcycle?â JJ asks.Â
âYour motorcycle?â Emily asks.Â
âI didn't know you had a motorcycle,â Garcia says.
âYou're ganging up on me. Spencer, honey, would you save me?â you ask, though the tone you use doesn't express much urgency as you unzip your thick jacket and toss it aside, its logos and sponsorships crumpling over the back of your chair. âYou're the only one who looks pleased to see me.âÂ
âI am pleased to see you,â he says honestly.Â
You don't make it to cases every time; you're on a different type of leasing, you always say. He doesn't have the subtlety to pretend he isn't happy you're here. You flirt with him, sure, and he enjoys it even while being out of his depths, but he likes you. You're fun and smart and good to be around. You listen.Â
âThey couldn't keep me away from you if they tried,â you say, head dipped gently to one side, smile far from teasing..Â
âSince when do you ride a motorcycle?â Emily asks.Â
âIf we could get back to the case at hand,â Hotch says, and for a moment everyone looks rightly chastised, until he adds, âwe can discuss Y/N's choices afterwards.âÂ
What's worse than your jacket is the quickness of your brain, the connections you make, your endless suggestions. You're so good at your job it makes Spencer feel funny. Rossi, who'd been mostly silent during the exchange, sends Spencer a pitying look.Â
When the case has been introduced and everyone sent to make preparations for another trip, you and Spencer remain in the conference room. You, because your go bag is already here and you don't have much to do, and Spencer, because you're here.
âDo you really have a motorcycle?âÂ
You tap your nose. âNeed to know, babe.âÂ
âI sort of do need to know. If you have a motorcycle, I should probably be spending more time worrying about you.â
âWell, it's not mine.âÂ
He feels a crushing wave of rejection descend on him. âRight,â he says. He knew this would happen. He knew you were just being niceâ
âI'm borrowing it from a friend. Mostly to see if I still knew how.â You put your chin in your hand, smiling knowingly. âWho's did you think it was, Dr. Reid?âÂ
âDon't do that,â he says.Â
âOr what?â You ease up anyhow. âIf you don't like being flirted with, Spence, I won't do it.âÂ
âI didn't say that, just don'tâ don't look at me like that.âÂ
You sigh morosely, but your dramatics are unconvincing, and a smile plays on your painted lips. âAlright, I won't. But it's how you were looking at me, you realise? How's that fair?âÂ
Spencer is about to say you know how, but do you really? Why is it fair for him to ogle you (albeit without meaning to) when you walk in, but when you make your soft googly eyes at him, he tells you to stop? Maybe because his are real, and yours are⌠questionable in authenticity.Â
You're smart enough to see that debate before it forms. âI have less choice over it all than you think, you know?â you ask, softer than before.Â
âI know,â he says. He doesn't, obviously, because the idea that you flirt with him accidentally is hard to accept, because who is Spencer to you? Your nerdy, socially clueless coworker who very clearly has a crush on you. Why would you like that? So he doesn't know about that, but he knows about having little choice in the manner; he sees you and he trips over himself trying to get you to see him.Â
âI say it every time, but I've missed you, handsome. How have you been?â you ask.Â
Spencer forgets the depth of his crush in the face of a friend. âI'm good, I've been reading all this Russian existentialist literatureââÂ
âYeah? Anything good?âÂ
Spencer beams. âActually, yeah. There's this one writer, you've probably read him already, DostoevskyâŚâ
hot bombshell bau!reader flirting and winking at spencer every chance she gets and poor spencer just gets hot and bothered very flustered and blushingđđ
i love you jade i read ur blog like it's the daily newspaper<33
I love you anon, thank you for requesting ⥠fem!reader
"So," says a voice, low and syrupy as warmth spreads up Spencer's side, "how's my favourite agent?"Â
Your perfume a subtle fragrance of jasmine and vanilla alike, sweetness that lingers âand Spencer knows, having thought of you every time he walks past the sugar ring donut stand by the Staples Mill Station for weeksâ you put a hand on his shoulder and lean in for a one-armed hug. His skin erupts with goosebumps.Â
"Y/N," he says, sounding much too much like a wimp for his own liking. He clears his throat. "When did you get back?"Â
He's afraid to look at you. He doesn't have a choice. His heart skips a beat at the state of you, which is to say you look stunning in your dark clothes, a tight cut top that borders unprofessional and a pair of thigh hugging pants that pass the border completely. (He's kidding. Mostly. You're dressed fine. He's a loser, is all.)Â
"This morning. They couldn't keep me from you if they tried, handsome. You look good." You disengage from his side. Spencer's relieved and regretful at once. "I love the haircut, they take a little more than you were expecting?"Â
"Is it too short?" he asks unsurely.Â
"It's perfect."
Spencer's taller than you but he never feels it until you're looking up at him, pretty eyes and quirked lips, permanent amusement in your gaze. "I missed you," you say.
"Y/N," Hotch says as he descends the steps to the bullpen. "We talked about this."Â
"Pen and Morgan do it every day." Your eyebrows pinch together.Â
Hotch doesn't say anything else, an empty coffee mug in hand as he passes. You don't baulk at his disapproving look, the opposite, sitting on the edge of Morgan's desk to kick your kitten heels gently, a slow back and forth that has Spencer's eyeline pulling down your legs. He shakes it off, but not before you've noticed.Â
"You don't mind, do you, babe?" you ask. "My flirting?"Â
It'll probably kill him sooner rather than later. "No. Don't mind."Â
"'Cus I can stop, I promise. But you're the kind of boy that should be flirted with, you know? And the kind of smart that makes you crazy attractive, which is unfair. It's not like you needed help in that particular department." You lean back as you talk, scrounging around Morgan's things.
