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My askbox is open for questions about my characters, my headcanons, my one-shots, my longfics, and my series.
Ask me anything!
I write for the following fandoms:
RISE OF THE GUARDIANS
DELTARUNE
NIGHTMARE DORK UNIVERSITY

Game Changer & Make Some Noise
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@sylphmacabre
This being a writing blog...
My askbox is open for questions about my characters, my headcanons, my one-shots, my longfics, and my series.
Ask me anything!
I write for the following fandoms:
RISE OF THE GUARDIANS
DELTARUNE
NIGHTMARE DORK UNIVERSITY
Cross-posting from the writers Discord I'm in...
I'm in an ECDYSIS mood tonight. I have been missing New York City dreadfully, which makes me want to write more Tallulah Deyvill and Anton Eglantin, and to introduce everyone to Phoebe Backman. Between the three of them they'll whip Piki into shape.
Maybe I will stop spinning my wheels on my Deltarune story if I go back to my NDU lads.
I've been stymied on Chapter 51 of CALL SIGNS for more than a month. Maybe I can "break my programming" and go back to writing something "out of order" to scratch that writing itch.
ECDYSIS question: If roles were switched a bit, and this was Pitch we focused on, would Tallulah and Anton have tried to help out or would they have gone for reinforcements?
This is an excellent question! While Tallulah is tuned in to both twins, I see Anton, as both more geographically [he lives in Boston and in Paris, rather than New York] and emotionally more distant from Pitch.
If Pitch were the one needing an advisor to the lovelorn [aka his breakup with Pitchiner], I think Tallulah would take point on trying to cheer up Pitch, but she'd eventually call in Pitch's godparents, Gilen and Annelle. Those two might sweep Pitch off to Europe, rather than what happens with Piki in New York City.
I can see Pitch's godparents giving him some kind of European Grand Tour... Vienna, Italy, Brittany, Hamburg... as a way to get his mind off Coz. It might half-succeed, but Pitch would still miss his big oaf and want to show him the highlights.
Eventually Pitch would just want to come back to the States and just wait for Coz to get back from Afghanistan. And his godparents will understand.
WIP Big Bang/WIP Reverse Bang 2026 - Round 2 Of Fic Claims & Art Claims Are Now Open
Round Two of art claims for WIP Big Bang/fic claims for WIP Reverse Bang is now open! You may claim two fic projects and/or two art projects this round, and you may claim something for both event (ie, you can claim a fic for WIPBB as well as an art project for WIPRB). We currently have 119 projects up for art claims for WIPBB and 9 projects up for fic claims for WIPRB.
Here's one of our offerings!
Deltarune #026 Title: Cosines Pairing/Characters: Tasque Manager/Miss Mizzle Rating: Mature | M Warnings/Tags: Chooses not to use Warnings. Summary: An afternoon of sensual exploration between the human versions of Tasque Manager and Miss Mizzle.
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If you want to claim this project (or look at any of the other fic and art projects we have up for claiming), click any of the links below to be taken to the full lists of claims and the form to use:
WIPBB Art Claims (Part 1) | WIPBB Art Claims (Part 2) | WIPRB Fic Claims
This is the third of three pieces I'm hoping to finish by the end of 2026 as part of this challenge. It would be splendid to get art for it, but either way it's a good way to stretch my muscles.
This will actually be for the piece called COSINES: T.M.'S TALE, since COSINES is going to be split into several acts.
WIP Big Bang/WIP Reverse Bang 2026 - Round 2 Of Fic Claims & Art Claims Are Now Open
Round Two of art claims for WIP Big Bang/fic claims for WIP Reverse Bang is now open! You may claim two fic projects and/or two art projects this round, and you may claim something for both event (ie, you can claim a fic for WIPBB as well as an art project for WIPRB). We currently have 119 projects up for art claims for WIPBB and 9 projects up for fic claims for WIPRB.
Here's two of our offerings!
Rise of the Guardians #100 Title: Fleecy Shining Gleaming Streaming/Gimmer A Mare With hair Pairing/Characters: Jack Frost Rating: General | G Warnings/Tags: No Warnings apply. Summary: On the brink of despair, Jack Frost follows a shadow and finds a herd of new friends. Pitch Black is intrigued, Sandy is worried, the other Guardians are befuddled, and The Man In The Moon is keeping his own counsel... for the moment.
