[surlygrrrl]

Deep & Disco

Listen to Marrs Barrs : Nu-Disco Grooves by Deep & Disco

It’s hard to believe that warm spring weather is on the horizon while we are in the depths of a cold front here in Toronto.  What better way to cheer on the sunshine and good times than with the Deep & Disco event brought to you by Miller Lite.

Yes, things are looking up as we look forward to Friday February 26.  Deep & Disco is a night of eclectic music far in range from rare groove, deep house and nu-disco. Add to the mix of beats (thrown down by the finest in DJ talent). The Den (at College and Bathurst) is the venue holding this night of good food, drinks, live art, and good people.

Deep & Disco is an endless treat of some of the cities finest art, music, food and drink. Painting the musical soundscapes will be veteran dj's: JC Sunshine, Nick Fiorucci, Marrs Barrs, Nik Nik, Dave Bianchi, Dj Fizza and Carmelinda.  Be prepared to take a musical journey from late 70's rare groove to the synth infused Nu-Disco and Deep House rhythms of present day.

Party people are also going to be treated to a special live performance art, created by talented Toronto artist Shawn Skeir as the music motivates him move his brush along a blank canvas. A surprise “movable” peice will be unveiled at the end.

Skeir’s works of paintings, drawings and murals can be found adorning many walls of hotels, homes, public buildings, magazines and outdoor spaces like Artscape and Regent Park. Creations he likes to term as “ urban expressionism, abstract postages “adorn our city and beyond.  “I didn’t chose art, it chose me”, and he’s been doing it for over 2 decades ever since. “My art is influenced by urban living, travel, jazz, black culture and street art from around the world.” He has a gallery space in Parkdale near his home and it is often a hub for social activity, new works by Shawn and other artists and a fun, enlivening place to hang and be surrounded by art.

Shawn will be inventing a live masterpiece, one that will be abstract, bold with colour and vibrancy, a true reflection of Shawn’s personality! Expect the bonus surprise under the veil to be exposed well into the night. Shawn says, “this unique opportunity; live art colliding with music is is a perfect canvas for spontaneity and imagination to be unleashed. Anyway, music factors heavily in this artist’s life and informs his art, and he calls his musical tastes a ‘hot chip of pop, old skool and jazz”. Shawn Skeir is looking forward to showcasing his talent while soaking in the good vibes during his night of performance and painting. “I know I’ll be getting a lift and inspiration from the energy of the people, sharing an artistic aesthetic with new people and busting a move on the dance floor.” You are in for a stellar night people!

Shawn Skeir’s works will be on display at the Den and don’t forget to enter the raffle for a chance to win a piece of art with heart from the master himself.

‘Abstract’ Paintings by Shawn Skeir

[surlygrrrl]

25th Alternative Anniversary of CATCH 22

Before the condo’s, skyscrapers, cafes and boutique shops that continually pop up around the Adelaide Street West corridor… Before the rise of what became the “Entertainment District” the weekend destination for tens of thousands of partiers in downtown Toronto from the mid-90’s to present day Toronto… An unassuming, yet influential club opened it’s doors at 379A Adelaide Street West amongst the backdrop of barren industrial warehouse spaces in the late autumn of 1990 becoming the nucleus of alternative nightlife. CATCH 22!

From its simple beginnings in its subterranean location, the original group of futurists planted the seed, which was nurtured by Pat Violo and Gio Cristiano. Who could predict that this little spark would ignite 8 years of legendary club nights; hosting a who’s who of established and up and coming deejays, talent and artists who were soon to be figureheads in Toronto’s up and coming club scene? Just west of Spadina Avenue, a twenty-foot tall Silver Surfer mural greeted club goers of every alternative subgenre. Once this landmark was spotted, you knew you were steps away from entering a night full of promise and excitement.

Then it hits you…the music, the voices, the laughter, numerous bodies clad in mostly black, with leather jackets. An eclectic mix of styles and personalities to match smile at you and plug into an outlet that let’s them be their most true and expressive selves.

The first faces to greet you were always some of the most welcoming and personable to work the doors. Whether it was Paul, Andy, Rob or Hanna, you were always greeted warmly, with no attitude. These door people possessed rare ability to remember names, faces and engaged in friendly banter while doing ID and entry checks. A rare and almost extinct tone that made all guests feels welcome and wanted.

Walking through the door was just the beginning of your night’s fun filled journey. Robin took your passes, cover charge and coats before issuing that hand stamp confirming you are in amongst friends. Of course, there were the fortunate few who secured the limited edition, CATCH 22 VIP button (available at reunion party).

Just nine more steps to go before the sights and sounds take hold and command your attention. Senses are soon running overtime from here on end. Now only one more step before rounding to the right.

Later, as the bass and lyrics hits you and that final breathe of anticipation is satisfied with a song that you’ve been dying to dance to all week.  What a sight to see, feet and arms working the stainless steel dance floor, becoming one with a collective of steaming dancing bodies. DJ Gio, Craig Beesack, Iain, Don Berns a.k.a. Dr. Trance, Mars, Jurgen, Jeff C, Rono Box, Dwight Hybrid, Michael X, Hanna, Paul Dhingra, Denise Benson, Shawn McDonald. Also some very special appearance's by the likes of Chris Sheppard, Hedley Jones, Andy Frost and others who were already established or rising stars of the alternative and Electronic music scene, provided the 7-day week soundtrack. Throughout the night, the voices of many hosts could be heard infusing their energies into the audio onslaught. The talented Martin Streek and Brother Bill were working their skills on the mike along with the mix of club superstars.

Catch 22’s notoriety reached beyond the city’s borders attracting international talent like Marilyn Manson, VNV Nation, Pop Will Eat Itself, And ACDC to name a few who made sure their post concert activities ended in the right place, CATCH 22.

It has been little over 25 years since the infamous CATCH 22 opened its doors, becoming the nucleus of Toronto’s alternative nightlife culture. This carried on successfully throughout the better part of the 90’s and became the template for clubs that followed.

From New Wave to Alternative, Industrial, Goth, Punk, Grunge to Electronica and Techno, the beloved venue was a weekly home to many, uniting the city and beyond in celebration of music, fashion, lifestyle and friends.

