me at 3am: *trying to sleep*
my brain: WHO’S THAT MADMAN FLYING AT FULL GALLOP DOWN THE STREET?
me: *bolts up in bed* ITS BALAGA!

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@suzieprush
me at 3am: *trying to sleep*
my brain: WHO’S THAT MADMAN FLYING AT FULL GALLOP DOWN THE STREET?
me: *bolts up in bed* ITS BALAGA!
The Great Comet of 1812
alright buckle up friends because I had The Seat™ for the 8/20 matinee of Great Comet
when Lucas sat down next to me, he was breathing hard from Balaga so I jokingly offered him my water bottle… he looked at the water bottle and then at me and then back at the bottle before taking it and chugging the majority of what was left in the bottle 😂
he gave me the now almost-empty bottle back and then put his arm around me, and we did the “how you doin’” nod and kinda stared at each other
he broke character when I copied him holding his hands up to relax before telling everyone it was time to go dance again
after saying ‘alright’ he gave me a little kiss on the cheek before sauntering away
Technical Difficulties:
there were sound issues during Charming and the Ball, so they were done mostly without the usual backing tracks while the live orchestra filled in the gaps in a moment of “acoustic Great Comet”
the mics cut out at the beginning of In My House, starting around Sonya’s first line, and the show continued for 30 seconds or so before management came on over the sound system announcing that there were technical difficulties and there would be a brief pause in the show
while people were waiting, some of the ushers were telling us phones were off limits so my section spent the time chatting with each other and Ben Stiller was making conversation with my row
people starting singing Balaga and doing the wave
they reset (after about 20 minutes) to Anatole going up to the porch, and just before beginning, Lucas asked “does everybody remember what just happened?”
Other Stuff:
Scott Stangland was an excellent Pierre and lacks some of the roughness of other Pierres, which puts an interesting (and positive) spin on Pierre
Shoba Narayan was a wonderful Natasha, and her vocals are outstanding
we were in Lulu’s dumpling section, and she is such a sweetie
i don’t remember if this always happens, but in Natasha & the Bolkonskys, after looking Natasha “head to toe,” Nick B as Bolkonsky added “not in my house!”
at intermission people were practically lining up to take photos with Ben Stiller who was sitting in the row in front of me
from tonight’s performance i swear Brittain Ashford somehow gets (impossibly) more talented each time i see her, and her acting was especially superb tonight
tl/dr: i love the Great Comet and Lucas Steele owes me half a water bottle
I love St. Laurence:
Pope St. Sixtus II was being led off to execution and St. Laurence’s reaction was legit “Without me???”
His precise words are recorded as, “Father, where are you going without your deacon?” I’m not crying you’re crying
Pope St. Sixtus II then told him to chill, he’d be catching up in three days, and St. Laurence considered this the best news.
On the one hand it’s the prophecy of a martyr, but on the other hand it’s a priest telling his deacon “Look, you know and I know that you’ve got three days at most” I think Pope St. Sixtus II knew that St. Laurence was far too Extra to keep his head down during a persecution.
Pope St. Sixtus II was right.
Prefect of Rome: “Bring me all the riches of the Church!!!” St. Laurence: “Yessir just give me three days.” *spends three days giving literally everything away to the poorest of the poor*
St. Laurence was a deacon, and, according to Acts 6, deacons were originally ordained in order to oversee the distribution of food in order to permit the Apostles to focus on their ministry. Which means St. Laurence spent the last three days of his life vocationing as hard as he could vocation.
He marches up to the Prefect’s palace with a squad of the grossest people from off the streets of Rome. The Prefect’s there waiting for decade’s worth of back taxes, and St. Laurence makes this dramatic flourish and yells “BEHOLD! The riches of the Church!” referring to the junkies and smelly homeless he’s just brought along with him
If you’re Catholic and just a tiny bit inclined to the over-dramatic don’t worry there is precedent
What kind of next-level I mean what I would not have given to be a fly on the wall in that room. How do you even react to that level of dramatic?
Apparently by cooking the guy eyyyy
You know it was a quality joke when everybody around you is furious at you for making it.