Rise of the Guardians (Nightmare Dork University AU) #101 Title: Ecdysis Pairing/Characters: Piki Black, Tallulah Black Deyvill, Brunhilde the Siamese cat Rating: General | G Warnings/Tags: No Warnings apply. Summary: The “un-snobbing” of Piki Black, with the help of his godparents Tallulah Black Deyvill and Anton Eglantin, as well as others, over a period of three years, following his breakup with Jack Sickle.
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If you want to claim this project (or look at any of the other fic and art projects we have up for claiming), click any of the links below to be taken to the full lists of claims and the form to use:
WIPBB Art Claims (Part 1) | WIPBB Art Claims (Part 2) | WIPRB Fic Claims
Two of the three stories I am attempting to finish before the end of 2026.
Hopefully I'll get art for them through this event, but even if not, it's still a good challenge for me.
Whyyyyyyyyyyyyyy is this chapter tormenting me so
[Fic] CALL SIGNS, Chapter 50
Banner art by @trestrestr-es
Fandom: Deltarune [human AU, college/university setting, canon-divergent, can be read fandom-blind]
Characters: Spamton Addison, Swatch Paletta, T.M. Tinker, Eos Addison, Ballew Addison, Sienna Addison-Timothy, Saffron Timothy-Addison, original characters.
Chapter notes: Content warnings for classism and implied disapproval of polyamory.
Chapter summary: The first night of Spamton's birthday weekend shows some of the oddities of the Addison household to those who didn't grow up under its roof.
===============
At the very last moment, Spamton lost his nerve and let Sienna show Swatch and Trez to separate guest rooms.
He hadn’t been expecting Sienna to be the one to greet them when they arrived; he’d thought Eos would be the one acting as host. But his sister was the only one in the hallway as he, T.M., and Swatch brought in their bags with Ballew’s help.
Ballew didn’t seem to notice, but to Spamton’s eyes Sienna seemed to be a bit on edge. Oh, she was sweetly welcoming to his beloveds, but her voice was higher-pitched than usual.
And Saffron was nowhere in sight.
---------
The slim woman with the strawberry-blonde mane was stronger than she looked, as she hefted Swatch’s duffel bag and T.M.’s suitcase with one hand and Spamton’s in the other, leaving them each to carry their own garment bags to the second floor.
Swatch took the time to observe Spamton’s only sister, as the three followed her up the long staircase and along the gallery. Far from the serene presence he always described her to be, Sienna seemed… well, “brittle” was the first word that came to mind. She kept up a steady stream of conversation about how lovely it was to have “Gainsboro’s friends” here for a visit, sounding more like an elderly aunt than a close sibling. She emphasized the point that both guest rooms were “not far” from the bathrooms, and if either of them needed anything to just “sing out”.
It was, quite frankly, a relief to duck into the room where they were expected to stay.
Although it seemed they were expected to stay there without Spamton.
https://archiveofourown.org/works/36720883/chapters/227961536
Now on AO3.
I'm about to commit an act of meta.
I have committed to finishing three works for @wipbigbang.
FLEECY SHINY GLEAMING STREAMING / GIMME A MARE WITH HAIR... a friendship AU story between Pitch Black and Jack Frost from RISE OF THE GUARDIANS, where Jack met Pitch in the 1960s.
ECDYSIS... Piki Black's recovery from his nervous breakdown after Jack Sickle disappeared. Set in the Nightmare Dork University fanverse.
COSINES... the sequel to CALL SIGNS, set in my Deltarune human!AU.
The "rules" of the WIP Big Bang challenge are to finish your WIPs before the end of the calendar year.
My askbox is open to any and all questions about these works.
---Sylph
how many actively-being-written wips do you have right now
none
one
two to five
six to ten
more than ten
I have four, two of which I'm trying to finish during the @wipbigbang event.
CALL SIGNS [almost finished]
A CITIZEN OF THE UNIVERSE AND A GENTLEMAN TO BOOT [possibly might finish by the end of 2026]
ECDYSIS [registered for the WIP Big Bang]
FLEECY SHINING GLEAMING STREAMING / GIMME A MARE WITH HAIR [registered for the WIP Big Bang]
I could definitely using some cheering on to complete these... kudos and comments welcome.