Forward to 2016 we will revisit and celebrate CATCH 22 and the glowing impression it left on our city. Join us for a reunion with our finest DJ’s, music and meet up with old friends. This is promising to be one memorable night that you don’t want to miss.

By Dwight Hybrid Edited version by Daria Lafontaine

Black + Blue Presents: CATCH 22/ 25th Anniversary Event! Saturday February 6, 2016 Lily Lounge 656 College Street Toronto Doors open at 9 pm

FB Event Listing Advance Ticket Purchase Check out Denise Benson’s “Then and Now: CATCH 22” article for more on the club, pics and rare video footage here

[surlygrrrl]

“IAMX is basically my public therapy,” says Chris Corner. “It’s my way of being able to connect with the world, to pour my heart out and dance at the same time.” The release of IAMX’s sixth album, Metanoia and current tour provides the perfect stage for the artist to share his therapy sessions with the audience.

Corner’s diversity as video artist, composer, producer, multi-instruments, and vocalist make for a provocative stage show, which we luckily may have a chance to catch on his North American tour.  Having made his mark as co-founder and member of the British band, Sneaker Pimps, Corner has forged a place for himself today as a talented and scintillating artist.

Here’s my interview with IAMX in anticipation of his Toronto debut.  

What has the response been like so far for Metanoia?

It’s been very kind and generous. Many connect with the message and that makes me happy. I’m just still incredibly lucky to be able to do this and survive but it’s very rewarding when people really get it. It’s an album I made coming out of a long period of depression and I hope that others can relate and get some comfort from it.

How do you work through the depressive periods in your life?

I’ve struggled with mental illness for as long as I remember but it was like a background hum. It never felt like an emergency, just a kind of numbing greyness I would carry around which would usually send me into periods of hedonism or creativity. But I would become very volatile which would lead to panic attacks. This was all just normal for me. But one day, I just stopped sleeping. For 5 weeks I slept an hour a night and I felt like I was dying. It was the beginning of a depressive episode that changed my life. I stopped making music, I stopped touring, I couldn’t work, and I couldn’t drive a car. I was totally fucked. I saw music as my enemy. I thought it was hurting me, that I was too sensitive to handle the emotional roller coaster of being creative again. I didn’t know whom I was or how to get out of it.

DARKNESS  and LIGHT

I went back to England to be with my family and I checked into a clinic to get some professional help. It took me two years to recover from that episode and to be able to function again. But in many ways it was a breakthrough. It showed me how bad things can get and to be grateful for every great moment I am now much stronger than I ever was, even though I will always carry this with me. Therapy, drugs, CBT, mediation; I used everything to get back on my feet. There is no singular magic bullet, you have to get to know yourself deeply and develop a recipe for survival. The key is to have no fear. You have one life. Live it fearlessly and everything will fall into place. I now love my music more than ever and I also want to be able to help people.

What has living in LA been like for you, after England and Berlin?

Wonderful. It’s been a great antidote to the heaviness of Berlin winters. Due to the way our touring was often scheduled I would find myself writing and recording in deep winter. IT would add a negative edge to the process. Each year I slipped further into a dark hole and eventually I got really sick. LA has helped with my recovery. The sun, the positivity and feeling of limitless potential, all are good.  It’s also a city full of freaks and I don’t feel isolated anymore.

How are you feeling as you embark on this tour?

I feel great. I want this music to be heard and I want to get out and tough people. I’ve missed the intimacy and interaction of playing shows. I’ve missed doing therapeutic interviews. It’s the most relaxed I’ve ever been about my work. I don’t feel so self-conscious or judged. The band and crew is also the best people I’ve worked with. IT’s taken time to get to this point, because removing poison form your life is a long hard slog. But here we are and the live shows are more powerful than ever.

You said that IAMX is your alter ego. Is it easier to express yourself so openly by doing this or is it a way to somehow protect you?

Yes I think I said that before I was really aware of who I was and what the project meant to me. I now see IAMX as just a necessary outlet for the extroverted part of my personality. I put so much into it on stage or in the studio that there is nothing left. That’s why I am a hermit in my private life. If I lived like that every day I would have been dead long ago. Being X is like being in a trance, I am transported to another place. I feel connected with the universe; I feel a part of everyone. IT’s a deeply existential experience. I used to be afraid of it. Afraid that I would lose myself. But it is me. How could I lose myself in myself? I accept the beast fully now. He is in symbiosis with the introvert.

Does the hyper activity and super fast pace of modern life make you feel anxious and if so, what do you do to cope?

We all deal with anxiety on some level. It makes sense there is excess in modern times. Most of u doesn’t really need it anymore to run from tigers or fight an enemy. So this excess goes into our thinking. And the stresses of modern life, like the infinite possibility of technology, trigger these thoughts. I used to be anxious about keeping up. But if are an adaptable, informed you see you don’t need to engage to keep up. Sometimes, switching off is the best approach. Take a step back and look at what really matters in your life. I found that modern life just enhances what we all want. To connect, to love, to be loved, to be good at something. You just have to be a better filter, but the world is still a better place than it ever has been.

What is your favourite song on Metanoia, what are you most proud about?

I really love Look Outside. It’s a song that defines a feeling of completeness.  Of arrival. I wrote it in the desert where I have a small cabin. It was the first time I just wanted to describe being in a specific space, in a specific moment. Looking at the endless silent desert with a glass of wine, needing nothing else. Immersed in the total satisfaction of isolated nature. There’s a volcanic mountain behind the cabin that I see every time I hear the song. It’s very cathartic.

Lastly, whom are you listening to at this moment?

David Sylvian. I’m a lifelong fan.

If you haven’t heard IAMX, you should check out the show this Friday October 23 at Lees Palace. It’s guaranteed to be a riveting and provocative night, one not to miss.

surlygirl

[surlygrrrl]

Spirit of the 80’s

The English Beat will debut their first album in 35 years “Here We Go Love” at the forth annual Spirit of the 80’s festival in Lewiston New York, August 7, 8. This enticing event takes place at the Lewiston Academy Park and opening up for the Beat are ska band the Toasters. Stan Ridgeway (Wall of Voodoo) plays Friday night along with some local acts. This festival promises to bring back that 80’s energy, spirit and create new memories.  In anticipation of the fast approaching fest, I did an interview with event chairman Michael Hanrahan. He gives some insight into the festival’s origins and what music fans have in store for them at this year’s festival.