"Second shelf," Spencer says.Â
You stop your searching to grin at him. Pleased, you reach down to the second drawer of Morgan's desk and find what you'd been looking for, a coveted, half-eaten pack of cherry twizzlers.Â
"But we're not like Pen and Morgan," you say, bringing a twizzler to your mouth.Â
"We're not?" Spencer asks, confused. He may not summon the necessary charisma to flirt back, but he likes what you have.Â
"Nope." You take another bite, chew, leaving Spencer in anticipation. Finally, you swallow, lips curving into an even stickier smile. "'Cus Pen and Morgan are never gonna happen. They're better as friendsâŚ"Â
You slip down off of Morgan's desk, leaving his twizzlers behind. Spencer has enough sense about him to anticipate your approach. He's proud of himself for the composure he maintains as your footsteps slow. He even takes a step back to follow you, to your abject delight.Â
"But we're not just friends, are we?" you ask softly. You lift your chin. He can smell the cherry on you.Â
"Y/N, enough," Hotch says from somewhere behind. You refuse to look away, and while Spencer fears his chief's tone, he manages to hold your gaze. "HR will mandate another presentation."Â
"It's alright, Hotch," Spencer says. His cheeks are flushed and his palms are clammy, but his voice holds up. "I don't mind."Â
"I'm sure you don't."Â
"This could all be avoided if we took this somewhere a little more private," you murmur.Â
"Enough. I won't tell you again, Y/N. Shouldn't you be helping Penelope with her ViCAP recalibration?" Hotch asks pointedly.Â
Spencer takes it for what it is; an effort to separate you from each other before it goes too far. You know it too, rolling your eyes at Spencer like you've a shared secret âCan you believe this guy?â clasping his arm loosely in farewell.
"See you later, Spence." You call him handsome, babe, bub, even sweetheart, but Spence is the worst of all of them because of how you say it, your voice entrenched in pure honey. His heart pangs as you go. Â
Hotch lingers by Spencer's side, coffee freshly filled and steaming in rings. "You know, you're getting better," he says sympathetically.Â
Spencer rubs the bridge of his nose roughly. "Thanks."Â
your bombshell!reader x spencer is feeding me so well, i'm obsessed!! SJSJS since we've seen reader jealous, is it possible to have a fic where it's spencer that's jealous?
thank u!! fem!reader
Your outfit today is simple. Pencil skirt, dark stockings, hair pristine. The thing that catches Spencer's attention, holds it between two squeezing palms, is the shirt and blazer ensemble you've styled. It's cut to fit, sleek and dark and hard to look away from.Â
You brush past the back of Hotch's chair with a sigh, clearly unaware of the attention you're garnering from across the way. âWhat's wrong with him?â you ask.Â
âThe same thing as usual,â Hotch says.Â
âIt's not like we've ever instantly solved a case. Gideon knows this takes time.â
Elle pokes her tongue into her cheek, eyes flared wide. She says a lot without saying anything, flicking through the police files in front of her dispassionately.
âHow come you stayed?â
It takes Spencer a moment to realise you're talking to him. âWhat?âÂ
âYou didn't go with Gideon?â You hold your chin in your hand. âNot getting along anymore?âÂ
Spencer isn't not getting along with his mentor. He would've accompanied Gideon to meet with a past mass murderer, only you're here, and so he'd found unrelated reasons to stay.Â
âWe're fine,â Spencer says, not wanting to say more and give himself away.Â
âWell, he took Morgan.â You pout, your voice dripping to a wistful whine. âWhat am I gonna do now without him? None of you guys ever wanna play with me.âÂ
Hotch smiles to himself. Spencer's stomach ties itself in knots, a tight noose that grows tighter still when you notice his expression and lean in toward your superior. âWhat's that smile for, Hotchner?âÂ
âDon't you have emails to look through?â Â
You hold your cheek in your hand lightly, fingertips digging into the soft of your cheek. Your smile is like a kick to the chest, achingly sweet on such a pretty face. âNoâŚâ Your pinky digs into the corner of your mouth. âI don't remember that being on my agenda today.âÂ
âConsider it an addition.âÂ
Is Hotch flirting back? Spencer isn't sure why that strikes him so hard. Maybe because Hotch would actually have a chance with you if he wanted it; your flirting with Hotch is more real than if it were with Spencer, because Spencer is a twenty-something know-it-all who still dresses like his mom buys his clothes.Â
âIt's a lot of emails, boss,â you say.Â
âYou have time. Start with the ones sent by Hughes and work your way down.â Hotch slides the login information across the desk into your reach.Â
You look at it unhappily. Look up at him.Â
Just being looked at by you is a full body experience. Whenever you look at him, he begs himself to play it cool as Hotch is now, to treat it as the affectionate playfulness of a friend rather than serious flirting. He'd have a better chance of being taken seriously by you if he didn't blush whenever you so much as breathed in the same room.Â
He wishes he could respond calmly like Hotch. (He wishes you'd flirt with him and him alone. He buries that deep.)Â
Envy eats at his hands. Pins and needles he tries to shake away. His movements draw your attention, and your smile worsens, which is to say sweetens, like seeing him again is a treat for the eyes.Â
âYou'll help me, won't you, baby?â you ask.