Okay okay okay but this is the best part
As he’s being cooked. AS HE’S BEING PAINFULLY AND SLOWLY ROASTED ALIVE AS PUNISHMENT FOR SASSING THE PREFECT.
St. Sassmaster Laurence goes, ‘Yo you can flip me now I’m done on this side’
Your fave could never. (Unless your fave is St. Laurence, as it should be.)
Listen, there is grace under pressure, and then there’s making jokes to your executors WHILE THEY’RE EXECUTING YOU. I don’t even know what to call that.
Actually I do: joyful sanctity. Actual life goals.
It gets even better though. This guy, THIS SAINTED DEACON AND MARTYR OF GOD couldn’t just let it go. He had to have the last word.
Right before he dies from being burnt to death he goes, “Okay I’m cooked enough now, bon appitit!”
DUDE.
It’s been over 1700 years and I’m still not over this guy.
He’s the patron of a lot of things, but especially of comedians, fire-fighters, and cooks. He’s also said to be the patron saint of the lazy because he was too lazy to turn himself over.
You know he approves.
A saint is someone who is with God and is an example of following Christ worthy of imitation by the faithful.
I wanna imitate him.
i can’t blieve anatole and natasha went to kindergarten together
someone: Hey, do you know The Phan-
me: tHe PHanToM oF tHE OpERa??? my favorite version is ALW but I also love some of the movie adaptations and I plan on reading the book soon, i could go on and on!! My favorite performance was the 25th!! Who's your favorite Phantom? I don't want to sound basic but my favorite is definitely Ramin Karimloo, I also love John Owen Jones and Hugh Panaro. And who could forget Michael Crawford?!? His voice isn't my favorite but I still appreciate him. God I just really love The Phantom of the Opera!!!
someone: -The Phantom Menace...
Great comet, renamed
Prologue: hi we're the characters
Pierre: Sad Man is Sad (tm)
Moscow: Everyone is a little afraid of Marya.mp3
The Private and Intimate Life of the House: The In-Laws are messed up
Natasha & Bolkonskys: The In-Laws Suck ft. Harmonies from Hell
No One Else: I Love Andrey.mp3
The Opera: Holy Fuck Gelsey Bell
Natasha and Anatole: Say No To This
The Duel: Pierre's Plot Point
Dust and Ashes: Sad Man is no Longer So Sad But is Still a Little Sad (tm)
Sunday Morning: CHURCH.mp3
Charming: nineteenth century gay
The Ball: Natasha No
Letters: Sad Man, Confused Girl, Lesbian, and Thot write letters
Sonya and Natasha: Natasha PLEASE
Sonya Alone: Sonya Has Sense.mp3
Preparations: Anatole Your Thought Process
Balaga: this musical is depressing so here's a character who drives recklessly
The Abduction: Thot Detected
In My House: Everyone Is Afraid of Marya.mp3
A Call To Pierre: Thotslayer Summoned
Find Anatole: Thot Patrol
Pierre and Anatole: Begone Thot ft. PETERSBURG
Natasha Very Ill: Look What You Did Anatole
Pierre and Andrey: Great Googly Moogly It's All Gone Wrong
Pierre and Natasha: You're Sad Well I Love You Don't Be Sad
The Great Comet of 1812: Sad Man Is Officially No Longer Sad (tm)
I cant wait for the opening of the 2017 Great Comet Revival on September 4th
Denée Benton and Ingrid Michaelson in Natasha, Pierre & The Great Comet of 1812
(Photo credit: Matt Ross Public Relations)
The floor is the great comet discourse being resolved
Oak, Mandy, and the Fragile Economics of Producing Broadway Musicals in 2017 (And All That Followed)
Oak Onaodowan as Pierre Bezhukov in Natasha, Pierre, and the Great Comet of 1812.