How did the festival evolve?

Some members of the Lewiston-Porter Class of 1987 started talking about plans for their upcoming 25th reunion in 2012, they thought, “Do we really want to pay upwards of $50 for a sit down dinner?  Someone said, “What if we got a band we used to listen to in high school to come to town and play a show for us?” And the seed was planted.

Was your kickstarter a success?

It served its purpose. We needed a quick and easy way for people who don’t live in the immediate area to be able to make a sizable donation. It took some one on one canvassing by some of our committee, but some folks came through and we reached our goal.

Kickstarter is a little scary because if the goal is not met by the deadline, all of the donations are returned. We posted another campaign last week with a lower goal this time since it is getting so close to the date. That goal was met in plenty of time.

How did you get into this?

We don’t really consider ourselves “concert promoters. “Our committee is made up of a few dedicated people from differing graduating classes who each have their own interests and strengths, ranging from event planning to fundraising and heavy lifting.

I am the one with the few music industry connections. First and foremost, I am a super-fan of music, especially music of the 80’s. I had met many, many artists and members of their teams while working in media and music. If a roadie or a manager ever asked for anything I would never say, “that’s not my job.” I would make sure the person got what they needed. Those are the kind of things people remember.

The other great thing about me is that I am not intimidated by celebrity; but have great respect and admiration for them. Michelle has said “I’ve seen him walk right up to a headline artist on our way to a concert, stick his hand right out and say, “Hey, how ya doin? Have a great show tonight.”

Why the 80’s, what did that era mean to you?

Living in Lewiston, we had the unique opportunity to pick up the signal of CFNY when they put the antenna on the CN Tower. Most of the Buffalo radio stations played rock. Kids in our High School got turned on to new wave. Especially Canadian music! We would make treks up to Toronto for concerts, or go to clubs like Nuts and Bolts, the Diamond for CFNY night. So when I first put this festival together, we hired the Spoons to play, and got Don Berns to MC. We loved “The Spirit of Radio” so the festival became the Spirit of the 80’s”. In the years since its inception, we have had Images in Vogue, and the Forgotten Rebels. And we would draw a crowd, much to the surprise of the bands that very rarely play in the States.

The English Beat is a perfect example of the significance of 80’s music (you don’t have to tell me that)! They came from working class, industrial Birmingham in England. They san about every day problems we could all relate to. And they didn’t just sing about these problems, they tried to do something about them, dedicating songs and albums to raise awareness and funds for causes such as nuclear disarmament, freeing Nelson Mandela, and indigenous people and their art and music. The Beat, as they were originally called in the UK and other bands of the same genre, were among the first groups to have members of different races.

What are some problems and concerns you had when starting this venture?

Biggest problem is getting the word out. This year we really grew. I have Stan Ridgway, the former lead singer of Wall of Voodoo, playing on Friday August 7, and then on Saturday I have New York City ska legends the Toasters opening for the English Beat featuring none other than Dave Wakeling. I am actually surprised by the number of presale tickets we have sold to the Toronto area.

What’s the venue like?

It’s a park as you enter the village of Lewiston. It’s the perfect location. Plus Lewiston is holding an Art Festival the same weekend attracting 10, 000 people!

How do you choose your bands?

I always joke, that I think back 25 years ago and whatever CD was in my Walkman, that’s whom I go after.

Any plans yet for next year’s event?

We definitely have the next several years in our sights. The Lewiston Council for the Arts is holding their 49th annual Art Festival this year, the same weekend as our event by the way. We would love to have this turn into a long-standing tradition. We know 2016 will be even bigger and better than this year’. We start planning right after Labor Day The week following 80’s weekend the committee will probably get some sleep, catch up on housework, and spend time with their family, who haven’t seen much of them lately.

As well, proceeds from the event go to charitable organizations including the Lewiston Council on the Arts and tickets are oh so reasonable people!

I am looking forward to making the journey down to Lewiston next weekend and if anyone else wants to join the Toronto continent, email me at [email protected]

May the Spirit of the 80’s be with you.

Peace

Details and ticket info at www.thespiritoftheighties.com

[surlygrrrl]

PUBLIC ACCESS T.V. INTERVIEW

(u.s tour with palma violets, european summer dates/festivals TBA)

Music video for Metropolis from their new EP, 'Public Access' out May 12th  

Being a woman of “a certain age”, I have no patience or inclination to sit through opening bands. Instead I manage my time wisely by arriving to a show just as the main act is ready to take over the room.

Lucky for me however, this past March I happened upon Lee’s Palace early enough to catch the opening act for the Gang of Four. They had just taken to the stage and were only half way through their first song when I caught myself (and I wasn’t alone) bopping along to the fast pace speed of pure rock joy. PATV were catchy and they caught my eye.

These four young, enthused lads stole the jaded and aged crowd’s attention away from their preoccupation with phones, meaningless banter and beers in hand. They are called; Public Access T.V. and they are back to basics raw, pop punkish, cool Tennessee natives who play simple and fast chords with an air of sophistication and rock bravado and actual talent.  Members, John, Xan, Max and Pete are like a breath of fresh air, recalling the era of American new wave but very modern in their approach and style.

They are currently on tour and will be returning to Toronto this Friday May 15, at the Garrison as the support band for Palma Violets. I have a feeling that they won’t be the opening band much longer as they rise to the occasion of good old-new fashioned rock and roll. If you don’t believe me, check them out for yourself.

Here’s my little interview with singer, John Eatherly to help kick start your week and get you ready to catch these guys in action.

It seems as if you are on the fast track to becoming “rising stars’ pretty quickly. Did this surprise you, or did you feel it coming?

I try not to think about that sort of stuff. I just want to make good music, that’s all that matters anyway. It’s cool that people are listening, but in my mind all that other stuff can be a distraction if you aren’t careful.

What did your family think of you dropping out of school and moving to New York? It’s a pretty bold move for a teen! Was it an impulsive act or a plan?

It was kinda both. They definitely were nervous. I basically just said that’s what I was doing and I did it. I actually went to school for a few days knowing I was going to be leaving and just tried to mess with the teachers.

Why NYC as your destination of choice?

Everything that I loved was basically from there. Music, movies, books, etc.… I just always had this really romantic idea about it in my head. Travis bickle shit ya know?