He goes a little blind.Â
Hotch and Elle watch the encounter with similar parts pity and amusement.Â
âYou can read through them so quickly, I could really use yourâŚâ âyou drag your fingertips down your face until your nails are at your jawâ âexpertise.âÂ
âReid has his own tasksââÂ
âI can help,â Spencer interrupts.Â
You drop your hand from your face altogether. âThank you. Have I mentioned how much I missed you while I was away?âÂ
âOnly five times,â Elle says under her breath.Â
âThey try so very hard to keep us apart. It's not fair.âÂ
Because unlike Reid, you don't have multiple degrees. You're still learning, and you can't be here permanently, but your talent, your knack for profiling, is unignorable. You're guaranteed a place on the team as soon as you can prove yourself to Strauss. Without a Gideon to vouch for you, that could take a while, and yet you're never jealous of Spencer skipping a few hurdles to get here.Â
If anything, you admire him. âThey don't understand our bond, that's all. And together we're hard to beat. Isn't that right, Spence?âÂ
Perhaps Spencer shouldn't be jealous. You don't call Hotch by anything so saccharine, after all.Â
Hi idk if u have already written this if u have pls igonore but what about the first time bombshell reader calls Spencer beautiful?
fem, 1k
âGideon has a new prodigy.âÂ
Your head rises of its own accord. âYeah?âÂ
âHe's younger than you. Twenty three, I think Hotch said. Fresh out of college, two degrees and working on a third? Or maybe he was getting his doctorate? I couldn't keep up.â Morgan shakes his head in disapproval. âOvereducated and under-experienced. He failed his physicals. The ones he took, anyways.âÂ
âOoh, ouch. A baby on the team before me,â you joke with a smile. âGenius baby, but a baby.âÂ
Morgan smiles when you smile, he's too nice not to, but he picks up soon enough, crossing his arms where he's stood and wrinkling what was once a finely steamed suit jacket. âI don't know what Gideon's thinking.âÂ
âDoes anyone ever know what he's thinking? What's Hotch say about it all?âÂ
Morgan reads what you're typing from over your shoulder and corrects a mistake. One day you won't need his help, but for now you take as much of it as you can get. You're not too proud to acknowledge when you mess up, you're a realist. Super sensible (in mind if not action).Â
âHotch lets Gideon do what he wants, mostly. What can you do when he's one of the originals?â Morgan leans heavily onto his desk by the forearms and shrugs. Youâre similar in this regard; complain, move on. You're similar in other ways, too. That's why you get along.Â
âWell, I want to meet this guy,â you say. âWe'll be teammates just as soon as Strauss stops hating me. I'm one strategic boxed bouquet from a full pardon.â He laughs and touches your arm like he believes you. âIs he around?âÂ
âHere they are now.âÂ
You spin in Morgan's desk chair slowly. Jason Gideon is stalking through the office with his head in the contents of a manilla envelope, while a new face follows behind him talking a mile a minute.Â
âObviously,â you hear Gideon interrupt as they get close enough. âAgent Morgan can explain that to you. Don't overthink it, Spencer, just try to get through it.âÂ
He doesn't acknowledge you nor Morgan as he leaves Spencer and hurries up the steps leading to his and Hotch's offices. You aren't expecting much else from him. What little Gideon knows about you he doesn't like. If you ever get over the Strauss hurdle, it's him you'd have to convince next. You don't watch him cross the landing, your gaze focused on the man making his timid way toward you. Your lips part briefly, and then quirk into an overjoyed smile.Â
âOh, you're beautiful,â you say without thinking.Â
He frowns at you.Â
âReid,â Morgan interrupts, âThis is Y/N L/N. She works in the sex crimes division. As you can imagine, we get a lot of crossover.â You stand, holding out your hand. âY/N, this is Spencer Reid.âÂ
âI don't shake. Sorry.âÂ
You press your hand to your chest. âOh, that's okay. I shouldn't assumeâŚâ Your voice melds into a silkiness that has his shapely brows furrowing further, âIt's nice to meet you, Spencer Reid. You're really pretty, do you know that?âÂ
Spencer peeks at Morgan quickly, who laughs good-naturedly. âShe's serious, Reid. She's not making fun of you.âÂ
âYou'd know,â Spencer says. It isn't malicious, but it isn't exactly friendly, either.