Sex scene as character study is so good. What is your relationship to your body? What is your relationship to your partner? What lessons have you absorbed from the culture about yourself as a sexual being? How much do you have to trust someone before being comfortable with intimacy? What fears and insecurities come to the fore for you when you take your clothes off? It's so good.
A quick warmup of big shot spamton !
need to use this as reference for "Sammy" when I finally get around to the Tenna flashbacks in COSINES.
“Romance Will Not Solve Racism”- Interracial/Biracial/Blended Black and White Relationships and Families
I broke this lesson on white/Black interracial relationships and identity off from my multicultural lesson because this is one that demands its own talk. People think that the existence of interracial relationships, biracial children, and blended families means that we are “moving forward as a society”. While admittedly it’s no longer illegal- and the fight that went into it for the right was very important- it doesn’t mean that the world is “getting past racism”. Far from it, if I’m being very direct.
Tokenism
“It’s a given that they’re not racist, they’re in a relationship with a Black person.”
Some of the most antiblack racist people I’ve ever had the displeasure of witnessing are the ones that think they ‘could never be racist’ because they draw “Black” characters, reblog “Black” posts, or “enjoy” Black characters. What I need you all to understand, going into your creation, is the proximity to Blackness does not mean antiracism. In reality, they are usually just tokenizing Black characters and people.
Tokenism: “the practice of making only a perfunctory or symbolic effort to do a particular thing, especially by recruiting a small number of people from underrepresented groups in order to give the appearance of sexual or racial equality and equity within a specific societal system (workforce, school, university, movie, tv-show etc.)”
In other words, the token Black friend/partner/child/favorite character is the person that white people will point to, to suggest that they are not racist because there is someone Black that they can stand to be around. They value them as pawns, not as people.
This can and often does apply in these scenarios. A white partner that might be nice to their Black partner may switch up one day if said Black partner doesn’t act the way they want (‘you’re not like other Black people’), revealing a side they hadn’t before. Many white spouses have rejected their spouses’ Black biracial children or treated them less in comparison to their own white children. It has been noted that white foster families will adopt Black children for the money (because they’re ‘cheaper’) or performance value, since people don’t adopt Black children as much (one family even murdered all of them in a murder-suicide).
Meanwhile, the whole time, they ‘seemed so nice!’ Racism can come from ‘nice’ people. So moving forward this is something we need to keep in mind. If anything, you need to be even more aware of this when writing, as these characters supposedly have a close relationship.
“What are you mixed with?”- Colorism
It’s also not coincidence that many of the acceptable, “beautiful” Black biracial people are the Zendayas of the world. Light skin, looser textured hair. These are the Black biracial people that are brought to the forefront, but they are not representative of every Black biracial person!
Now, this is one of my biggest pet peeves, both in character design and in life, so say it with me:
BEING BIRACIAL DOES NOT AUTOMATICALLY MEAN LIGHT SKINNED, AND BEING LIGHT SKINNED DOES NOT AUTOMATICALLY MEAN BIRACIAL!
I want to bite everyone that thinks this lmao. People will see lighter-skinned Black people and ask “what are you mixed with?” It infuriates me, the idea that we are somehow more beautiful for that proximity to whiteness. The idea that being Black alone is not enough to be beautiful, there must be something else in you that makes it that way.
(I’ve also known some unattractive light skinned and mixed people so… It’s just not true.)
This belief easily permeates society, and that includes artists and writers who want a specific look for their characters. Every mixed child is NOT going to be light skinned!!! LET IT GO!!! “I want my character to have long, thinner textured hair, but I want her to have a natural ‘tan’ (their brown skin) so by being mixed, I can have that! How beautiful!” No. It’s very racist. If your goal is to obtain Eurocentric beauty standards for your character, but to ‘claim diversity and benefits’ in their Blackness, that is very much racist. Y’all gotta catch yourselves on that one!
"Passing"
I want to reiterate a point, that you’ve likely walked past many a Black biracial person and just assumed they were Black. Blackness is not just a skin color, but a measure of social standing as well. We have been socialized to think of Blackness as less than, so once someone has been perceived as Black, someone’s perspective will be affected by antiblackness, regardless of their complete background.
But, when it comes to being biracial with whiteness, there’s also the concept of “passing”, where you might have assumed they were white!