How did you get together with your band mates?

We have been friends for a long time. The bassist and I actually have known each other since we were 12. It’s a cool situation to have everyone so tight in the band. It makes things way more fun. Also we can all give each other shit without it being taken too seriously.

Are you pleased with how your new single, Metropolis is going?

I don’t really think about the other stuff except for being proud of the song. I’m glad the reception seems to be good but even without that; I would be pleased because I like the song.

Was it a PR stunt to play under fake names when you were in the UK?

IT was more out of necessity. We had only played one show ever before having to go to the UK for these festivals. It seemed like a smart way to get practice in and not have people actually come see us while we were still learning. The goal wasn’t to have people find out it was we paying and show up… We didn’t want anyone there.

How did the tour with the Gang of Four come about? What were they like to tour with?

It was cool. Definitely different than most tours because we had almost no contact with them. There weren’t any partying or getting beers after the shows with those guys. They pretty much kept to themselves and we did our thing. Their roadie drew a giant dick on our van at the end of the tour while we were playing… so I don’t think he was a big fan.

What do you think accounts for the British media taking a shine to you? They are known to be critical yet they seem to love you guys. Are you as popular in the States?

I have no idea why anything happens ever. I hope it’s because we make well-written music and have solid live shows.

America is hard to gauge because it’s so big but it seems to be progressing positively with the more we tour.

Is it challenging touring considering you haven’t been a full band for too long? How do you all get along professionally and personally?

It’s crazy because we also live together when we aren’t touring! It’s like brothers where we fight and really hate each other one minute and the next we are best friends. The trick is too just not keep it all bottled in. Fighting can be really healthy for a band.

That’s so punk rock... is the creative process democratic or chaotic?

I write a song and bring it to the band with a pretty well formed demo and then everyone adds their own spin on their part. Occasionally things are written differently but that’s how it goes for the most part.

Who do you admire and consider influential?

People like Bowie, Lou Reed, Dylan and all artists who changed it up from album to album or had different phases in their career. That seems like the most interesting thing to me and what we strive for as a band.

What’s in your listening bag at the moment?

Bob Dylan’s new record: Shadows in the Night. It’s really great. No one beats Dylan. Ever.

[surlygrrrl]

Dj Gio has played at The Guvernment, Phoenix, Living Room, Left Bank, Velvet Underground, Richards and many other clubs in the city. He was also a part owner of the legendary hot spots  Catch 22 and Gypsy Co-Op. Gio has also played "live to air" shows such as Club 102 (CFNY) ...Q107…CIUT 88.9…1groove.com and Global Groove 100.7fm. Currently heads the Dj Takeover on www.danceradio.ca.

Rob DaBoom is Managing Director & CEO of FM808 and a Senior member of The MPE Project with over 25 years as a deejay.  He The Raw Energy Experience on CHRY 105.5 FM.  Fully embracing the culture of underground electronic music DaBoom began promoting large scale events in the mid 90's was a co-founder of Utopia, Ministry, Universal Flavor and Liquid Groove. DaBoom has also produced various releases with HiTime, Ironic Recordings, R & R Recordings and Technosforza. Currently hosts fm808 Friday nights on www.danceradio.ca

Music links: Rob // Gio 

What is going to be special or different about this night? The Vinyl vs Digital event features a combination of both nu-skool and old school talent playing music using turntables, cdj's and dj midi controllers. It will feature different musical genres from different eras. It's the best of both worlds.

How did the concept come about? Actually, it was Chris Sheppard who first said we should do a party. He has been purchasing quite a bit of vinyl at Play De Record and wanted to play it. Most clubs are equipped with cd decks but not all dj's can play on turntables so a party combining both elements just made sense.

What can we expect music wise? House, tech and rave music.  A journey thru past, present and even a little taste of the future. Each artist on the bill will add something special to the night.

How did you guys come to collaborate? We have known one another for many years, each of us having done various parties thru the years. We had not seen one another for almost 10 years until we met up at a charity event hosted by The MPE Project (NTR7) We got to talking and a few weeks later the Vinyl vs Digital concept started to come together.

Coming from the “older” (but wiser) generation of dance music DJ’s how do you stay relevant and what motivates you to continue to play, promote etc. and keep your passion for music going? Every dj has their own views and reasons for doing what they do. The passion for music plays a big part in why we play. Sharing our knowledge with the youth is important as well. If we don't teach them their roots, how are they supposed to support the scene? How are they supposed to continue what we have been doing for all these years? Corporate wins then right?  

How has the dance music scene, particularly in Toronto evolved over the last decade or so and how have you evolved as a participant? The corporate world has really pushed to commercialize dance music and in addition the underground scene has become very fractious.  There has been a recent trend trying to unify the scene more but it isn't organic.

What do you think of the current club scene; demographics, music, how the bar owners support DJ’s and promoters? No comment...  ;)

Is it more challenging with the ever-changing pace of technology or is it easier to be in this industry? Although the 1200 turntable was an industry standard for over 3 decades, dee-jays have adapted to the digital realm quite easily. The challenge might be more to do with what technology you use and how you use it. Debates constantly flare up about what a "real" dj is and usually these debates have more to do with what gear the dj is using or if it's synced etc and have less to do with if that dj knows how to program a proper set.  Anyone who has just started to dj recently should in all honesty "learn the ropes". Learn how to beat match, learn about transitions, phrasing... all that.  Get some experience under your belt.  For those who understand these concepts... if they want to hook up multiple decks or even controller gear like remix deck etc and sync everything...why not. Chances are they will be creating something new as opposed to just mixing song after song.

Who are you listening to right now? DaBoom: Doc Link, Tracy Brathwaite, Stefano Kosa, Ramiro Lopez Gio: Falling Cows

How did you choose Lily as your venue? We wanted a smaller more intimate venue that had 2 floors. Li'ly fit the description and the management was willing to work with us in order to properly present the artists to a smaller but more diverse crowd.

Future plans? Currently we have a series of smaller, intimate events planned over the next few months. July 11th is when something really special is going to happen. Can't really give you to many details but a larger scale event is in the works which is set to kick off a renaissance in the our scene.  Keep an eye out.