You twist to frown at Morgan deeply. âMorgan, you're not being nice to him?âÂ
âI'm being plenty nice, sweetheart, but this is how it works. I gotta haze him a little.âÂ
âNo, you don't.â You tip your cheek toward your shoulder to look at Spencer through your lashes. âHe pretends to be worse than he is, I promise. But don't let him neg you, okay? You're smarter than he isââÂ
âHey.âÂ
ââand he's used to being the office pretty boy. It's jealousy, nothing else,â you finish. Spencer really is gorgeous now you're close enough to see his eyes. A brown like caramelised sugar tented by dark, dark eyelashes. When he smiles, the very slightest hint of teeth shows, and it makes him even prettier. You endeavour to make him smile again. âSorry if I'm coming off a little strong. It's not my intention.âÂ
âShe's just nervous. You have everything she wants,â Morgan says.Â
You sigh forlornly. âOh, doesn't he?â Spencer's confused pout is even cuter than his smile. âGetting into the BAU is about as easy as walking on water.âÂ
âFor a human,â Spencer says. âEasier if you're smaller. Like a water strider.âÂ
There's a silence. Morgan is aghast, you think. You're in love.Â
âYeah?â you ask, stars in your eyes as his own spark to life.Â
âBecause water strider's can transfer their weight, but also due to their hydrofuge hairpiles. Their microhairs.â He catches himself, measuring your expression carefully. âDid you really wanna know?âÂ
âDo you wanna get a cup of coffee and tell me about it?â you ask.Â
His lips part as yours had when you first saw him.Â
He's prevented from answering as Hotch's office door opens and the man himself walks out near the railing. âGood, youâre here. I have something to talk to you about.âÂ
You grin at him. âI'd love to chat, Agent Hotchner, but I'm getting to know your new protĂŠgĂŠ.â
âI see.â He waits.Â
You would ignore him âHotch has a soft spot for you (or rather, he likes you enough to put up with you, which is more than can be said about other members of his division) and he'd shrug off your dismissalâ but you're really keen to hear what he has to say. Perhaps Strauss has changed her mind about your proposed trail basis with the team.Â
âI'm so sorry,â you say to Spencer, immediately re-dazzled by his pretty, lovely face. âIt was really nice to meet you, Spencer Reid. Maybe next time you can tell me more about it.âÂ
You give Morgan a quick thank you for the help with your paperwork and trust him to log out of your emails. In your rush up the stairs, you hear a wisp of conversation.Â
SLEEPING IN A BED HALF EMPTY | spencer reid x reader
ââ .⢠DIVIDE event masterlist .á
summary: a poorly-timed work trip opens a few poorly-healed emotional wounds for your boyfriend spencer. he's wishing your airport would crumble, and you're wishing you could convince him that leaving for a week doesn't mean leaving forever.
genre: fluff, hurt/comfort | word count: 1.7k
tags: gn!reader, s3!boyfriend!spencer, insecurity, fear of abandonment, mentions of s2 events: elle, hankel, gideon, spencer gets a well-deserved hug, title from a noah kahan song (duh), not proofread
notes: noah kahan sad girl summer is here. tysm for 1k <3
"But you could punch me in the gut, and it wouldn't hurt like watchin' you grow smaller on the backroad." â Noah Kahan, Staying Still
The apartment is quiet.Â
That in itself isnât weird, you suppose; youâre a naturally quiet person, and Spencerâs even quieter most days. To have your apartment enveloped in a stillness isnât something new, nor is it cause for concernâyou wouldnât have it any other way, really.
But today thereâs a weight to it, the quiet. It hangs in the air, thick like smog, sits on your shoulders for hours and leaves you will a full-body ache. Itâs an unnatural silence, a forced one, defined by words, thoughts, which are actively being repressed. Pushed down. Bottled up.Â
Spencer is quiet, and not because heâs busy with his nose in some book or milling through his dozens of academic journals. Heâs quiet, and he isnât doing anythingâand that isnât a combination you thought possible until today.
Spencer Reid is either busy, or heâs talking. Rambling in soft tones about work, or physics, or quite literally anythingâyouâve heard him talk at length about centipedes beforeâbecause thatâs just the type of person he is. So to see him justâŚsitting there, picking at the skin around his nails, neither speaking nor acting, is uncanny.Â
Your boyfriend has been replaced with a statue, and itâs been like this all day. You noticed something was off when you first woke, and you were immediately able to identify the problem. You had hopedâevidently in vainâthat Spencer might broach the topic himself, exercise his usually excellent communication skills, but no; he stayed quiet, grew quieter. And now itâs 6pm and youâre elbow-deep in the sink washing dishes, and Spencerâs still sitting on the couch, fidgeting in silence.
Or you think he is, until you feel a pair of arms wrap around you from behind. His chest against your back, nose pressed into your hair. You purse your lips, wait a beat, then two, for him to speak before setting the dishes in the sink and reaching for a towel.
âYou okay?â you ask, voice light.
âMhm.â
After drying your hands, you shimmy around until youâre facing him, brows set in a small frown. âSure?â
Spencer flashes you a small, visibly strained smile. âYeah, Iâm sure. Are you, uhââ he clears his throat. âAre you all packed?â
âYes sir.â
âAnd youâre not missing anything?â he asks. âYou, um, forgot your toothbrush when we went on that road trip, andââ
âI have my toothbrush,â you say softly.Â
Spencer nods. He swallows like itâs painful. âGood.â
For a moment, you just watch him, hoping that he might take your look of concern as a sign to speak up but, of course, he doesnât.Â
So, with gentle hands you reach up to cup his cheeks. âSpence,â you murmur, âI know somethingâs up.â
He lets his eyes flutter closed, and he leans into your touch with a soft sigh. But he doesnât speak.
âYou worried about this trip?â you prod.
You feel it under your palm, the way he bites the inside of his cheek before answering, âNo. Iâm notâ well, IâŚâ he sighs. âI donât know.â
Leaning back against the countertop, you wait with patience. You keep your hands on his face, thumbs brushing tender circles against his skin as you let him organise his thoughts, giving him as much time as he needs.