what your favourite musical says about you
move over horoscopes this is the Hot New Personality Metric of 2017
any golden age musical: you’re a dancer, or you really wish you were a dancer. you’re not really involved in the shipping / character analysis aspects of fandom. you are either extraordinarily pretentious or very very chilled out, but either way you probably think you were born in the wrong decade
bandstand: you definitely think you were born in the wrong decade
hello dolly: you have a trademark Favourite Actress™ and you have probably argued with a falsettos fan at some point in the past month
war paint: you really like patti lupone
mainstream sondheim (into the woods, sweeney todd, etc): if you were a spice, you’d be flour. if you were a book, you’d be two books.
obscure sondheim: you have a working knowledge of music theory and you like to try and make objective value judgements of musicals based on this. you probably want to be a music director and you listen along to musicals with a piano and/or a copy of the score by your side. alternatively, you actually prefer a mainstream sondheim musical but you want to sound cultured
any german musical: much like the golden age musical fan, you’re either really chill or REALLY pretentious. you also care a lot about costume design
any show that’s basically only done for school productions: there’s a solid chance that you’re the kind of theatre kid everyone hates. either that or you’re very independent and don’t give a shit what anyone thinks, to a really admirable extent.
cats: you’re a furry, or you had a warrior cats phase, or you started liking it ironically but accidentally got really into it. you’re either an incredible dancer or the very thought of dancing strikes terror into your heart
any other lloyd webber musical: either you’re very committed to being ironic, or you’re chaotic evil. maybe both
les mis: you’re a little bit basic and you either embrace it or try way too hard to disguise it. you have no concept of liking things in moderation. you probably actually care about the west end
phantom of the opera: as above. you probably had a twilight phase, or used phantom as a substitute for a twilight phase. you also have really strong opinions about the design aspects of theatre
wicked: you do high school theatre. you are a little bit too passionate about high school theatre.
next to normal: you’ve probably been in the online theatre fandom for a while and you sometimes forget it’s not 2012. aaron tveit was your first celebrity crush.
newsies: you’re incredibly good at picking out a single ensemble member at the start of a show and following their entire track for 2 and a half hours. you really wish you were a dancer
fun home: you’re a lesbian
ghost quartet: either your favourite musical is actually great comet but you’re scared of sounding too mainstream, or you manage to be really weird and effortlessly cool at the same time. you have a favourite cryptid and you definitely believe at least one conspiracy theory
great comet: you were in the les mis or hamilton fandoms at some point. you want to be a little bit edgier than you actually are, and you’re probably a little bit depressed. alternatively, you’re a mother with a crush on josh groban. you probably have strong opinions about the 2017 tonys.
falsettos: you definitely have strong opinions about the 2017 tonys.
hamilton: on the one hand, you’re not afraid of liking things once they start to be seen as overhyped, and that’s to be admired. on the other hand there’s at least a 50% chance that you’ve called thomas jefferson a sinnamon roll so uhh
in the heights: you probably also like hamilton, but you either love or despise the hamilton fandom.
the dear evan hansen / be more chill / heathers combo: you love making fanart and animatics make up the majority of your youtube recommendations. you also really love memes. you can sometimes be a little bit obnoxious but your heart is in the right place
the above combo plus hamilton: i’m scared of you.
feel free to reblog and add more but these are the main categories of Theatre Fan i have encountered here on tungle dot hell
Lin Manuel-Miranda: *reads a historical book and decides to turn it into a cutting edge revolutionary musical with a modern music style as well as star in the musical himself*
American Theatre Wing: omg he's amazing and this musical is the best wow all of the awards
Dave Malloy: *reads a historical book and decides to turn it into a cutting edge revolutionary musical combining modern and traditional styles of music and barely even has any spoken words in it and writes all of the music and orchestrations and stars in it himself and continuously makes changes and improvements for years for each new production of the show until it finally reaches broadway as the absolute best version of the show it can be*
American Theatre Wing: I can't read suddenly I don't know
Check out the fight choreography in Disney’s Hunchback of Notre Dame musical!
Fight Direction by: Steve Rankin
Thanks to davidmonteros! via michaelarden
Okieriete “Oak” Onaodowan’s put-in rehearsal as Pierre
From Nicholas Belton’s Instagram story | July 3, 2017
this literally saved my life