[surlygrrrl]

Interview with Andy Gill of Gang of Four

“Gang of Four knew how to swing. I stole a lot from them” This quote made years ago by Michael Stipe (R.E.M), certainly stands the test of time and the band continues to influence and inspire today.

The long celebrated UK post-punk band has released an exciting new album entitled “What Happens Next.” This is a first without original vocalist Jon King.  What Happens Next features collaborations with Alison Mosshart from the Kills, Robbie Furze of the Big Pink, Gail Ann Dorsey, German superstar Herbert Gronemeyer and Japanese superstar Hotei.

This appropriately titled album gives the listener a peek into where the Gang of Four is now musically and creatively and perhaps a hint into what lies ahead in their future.

In anticipation of their North American tour and Toronto show on Monday March 9 at Lee’s Palace is an insightful interview I did with guitarist Andy Gill.

How have your politics evolved over the course of the bands existence?

I think you have to make a distinction between 1/. Who you vote for (I’m disappointed that Labour has let us down in the UK with the less than competent Ed Milliband) 2/. Your general political orientation (Left but not following a party line) 3/. The real world as opposed to what you would like the world to be like. In terms of what GOF express in the new album, I would say it is observational and analytical, as always.

Would you say the political side of your music takes a back seat to other themes with What Happens Next?

I think, given how I responded to your first question, I would say the “political side” gets as much of a front seat as it ever did. It’s never been about party politics or banging the drum for Left Wing causes. Because it is truthful and belongs in a long tradition of “realism”, it is by default, political.

Has this changed or fluctuated throughout your discography and career?

Not really. The exact focus of different records has shifted, no question. But the general approach, I think, is always the same. At the start of any song, I always think similar questions are being asked, both musically and lyrically. The answers don’t always come out the same.

How did the collaborations on WHN come about? What did the process of making this record look like?

The process of working with the other individuals seems to happen very simply- the process was quite intuitive for me. It was not thought out. I had done a little bit of work with the Kills in the studio and Alison just sprang to mind when I was thinking about someone to sing “Broken Talk”. She was very happy to come down to the studio and sing a couple of the songs. I loved the song “Dominoes” that the Big Ping did a few years back. I got in touch with Robbie Furze and asked him if he wanted to sing on this track I was working on and he came down to the studio a few times and sang this wonderfully hard-edged, dry vocals. Gail Ann Dorsey is a very old friend and she of course has been in different GOF lineups over the years as a bass player. She is a fantastic musician and a great great singer. The songs she sings on, “First World Citizen,” was simply crying out for her voice. Herbert Gronemeyer is a friend- I’ve known him at least 20 years. Anton Corbijn introduced us back then. I was talking to Herbert about the new record I guess 18 months ago, and he wondered if I would like him to sing something on it.   The particular thing that Herbert does that I really love is the rather “angst” melancholy ballads. I knew I had to write a song, which could incorporate that particular aspect of his character so, more than any other track; it really had to be tailor-made. I had to work at that and I went down a lot of blind alleys until I came up with the music of “Dying Rays.” IT was quite an extraordinary experience hearing him sing it as I had heard it in my head- only better than that. Tomoyasu Hotei is Japan’s biggest rock guitarist; he spends quite a bit of time going around Japanese stadiums. Anyway, he’s always been a big fan of my guitar playing and we got to know each other. Eventually, we decided to write something together. The opening riff of “Dead Souls” is pure Hotei.

Was it very different from when Jon King was in the band?

Jon King can be an absolute genius when it comes to lyrics but I don’t think he had felt involved for a long time. So when he said he didn’t want to go in the studio again, I was excited to get in there on my own.

Was it challenging to make such a focused final product, considering the artists are so diverse and differing in talent?

I worried at about the halfway point that it might be too diverse with the different singers involved. I worked on quite a few of the songs at the same time pushing one song forward and then working on another and so on. As the songs progressed, in the later stages, I realized I had nothing to worry about. The whole making of the record was challenging, to be honest; I wouldn’t bother if it weren’t! Having Simon Gogerley mix them all with his approach also added to the sense of them having a unified feel.

I get a kick that my teenage son is into GO4 and discovered you on his own. I didn’t think this generation of kids would be too keen on the older generation of bands, especially since they are bombarded with new music. Is it more or less challenging to reach out to younger or newer audiences with the advent of modern technology?

I think it has a lot to do with all the bands that say Gang of Four has influenced them. I’m grateful for the good things that other artists that I respect enormously say about the band and me. It’s kind of them. Gang of Four is a vibrant, dynamic, evolving project, and the band is continuously picking up new and younger audiences. In the 80’s and 90’s, it was bands like Red Hot Chilly Peppers, REM and Rage Against the Machine and Kurt Cobain. But then there were the new and younger set of bands like Bloc Party, Futrueheads, Franz Ferdinand that were always name checking GOF- and that draws a younger audience towards the band which I’m glad about. Over the last year, I’ve been really interested in what St. Vincent is getting up to and so I was completely surprised, and delighted when she recently named me as her favourite guitarist.

Who is going to a GO4 show these days and do you still enjoy playing live or is it more out of necessity?

Playing live is a massive part of the whole thing for me. At shows, you get a really wide range of ages- teens, people in their 20’s and 30’s and a bunch of oldies.

In a Quietus magazine interview on the subject of reunions of bands from the past, Pop Group singer said, “there are too many fat men like GO4 trying to get attention.” Do you take offense to that comment and is he unfairly lumping you in with nostalgia bands trying to cash in?

I remember the guy from the Pop Group saying that in 2005 when we did the so-called “reunion” tour and album. IT’s childish playground talk, size-ist and rude to have a go at Hugo because he was a large guy, but his point (maybe who knows?) was that no post punk band should reunite. Funny that has resurrected the Pop Group now isn’t it!! I never understood why anyone saw anything in the Pop Group. I remember 30 years ago, they met us and they were rather in awe. Gang of Four has always been anti-nostalgia- and remains so to this day.

After performing live for so many decades, how do you keep the spark and energy of the music and band alive?

I wouldn’t do it if people weren’t blown away by our performances. From the first note on stage, I’m in the zone.

What do the Chinese audiences make of your band name and does it feel weird having that name since you have a strong connection to China?

Playing in China was really good- the audiences were very enthused and attentive. The Chinese version of the new album should be out in early March. My friend Hua Dong from the band Rebuilding the Rights of Statues has sung a Chinese version of the song “Broken Talk”.