âIt doesnât make sense, logically,â he eventually mutters. âWhat Iâm feeling, I mean. I-I keep trying toâŚreason with it, but thereâs just thisâ this voice in the back of my head.â He lowers his voice until heâs speaking in almost a whisper. âI just canât help but worry youâre not gonna come back.â
His words catch you off guard. Your brows twitch, and he immediately begins to backtrack.
âAnd I know itâs stupid, andâ and I know that, obviously, you wonâtâ"
âSpencer.â You cut him off carefully, hands moving from his face to his neck.
He falls silent, lowers his head. Shame seems to taint his entire being, weighing him down.
You wait a beat, trying to gauge where heâs at, what heâs thinking, before asking, âIs this about Gideon?â
All he does in response is smile. Self-conscious. Sardonic.
And it breaks your heart.
You know heâs been sensitive, more so than usual, since Gideon leftâsince Elle left, even. Since the awful incident with Tobias Hankel, the weight he carriedâstill carriesâin the wake of it all. You canât imagine how he must feel, and itâs rare that you see it at all because he handles it all so silently. Like heâs afraid of being too much. Too human.Â
âSpence,â you murmur his name again so he meets your gaze, âof course Iâm gonna come back.â
âI know.â He shakes his head, takes a deep breath like heâs trying to will himself into being okay, and then he deflates once more. He leans forward and touches his forehead to yours like youâre the only thing keeping him upright, and he closes his eyes. âI just canât stopâŚthinking.â
âAbout what?â
âSleeping in an empty bed for a week,â he mutters.
âAnd?â
He sighs. âThe hypotheticalâvery hypotheticalâscenario where youâŚenjoy being there, away from me, more than you enjoy being here.â
âOh, honeyâŚâ your hands slip down further, fingers curling into the neckline of his sweater. âSpenceââ
âI know itâs unfounded,â he says. His hands find your wrists, and he holds onto you like you may disappear if he lets go. âI know Iâm beingâŚclingy. Ridiculous.â
âYouâre not being ridiculous.â You release his sweater, opting instead to entwine your fingers with his, holding his hands. âYouâre allowed to worry.â
âI keepââ A laugh cuts through his words. Soft, light, but still laced with that slight self-consciousness that just makes you want to hug him and never let him go. âI keep hoping that Reagan will end upâŚfalling down, or something. That way you wonât have to go.â
âHopefully not while Iâm there?â
âOh, noâ of course not!â His voice cracks as he pulls away, wide-eyed. âGod, Iâd never wish forââ
âI know, I know.â You squeeze his hands with a quiet chuckle, one that, thankfully, he mirrors.
You pull him back in, pressing a gentle kiss to his cheek as his lips curl into a small smile. When you lean back, you find that smile to be tainted, still, with a subdued sadnessâless than there had been previously, but still more than what you want to see.
âHey,â you murmur.
âHey,â he echoes.
âIâm gonna come back, andâ Spencer, look at me.â You cup his cheek as he tries to turn his face away, gently guiding him back to you. âAnd Iâm gonna call you, okay? Every day, I promise.â
A frown crosses his face at your words, and he shakes his head. âYou donât need toâŚplacate me,â he says. âIâm being childishââ
âI want to call you,â you interrupt, voice firm. âI wanna hear your voice. Iâm gonna miss you, too, you know.â
His gaze drops to his feet, but even as the silence starts to sting you take care not to rush him. It takes him a few moments but, eventually, he meets your gaze once more, holds it like a lifeline. âYouâll call me?â
âEvery day,â you repeat.
He nods. Slowly, like his head weighs twice what it shouldâbut itâs still a nod. You pull him closer, press a kiss to the tip of his nose, before releasing his face.
âHere.â You fumble with the clasp of your necklace, removing it so you can press it into his palm. âHang onto this for me, okay?â
A stretch of silence. Spencer stares blankly at the necklace, like he doesnât know what to do with it, before shaking his head. âI canât,â he says. âThisâ this is your favourite. You never take it offâ"
âThen it gives me all the more reason to come back, right?â you ask, smiling.Â
Of course, Spencer himself is reason enough to come back. You could tell him that a thousand times, but thereâd still be a part of him that doesnâtâcanât, for whatever reasonâbelieve it.Â
Itâs your favourite necklace, sure, you wear it every day, and going without it will undoubtedly feel weird, but youâd happily leave it behind for Spencer. Youâd leave every piece of jewelleryâno, everything, period, for him. You just wish there were a way to make him understand that.Â
So you settle for putting the necklace on him, not because it âgives you a reason to come backâ, but because it gives him part of you to keep with him. Something that he can hold onto; a physical reminder of how much you love him.
You pull him into a hug, squeezing him tight like it may somehow convey, wordlessly, all the things you wish heâd believe. Like, if you hold him tight enough, you might infect him with just a fraction of what you feel for him.Â
His arms wrap around your waist once more, and you feel the tension thatâs been wracking him all day begin to ease. He presses his face to your neck, mumbles âIâm gonna miss youâ into your skin like a prayer, and you murmur back âI know, Iâm gonna miss you, too.âÂ
Time seems to stop existing entirely, and you have no idea how much of it passes during your embrace (a minute? Five? Maybe more?), but when you pull yourself away Spencer seems as though heâs had new life breathed into him. He smiles, kisses your lips, holds your waist not like youâre going to vanish into thin air, but like youâre something precious. And you think for a moment that maybe your hug did work, even if itâs only for a short time.Â
âSo.â You run your fingers up and down his arms, tracing the creases in his sweater. âAre you gonna drive me to the airport tomorrow, or am I gonna have to call a cab?â
âWhy would you call a cab?â he asks, frowning. âIâm not at work.â
âI dunno, in case you feel like driving us off of a bridge, so I miss my flight.â
Spencerâs jaw drops. âI would neverââ
âI know.â You chuckle, poking his shoulder as a playful grin creeps up your face. âIâm kidding.â
He rolls his eyes, very obviously suppressing a smile of his own, and kisses your forehead. âIâll drive,â he murmurs, âdonât worry.â
đŠđđ˘đŤđ˘đ§đ : spencer reid x fem!reader
đ°đ¨đŤđ đđ¨đŽđ§đ: 2.7k
đđđ đŹ: early seasons spencer, a lot of data that might or might not be true, spencer rambling, talk about sex but honestly just pure fluff
đŹđŽđŚđŚđđŤđ˛: In which Derek Morgan's teasing backfires spectacularly, and Spencer Reid accidentally reveals he's been keeping a very important secret.
đ/đ§: I've been rewatching criminal minds and i can't stop thinking about him
The bullpen is winding down for the evening. The usual frantic hum of phones and keyboards has faded into a low, comfortable murmurâthe sound of exhaustion finally winning the long war against urgency. Desk lamps cast small pools of amber light across scattered case files, illuminating coffee rings and margin scrawls in warm, fleeting gold. Somewhere across the floor, the ancient breakroom coffee maker hisses its last, bitter brew of the night, a sound almost like a sigh.
Derek Morgan leans back in his chair, the old springs groaning in protest. He tosses a pen idly between his fingers, a familiar, teasing smirk curving his mouth. âYou know, Reid,â he says, loud enough for half the unit to hear, âfor a genius, you really donât know how to prioritize. All those encyclopaedic facts rattling around in your head, and you still havenât figured out that Saturday nights are for living. Not for whatever obscure Russian novel youâre dissecting this week.â
Across the bullpen, Emily Prentiss looks up with the patient expression of someone who has witnessed this exact argument forty-seven times before. She doesnât intervene. Sheâs learned.
Reid doesnât look up from his case file, though his pen pauses for just a fraction of a secondâa tell so small only someone watching closely would catch it. âDostoevsky is hardly obscure,â he says, tone perfectly even. âAnd for the record, my Saturday nights are perfectly fulfilling, thank you.â
âUh-huh.â Morgan chuckles, swivelling toward JJ and Prentiss like a talk show host inviting audience participation. âTell me Iâm wrong. Between the two of usâgenius boy and yours trulyâwho do you think gets lucky more often?â
But before anyone can answer, Reid clears his throat.
âThat's an entirely misleading metric,â he says.
Morgan's grin widens. âOh, is it?â
âYes, actually.â Reid sets his pen down with a soft click, and the team recognizes the signs immediately: the slight straightening of his spine, the way his fingers begin to tap a staccato rhythm against the table, the subtle tilt of his head as he shifts into lecture mode. He's about to do the math out loud.
âFirst of all,â Reid begins, holding up a finger, ââgetting luckyâ is a subjective, self-reported measure, which introduces significant recall bias and social desirability bias. People overestimate. Significantly. By as much as forty percent in some studies.â Another finger goes up. âSecondly, you're comparing two data pointsâyou and meâwithout controlling for variables like opportunity, environment, or personal standards. You have a tendency to equate quantity with quality, which is statistically unsound.â
Morgan groans, dragging a hand down his face. âHere we go.â
Reid ignores him entirely, already mid-stride into the argument. His voice picks up speedânot quite rambling, but close, the way it does when he's genuinely enjoying himself. âLet's say, hypothetically, you sleep with a different woman every week. Generous, but possible. Howeverââ He holds up a finger, ticking off points like a professor during office hours. ââyou've also mentioned, on multiple occasions, that you don't âmix work with playâ and that you need at least one night to decompress. That leaves Friday and Saturday as your only viable windows. So let's assume sexual encounters occur on Friday or Saturday night. That's roughly two opportunities per weekâbut even then, not every weekend yields a new partner. You have off weeks. You get sick. Sometimes,â he adds, with the faintest hint of smugness, âwomen say no.â
Morgan's smirk twitches. âOkay, first of allââ
Reid tilts his head, gaze going distant as he does the numbers behind his eyes. His fingers twitch like he's physically calculating in the air. You've seen him do this a hundred timesâmap a geographic profile, run a probability tree, recite the entire history of some obscure piece of trivia.Â
âAccounting for statistical probability of rejection, scheduling conflicts, and the inherent inefficiencies of the modern casual dating landscapeâwhich, by the way, is heavily skewed by algorithmic dating app fatigueâyour actual frequency likely drops to one new partner every ten to fourteen days. Optimistically.â
JJ is already grinning, resting her chin on her hand like she's watching her favourite courtroom drama. âI feel like I should stop you both,â she says, âbut I really want to hear where he's going with this.â
Prentiss leans back in her chair, arms crossed. âOh, he's going somewhere. You can always tell when he does the head-tilt.â
Morgan points a finger at Reid, though his voice has lost its edgeâthere's genuine affection underneath the exasperation. âAlright, fine. Let's say I'm one every two weeks. What's your number, pretty boy? Hm? When's the last time you evenââ
âThat's not the point,â Reid interrupts, a little too quickly.