Does being named the 12th greatest guitarist of all time by Spin Magazine have any impact on you? 

12th is a little disappointing! I haven’t seen the list but I hope Slash isn’t ahead of me.

Lastly, What’s in your current “listening bag”?

Sleater Kinney - “No Anthems” St.Vincent Wild Beasts - “Wunderlust” Kanye West - “Can’t Hold My Liquor” Young Fathers Lone Lady

Catch Gang of Four at Lee’s Palace in Toronto on Monday, March 9th!

[surlygrrrl]

Hanson Brothers Interview

The Hanson Brothers, a side project of Vancouver punk band No Means No, are stepping into the front lines for an upcoming tour. No Means No began in the late 70’s after brothers John and Rob Wright found themselves at a Ramones concert, the same show that co-conspirator Jello Biafra also attended that fateful night.  As with many of their peers this was the beginning of a long relationship with the punk music scene, practicing in mom’s basement and evolving into a real band.

Fast forward to 2014, all three members of No Means No; Rob Wright or Robbie Hanson on bass, guitarist Tommy and drummer John Wright who trades in his custom drum kit to front the HB as lead vocalist. Replacing John on the drums is “Some Guy” Hanson.  Not only is John Wright a talented musician but he is also a passionate home brewer, in fact he is co producing a new brew with Le Trou du Diable brewery, in true punk rock fashion it is called “Johnny Hanson’s Punk Rauch “beer.

What better way then to celebrate a new brew then to tour the Hanson Brothers?  That’s exactly what the band is doing and Toronto is lucky enough to welcome the HB to Lee’s Palace on March 27th.

In anticipation of the show (and a beer tasting) here is a fun little interview with HB Tommy.  Make sure you check them out at Lee’s Palace or any of their other tour dates listed at the bottom.

Cheers!

Tour Dates:

March 26- Ottawa @Mavericks

March 27- Toronto@Lee’s Palace

March 28- London@the Call Office

March29- Kitchener/Waterloo@Starlite

March 30- Hamilton@ClubAbsinthe

March 31- Vankleek HIll@Windsor Tavern

April 1- Quebec City@L’agite

April 2-Shawingan@Saon Wabasso

check out the rest of the dates and more about the band(s) at :

www.nomeanswhatever.com

www.melaniekayepr.com

How are the Hanson Brothers different from No Means No, both in terms of sound and personality of the band? A: Well it is the same trio of neurotics + one other neurotic, Byron  Slack who plays guitar with our good chums, Invasives. Byron is  drumming with us.

The sound is not that much different, really, same instruments  through the same amp. The Hansons music is a little easier to play,  as such, but we try to maintain as high a level of tightness and  focus as possible with both projects. The Hanson Brothers are a little schticky also. There are the  occasional set pieces which we  like to keep in the act. There is a  vaudville side there. Do you think it's hard for people to ever learn about you being a  punk band because of your name being associated with that "other boy band"?

It's actually funny as you are polar opposites! A: I think learning is hard for many people, period. We probably have  more in common with the 'other band' than is commonly supposed: both outfits have had career ups and downs over the years and both bands have continued with their visions. Hanson kept touring and trying to improve as musicians long after the platinum sales. Kudos to them! They may not be my cup   of tea musically but they are real musicians who do it because above all they like playing. I have heard they are putting out a craft beer, as Johnny Hanson is also doing. May confusion ever triumph!

Is there any seriousness to the lyrics and music or is it just about  irony and quirkiness? A: There is a serious side to everything and an ironic side and a  fatuous side; everything appears outwardly to have two sides but there are always scads of permutations.

To go further in pedanticism: there are more than two sides to every  coined phrase; gosh that is terrible. How did you deal with the death of Stompin Tom? Did he know about you? A: I am sorry he passed but death is a common human bond. It always a  good thing to remember "the bones of all men" adage. He did indeed know of us! We made him some royalty money. What is this new record and tour all about? A: About three and a half weeks of shows and beer rather than vinyl  at the heart of it all! Hopcore. After all these years of music and touring, what motivates you and what has changed in the business? A: Little has changed in the business, perhaps there is less of it  owing to 'advances' in technology but nothing really. I think the music business really began to change in the early seventies when concerns such  as the Kinney Shoe company, for one, began to diversify into the music business as the coporate umbrella opened and reigned over all. More of a regression, really. But people want to be in music for the same reasons they always have. Affection, attention, artistic stimulation, the public immolation of goats...  I play music because I love to play music - most of the time.  Sometimes I go for a few weeks without picking up a guitar. I define  myself in many ways by playing music and I should not really. How do you think you have evolved as a band and individually? A: Individually I have probably shrunk half an inch physically.  I think I can play with a little more facility than I used to. 16ths  still come hard to me. I am not a very fast player.  As a band....well, influences both musically and other have  changed. I listen to a lot more classical. Have your audiences diversified too or are they just all-older punks? A: We have been lucky  to have had a fairly diverse audience for many   years. We go back to the time when punk rock was not as definable  or conservative as it be- came, I think. I would be stoked if people came to our shows leaning on walkers! What does your creative process look like, especially with the new  material; how do all work together and get it together? A: We will never really get it together but we are trying. I think,  in order to remain as independent as possible and certainly with all possible good intentions we attempted too long to manage ourselves and sometimes that could be detrimantal. We get together and sometimes we annoy each other and most of the time we don't. The creative process is rarely visible, in my case anyway and when it does choose to appear it does most often in the guise of the shadow of doubt. What's in your listening bag right now? A: As I write I am listening to Francis Poulenc 'Les Biches'. I love  many pieces of late 19th and 20th century french music. The best  'rock' band I have heard in a long time are The Buildings, from  Minneapolis. I am still waiting to get a copy of the new Invasives  disc from Byron. We're having our baseball pool tonight! Probably throw on a Lee  Morgan CD at some point. The most recent album by Ford Pier, Huzzah,  is also a household favourite of my wife Carrie and I. I'm not just saying this to assauge the sensitive Pier! Although I  have every intention of beating him like a rented mule in this pool. Anything you want to tell your fans about yourselves that may  surprise or shock them?

A: Shop locally if you can and live by the golden rule. They already  know this.

[surlygrrrl]

DJ High Voltage Interview

Recently and finally, I got it together and did a long time coming

interview with Jarod Preston. He is known in Toronto as DJ High

Voltage. I met Jarod in my past life as a party promoter and he

played a few of my parties. Always energizing and good vibe

spreading is he. I am proud to present our little interview as my

second blog post. Check him out on Facebook if you want to find

out where and when he may be playing in the near future and get

yourself hooked up to his divine creations! You can hear one of his tracks here: x

How did you get started in DJing?

Chris Sheppard had a huge influence on me. He used to have

two shows on FM 102 where he had a segment called “Shep’s

Premeditated Megamix”. It would be a popular 80’s song

fused with many other songs, and sometimes it went on for

ten minutes. I think I already had a built-in urge to hear more

than one song at a time, but that’s when I decided to dabble in

it myself. I found out many years later that Shep’s Megamixes

were actually created by DJ Paul Dakeyne for the DMC record

pool, which Chris was a subscriber to.

In 1991 my mom bought me a four-channel mixer for

Christmas. The next day I bought my second Discman and

started playing at any house party that would have me. I chose

CD’s over records, partly because I knew they were more

durable, and partly because it was supposed to become the

main format in the clubs. Two years later I was writing for

a music magazine called Renegade Spectrum. The publisher

had a weekly retro night at The Sanctuary, where he gave me

my first recurring guest slot. But the first time I remember

using a DJ CD unit was at my second rave gig at The Zoo Bar

(Funhaus). I bought my own shortly after.

Do you remember the first song that really did it for you?

Cars by Gary Numan. The soaring keyboards really tripped

me out as a seven year old. I used to go to my local roller

skating rink in Whitby called Wheelies, and I was very excited

whenever they played Cars. That, and Crazy Train by Ozzy

Osbourne. LOL

What are you doing presently?

I just finished recording my first video demo for YouTube /

Vimeo debuts. I can’t wait to see the finished product. I’m also

arranging my first podcast of the year. Its part of an ongoing

series called Shock Therapy, where I feature favorite new

tracks, which I think others, will enjoy too. I try to fit as many

styles as I can into 75 minutes. My first release of this name

was a cassette in 1995, and I started the podcast in 2010. I’ve

branded a style called Retronica, which is 80’s influenced EDM,

not unlike the Electroclash movement ten years back. I’ve also

entered a Tears For Fears remix contest on Beatport, and I’m

very pleased with my entry.

Is it hard to get gigs in Toronto?

Yes. There’s a surplus of DJ’s and only a handful of venues. It

was easier in the 90’s when there was at least one major rave

every weekend, and several other options at the same time.

Club owners and promoters tend to hire friends or family

rather than talented strangers. And if they do hire a stranger,

they’re more concerned about the bottom line than sponsoring

a creative endeavor. That’s also something that was better

back in the day. People would follow their hearts a little more.

To be fair, maybe it’s me. Marketing a unique sound can be

tough. It’s like showing everyone a platypus and saying “this is

the ideal pet for you”. It’s a tough sell.

What do you do to (survive) feed both your belly and your

musical passion?

I am determined. And I’m very excitable when it comes to new

sounds. Also I have a day job. It’s comforting to have a steady

income, benefits, and more job security than most.

How has the Toronto dance music scene evolved (or dissolved)

from when you got into DJing to the present culture?

When I started going to raves in ’92 it was ideal for someone

with a short attention span like myself. Every hour was a

different style. Then I watched as all the different camps

developed. Trance. Jungle. Happy Hardcore. For years it was

fractured. One scene would turn their nose up at another. But it

all seems to be coming back together again lately. Open format

is a little more accepted now. There was also the sea change

with the crackdown on warehouse parties. But even the more

alternative styles eventually found a home in the clubs.

What’s your favorite stuff to play right now?

I like variety more than any one style. And I love exposing

people to something new. I like the tech funk of Elite Force.

I like the Suicide Dub family of High Rankin, Hostage, and

Racknruin. I love the drumstep of Twisted Individual and

Urban Assault. And because of my natural urge to combine

songs, I love a good mash up. Colatron and The Reborn Identity

have kept me amused with mashes for quite some time. I think

mash ups are generally underrated in Toronto. That being

said, I think Girl Talk is overrated. I think a DJ should be able

to mix in key. And to not constantly resort to hip hop and R&B

samples.

How has Depeche Mode affected your life?

In an insidious way! As an impressionable youth in the 80’s I

appreciated their sense of style. Their fusion of Goth and synth

pop. Their two tone denim and leather look. Their beautiful

and quirky videos. I may enjoy more songs by The Smiths

or The Cure, but almost everything I listen to has strains of

Depeche Mode in it. I never intended to produce nine Depeche

Mode remixes / mashes, and yet they just came to me, one by

one.

Describe your personal creative process and how it

becomes something that you can put back out there?

I always say I use three ears when I listen to something. The

first is to decide if I like something or not. The second is for

deciding if anyone else will like it besides me, and what impact

it will have in a club. And the third is for figuring out what sort

of music it is and how it relates to other things I’ve collected.

How do you make a song yours, putting your magic and

unique touch on someone else’s composition?

Sometimes I’ll like most of a track, but not all of it. Or I think

it’s too leftfield to be effective in a club. If I think it’s worth my

time, I’ll make a custom edit / remix. That’s where those come

from. Then there’s the mash ups. I have a long list of songs

that remind me of other songs. They just jump out at me. But

when I remix a song I really have to focus on a theme or goal,

otherwise I would never finish. In any case, I often build a track

from front to back, like a DJ set. I think I generate the most

impact that way.

What distinguishes High Voltage from every other DJ?

I know the difference between what I like, and what other

people will probably like. I recognize that there’s sometimes

a difference between art and entertainment. But most of all, I

give a shit about what you want to hear. And I like to make an

impression.

Inspirations, interests outside of music?

None. Seriously though, I believe that laughter is the best

medicine, so comedy is a must. You can hear it in my sets, and

some of my productions. I love good food. If that makes me a

foodie then so be it. And science fiction. Because I'm not just a

music nerd. I'm all kinds of nerd!

How do you get a crowd going in a club, does it bug you

when people make requests?