He presses on, gaining momentum now. His voice picks up that familiar, rapid-fire cadenceâthe one that makes unsubs' heads spin and makes the rest of the team feel like they're sitting in on a TED Talk they didn't buy tickets for. His fingers have resumed their tapping, faster now, keeping time with the race of his thoughts.
"Now, consider a person in a committed, cohabitating relationship. Let's establish a baseline: the average frequency of sexual activity for couples in the early stages of domestic partnershipâsay, the first two yearsâranges from three to five times per week, depending on variables like work stress, health, and general compatibility. Let's take the conservative estimate: every other day."
Morgan opens his mouthâto argue, to deflect, you're not sureâbut Reid holds up a finger without looking, and Morgan closes it again.
"Now," Reid continues, "multiply that over a four-week month. The partnered individual is engaging in sexual activity approximately twelve to sixteen times per month. The single person cycling through weekly encountersâassuming one new partner per week, which we've already established is an overestimateâis averaging four times per month."
Morgan crosses his arms, jaw tight. He's not offendedâthey all know him well enough to recognize the differenceâbut he's definitely recalibrating. "So you're sayingâ"
He delivers the final blow with clinical precision, but there's something softer lurking underneath.Â
"And you're not even accounting for quality of experience, emotional investment, orâmost importantlyâlong-term satisfaction metrics," Reid continues, his voice quieter now, less performative. "A single meaningful connection, maintained over time, statistically outperforms high-frequency, low-retention encounters in nearly every category of reported happiness. The Harvard Grant Studyâone of the longest longitudinal studies on human developmentâfound that the single strongest predictor of life satisfaction wasn't career success or financial security. It was the warmth and consistency of close relationships."
He pauses. Swallows.Â
"So, really, the question isn't who âgetâs luckyâ more." His voice drops, barely above a murmur now. Intimate, almost. Like he's forgotten anyone else is in the room. "It's who âgetâs luckyâ enough."
For a beat, no one speaks.
Then Prentiss raises her coffee cup in a slow, deliberate toast. "I believe you just got murdered by math, Morgan."
The tension breaksâbut not entirely. JJ snickers. Morgan rubs the back of his neck, shaking his head, but there's no heat in it. "Man, I just asked a simple question."
"You asked a misleading question," Reid corrects, but his voice has lost its sharpness. He's retreating back into himself, the way his shoulders curl inward slightly, the way his gaze drops to the case file again. Like he's said too much.Â
Morgan blinks, his smirk frozen mid-spread. He holds up a hand like he's stopping traffic. "Hold on. Hold on." His eyes narrow, processing, replaying something in his head. "You're talking about you."
Reid's mouth opens, then closes. A faint flush creeps up his neckânot the blotchy, embarrassed red of someone caught in a lie, but something softer. Pinker. The colour of someone who hadn't meant to say as much as he just did. His hand drifts to the back of his neck, a self-soothing gesture he doesn't even realize he has.
Prentiss leans forward, delighted, her elbows on her desk like she's settling in for a season finale. "Reid. Are you telling us you're in a serious, every-other-day relationship?"
"That's⌠not what I said." He adjusts his satchel strap, suddenly very interested in the grain of his desk. His fingers find the edge of a case file and straighten it unnecessarily. Then straighten it again. The file doesn't need straightening. Everyone knows it. No one says anything. "I was speaking hypothetically. Broad statistical trends. Aggregate data."
"Uh-huh." Morgan plants both hands on his desk and pushes up slightly. His grin is slow, dangerous, and utterly delighted. "You just compared yourself to me. Which means you're the one having sex every other day. With a girlfriend." He drags the word out like he's tasting it for the first time.Â
JJ crosses her arms, mock-offended, though her eyes are warm. "Spencer Reid, how long has this been going on?"
Reid swallows. Hard. His gaze flickers to the windowânot looking for an escape route, but for a moment of stillness. A place to land. When he looks back at the team, they see something they don't often get from him: not deflection, not a lecture, not a rapid-fire recitation of unrelated facts to change the subject.
Genuine, quiet vulnerability.
"Several months," he admits, low enough that they have to lean in to hear.
The word lands like a stone in still water. Ripples spreading outward. Morgan's smirk softens at the edges. JJ's arms uncross. Prentiss sits back slightly, her teasing expression fading into something more careful. More respectful.
No one pushes. Not yet.
But they're all looking at him differently now. Like they're seeing a new version of Spencer Reidâone who exists outside the bullpen, outside the case files, outside the lonely apartment they'd all quietly assumed he went home to every night.
"Kid." Morgan shakes his head, and there's something different in his voice nowânot teasing, not needling. Something almost admiring. "I take it back. Every single thing. Every joke, every 'maybe try a bar sometime,' every time I said you'd die alone surrounded by books." He squeezes Reid's shoulder, a brief, grounding pressure. "You've been holding out on us."