Nostalgia is king. I like to play things that toy with everyone’s

collective memory. But I have to be careful not to insult those

memories! I actually like taking requests. Sometimes the

audience gives me a better idea than what I had in mind. But

I despise demands. There are always a few people who don’t

comprehend that there might be a certain theme for the night.

And there’s usually some jerk who will give me a lot of grief if I

don’t play their song.

Who is in your listening bag right now, anyone to watch out

for, exciting music trends?

There’s another revival in old rave sounds circa 1992-1994.

Part of it comes from hardcore artists who play at the Bang

Face parties in England like DJ Producer, Panacea and Luna

C. Part of it can be heard on new compilations from Intensive

Recordings. And still another part comes from the Future

Jungle movement by artists like DJ Fresh and 601.

If you could collaborate with any artist, who would it be?

I would love to produce The Prodigy… and of course Depeche

Mode. Locally I’d love to play with Marty McFly because of my

love for breaks. Also Denise Benson, because of her open minds

/ open format policy. The only party we played together was

actually a Surlygrrrl party! But that was ages ago.

Tell people one thing that they may not know about Jarod?

I was married at an Italian villa on a cliff overlooking the Indian

Ocean, near a small jungle village named Takaungu. I know

it sounds fantastic, but it’s true. I was married in Kenya, but

am once again single. Best wedding I’ve ever been to though.

Obviously.

[surlygrrrl]

Support Crowd funding for Typhoon Haiyan Victims here:

x x

[surlygrrrl]

Every year for at least the past 7 years, I have gone to see the English Beat whenever they play Toronto. It’s a spring ritual and the band, especially Dave Wakeling are always warm and welcoming to me and my friends. Over the years we have gotten to know (and love) Candy Kelii the lone woman on tour. Since, I have already interviewed Dave in the past, I thought it would be fun to interview Candy. Let me introduce her.

   Briefly describe your job with the Beat?

Merch queen/keeper of the shirts.

  How did you get into this situation?

I was touring with a couple of other bands before The Beat. During time off from tour I’d try to make it to as many shows of theirs that I could. Went to a show at Angel stadium in ’07. Told Dave I was a merch girl who was heading to Europe the next day. 6 months later I was hired and the rest is history.

  What is it like being the only women on a tour bus with a bunch of guys?

I actually don’t notice. I have a potty mouth and a weird sense of humor so it all works out just fine.

  What do your parents think about what you do?

Haha, when I first started touring I didn’t tell my dad until the day before I left. At first he thought it was a joke and I was lying. Then he got really upset. I grew up in a family that when you leave the house you call when you get to your destination.  I think they were scared when they realized I’d be out in places in the world they’ve never been to. Now I’m gone so much they’re used to it. Our conversations are, “when are you leaving for tour again? Where are you going this time”. They think of it as just a normal every day job now. My grandparents actually call me more.

  Does it get tiring, touring around and packing, unpacking….

I never unpack. I own 4 big suitcases and a handful of smaller ones. At least 3 of them contain clothes at all times. We do shows every weekend in California when we’re not on tour. When a tour comes back around I’m pretty much always packed.

  How difficult is it to have a relationship when you are on the road so much?

Relationships are non existant. I’m gone too much. In the past I’ve gotten questions of, so when are you going to quit touring? I’ll choose touring.

  What are your favorite places to play?

I like the Belly Up in Solana Beach CA. Nice room and the best staff.

Bimbo’s in San Francisco CA. There are a number of venues I really like. But I also like days off in cities or little towns that I’ve grown to love over the years.

  What crazy things/bad things have happened on a tour?

Staff at a venue mistook me for someone else. I was put into a head lock while security attempted to yank me out of the venue. It ended where I had to slam a flat razor on the table to get the guy to go away.

Some random drunk dudes kept banging on the bus door because they wanted a fight for no good reason. Probably angry that they had to go home after the bar closed.

I fell in Spain and got my arm caught on a light fixture. I had to have my elbow stapled back on. There was so much blood. People at the hospital were moving away from me because they thought I had been shot.

A crowd got rowdy once in Whistler and these guys fell on me. My leg got stuck against the stage. I had to go to the hospital and have my knee put back into place.

I’m clumsy.

  Future plans?

I own a merch company with my brother Jesse called Screen Dream Productions. So far everything has gone fantastic. We love it. We have great staff and clients. Our clients range from police, schools, bands, birthday parties. We make all the stuff you see at The English Beat shows.

  What do you listen to when you are chilling?

My favorite band is The Monkees. I love Herman’s Hermits, Gary Lewis and the Playboys, Lou Christie, Dave Clark Five, Chubby Checker. Everything 60s. My favorite while I’m pulling tshirts in the trailer is New Vaudeville Band. Then I like stuff like TSOL, The Damned, Vibrators, Blur, Squeeze. Music of my teen years, Reggie and the Full Effect, Saves The Day, Get Up Kids, Hot Rod Cirucuit, One Man Army, Throw Rag, Death By Stereo that is still a big part of my life. Still love listening to my boys in The Briefs who were the first to take me on tour.

  Do you get tired of hearing the band play night after night?

I’m disappointed when a venue puts me in the lobby. I hate being in a different room from the band. Especially when the lobby has the doors closed or they’re playing different music altogether. Then I’m stuck twiddling my thumbs.

  How do you all get along?

We get along just fine. We have our moments on the bus where we all laugh about stuff or watch movies. Other then that we’re all doing our own thing to try and get ready for the show. I’m always worried about setting up and finding time to take a shower.

  Is it challenging to stay healthy when you are on the road so much?

It’s hard to find time to exercise. If we have a day off in a town I like then I’m able to walk around all afternoon. Other then that I’ll just hope that lifting a ton of boxes in the trailer are keeping my muscles big and strong. Or the amounts of squats I do grabbing shirts all night is keeping my bum firm. Try to stock up on salads, fruits and veggies on the start of the tour.

  What are your other interests?

I like watching skateboarding and bmx. Collecting clowns, records and Monkees stuff. I have two favorite artists that make a lot of clown stuff Ron Lee and Jim Koch. My room, the spare room and my vanity are all interesting little museums of my collections. Reading books of my favorite authors Rex Stout and Robert Wilson. Jay Baruchel and Eli Roth films. Trips to Disneyland and Universal Studios with my nephews and fam. My 2 dogs and 2 cats. I’m a simple girl, haha.