Reid ducks his head, but the smallest smile tugs at his lipsâshy, yes, but unmistakably real. It's not his knowing smirk or his closed-off court testimony expression. It's something softer. Something private, accidentally spilled. Like he's been keeping a secret so long that the act of letting it see daylight feels physically strangeâbut not unwelcome.
"You asked about frequency," he says, lifting one shoulder in a half-shrug that's almost bashful. "I just answered the question."
"You really did," Prentiss says, grinning wide enough to crinkle her eyes. "In excruciating detail."
JJ tilts her head, studying him like a case file she's only just realized she misread completely. Her gaze is warm but probingâthat particular JJ look that says I see you, and I'm not letting you off the hook that easily. "And for the record," she says, her voice gentle but pointed, "I'm going to need to meet this person. Several months and you never even mentioned her name? That's practically classified information. I'm officially offended."
Reid opens his mouthâmaybe to deflect, maybe to recite something about privacy and healthy relationship boundaries, maybe to quote a study on the importance of keeping certain parts of one's life separate from one's workplaceâbut then he catches something over Morgan's shoulder.
His words die in his throat.
The elevator doors slide open with a soft, mechanical chimeâthe kind of sound so familiar it usually doesn't register anymore. But tonight, it cuts through the bullpen like a bell.
And there you are.
Standing by the elevator bank, keys looped loosely around your fingers, a worn file folder tucked under your arm. You've clearly just come up from the archivesâthere's a faint smudge of dust on your sleeve, pale grey against the fabric, and your hair is slightly askew from leaning over old case boxes, a few strands escaping to frame your face. The overhead light catches the curve of your jaw, the concentration in your brow.
You're not looking at them yet.
Your attention is still on the files in your handsâa thick stack, dog-eared and labeled in fading marker. You're flipping through them absently, lips moving just slightly as you read, your thumb holding your place in whatever document has captured your focus.Â
Reid forgets how to breathe.
It's not dramaticânot in the way movies make it seem. There's no swelling music, no slow-motion montage. Just the sudden, startling realization that he has been holding himself together all evening, and now, seeing you, every carefully constructed wall is coming down.
You look tired.
He notices it first because he always notices it firstâthe slight droop of your shoulders, the way you're blinking a little too slowly at the pages in your hand. You've been in the archives for hours. Probably forgot to eat. Definitely forgot to drink water.
But you're also smiling. Just a little. A small, absent curve of your lips as you read whatever case file has captured your attention. It's the smile you get when you've found something goodâa lead, a connection, a piece of the puzzle that was missing.
He loves that smile.
He loves the dust on your sleeve and the mess of your hair and the way you bite your lower lip when you're concentrating. He loves that you exist in the same building as him, the same world, the same moment.
He loves you.
And now everyone is about to know it.
Reid's flush, which had been fading to a manageable pink, returns with interestâcreeping up his neck, flooding his cheeks, brushing the tips of his ears. But here's the thing that makes Morgan's eyebrows climb: Reid doesn't look away. He doesn't duck his head or pretend to read something.
Instead, that small, proud smile stays.
Grows, even.
Morgan is the first to put it together. Of course he is. He watches Reid's face changeâwatches the shyness give way to something steadier, something almost protectiveâand then he follows Reid's gaze across the bullpen.
His eyes land on you.
His smirk doesn't just return. It blooms.
"No," he breathes, barely above a whisper. Then, louder, disbelieving: "No."
Prentiss notices Morgan's reaction before she notices you. She glances at him, then at Reid, then follows the sightline like a guided missile. When she finds youâdust-smeared, distracted, muttering to yourself over a case fileâher eyebrows climb.
She doesn't say anything. She just tilts her head, watching, cataloging, filing away every micro-expression on Reid's face for later analysis.
But her silence is louder than words.
The bullpen feels suspended. Held breath and half-finished sentences. Even the ancient coffee maker seems to have stopped hissing, as if it, too, is waiting.
Morgan turns back to Reid, slow and deliberate, like a man approaching a wild animal he's just realized is actually a house cat. His expression cycles through about six different emotions in the span of two secondsâconfusion, disbelief, dawning recognition, and finally, something dangerously close to pride.
"You told us you were 'helping her with research.'" He makes air quotes, fingers curving with theatrical emphasis. "That's what you said. 'The archives are extensive, Morgan, and she's new, and it's purely professional, Morgan, stop reading into things, Morgan.'"
Reid's flush deepensâcreeping up from his collar, brushing the tips of his ears, painting his cheekbones in soft, tell-tale pinkâbut he doesn't deny it. He doesn't deflect. He doesn't launch into a rapid-fire lecture about privacy or workplace relationships or the statistical unlikelihood of his personal life being anyone's business.
"I was helping with research," Reid says quietly. "That's how it started."
"And then?" Prentiss prompts, leaning forward like she's watching the season finale she didn't know she needed. Her coffee cup is still frozen in her hand, forgotten. She doesn't blink.
Reid's eyes don't leave yours.
The bullpen falls away. The desks, the case files, the amber glow of the lampsâall of it fades into background noise. There's only him. Only the way he's looking at you like you've rearranged his entire understanding of the universe.
"And then," he says, and his voice catches slightlyâjust a breath, just a fracture, but you hear it. You always hear it. "I realized I didn't want to stop."