Now, this is a controversial, and U.S. American-centric, view that I’m about to express. People will disagree with me, and that’s fine. Colorism does offer privilege to light skin. But I am of the opinion that if you have to ‘pass’ as white, you are not White. White people don’t have to pass. They just are. No matter what other marginality they are, that whiteness is the one thing they can lean on. If you can have that whiteness and the privilege that comes with it revoked by sheer awareness of the Blackness in your genetics, you are not White, because white people can never have that happen to them. So you might be able to get away with whiteness, as long as no one knows!
It’s why things like the One Drop Rule, the Paper Bag and Pencil Test, and terms like quadroons, octoroons, creoles, mulattos and such exist.
Strong dependence on the Mammy stereotype in this movie aside, one of the main plot lines of Imitation of Life is a Black woman, Annie, and her mixed daughter Sarah Jane. Sarah Jane is beautiful, but most importantly she can pass as white (the actress is Jewish). But Sarah Jane struggles with the reality that her society treats her better when she’s ‘white’ but will immediately and violently turn their back on her when she’s revealed to be half-Black. She hides and rejects her Blackness to protect herself from the pain, but rejecting her Blackness means rejecting her beloved mother, and everything she’d done for her. Annie dies of illness and heartbreak, having accepted that this is the choice she’s made.
(also, Trouble of the World by Mahalia Jackson is one of my favorites)
Fetishization vs Reality of Black biracial children
Again: people like to place a lot on the existence of Black biracial babies. They think the existence of a Black biracial child means that race simply isn’t a factor. They’ll seek the ‘beauty’ of mixed children, plus the performance points of ‘non-racism’ because they exist. Imagine your own parent- whom you’re supposed to love and trust- treating you as violently as the world outside; treating you like those puppies people get at Christmas where it was fun as a concept but ready to toss by Easter because they’re no longer titillating. Black biracial children are not toys, and they are not symbols: they are human beings!
If you plan on writing a white parent to a Black child (biracial or not) that is a GOOD parent, then they need to be aware of their child’s specific needs! There are still things that will apply to your Black child character that are different from a white one that your white parent character needs to know. Otherwise, your Black and Black biracial viewers will notice that this kid would not realistically be safe, healthy, or happy.
This includes learning to do their hair, or where to take them to get it done; recognizing when some conversations just aren’t ones they can have on their own, when they are treating their Black child like their life experience and day to day needs are that of a white child’s. I recognize that every story isn’t going to center racism, but if your story does want to acknowledge it, this also includes learning how to catch when their child is being discriminated against by their own white family members (just because THEY as a parent are okay, doesn’t mean their families are), in school or in other social spaces. That child might be in danger, but if their white parent does not recognize that, they will not protect them!
Antiblack racism from white parents has been spoken about often amongst Black children. Children of color in general adopted by white parents can speak on it. The rapper Logic has rapped often about his white mother calling him slurs. You can tell when a Black biracial child’s hair is not being done properly because their white parent does not care to learn, and is trying to physically force whiteness upon them via assimilation. It can actually be incredibly damaging for a Black biracial child to have a white parent that does not know how to take care of a child that will face the world far differently than them.
This can include feeling excluded from certain parts of your identity, just because you aren’t “enough”. One example multiculturally is the pressure to assimilate. For example, some Latino families not teaching their children Spanish, or Kenyan families not teaching their culture, to assimilate in (white) American culture.
Very often, white people no longer in a relationship with their Black partner will isolate their Black biracial child from their Black family, thus cutting off access to half of their heritage. Thus, many Black biracial kids find themselves confused about that line. Ideally, their parents will be healthy enough to have those conversations and strengthen their self-identity, regardless of their relationship with one another.
So when you’re writing your character, they should not be telling them that ‘we don’t see race’, or any other things that imply that the Blackness within them is somehow shameful or doesn’t need to be acknowledged.
How to actually treat a Black partner
Any Black person (with any self-respect, let me clarify) will not want to be with someone that’s racist. This doesn’t mean that their white partner will be perfect immediately, but they should still come in with some decency.
I personally do not find it romantic teaching someone how to treat me like a human being. I’m passionate about these topics and education on them, but there’s still a distance between you and I, reader. You are a person I don’t know, that could either learn from what I teach (which is good!) or decide to… Well, stay racist, and be treated as such 🤣 But I would never give my heart to someone that I’m unsure of. It’s far safer to be with someone that has already done much of the work on their own, or at least has put the effort in and will continue to do so.
Black viewers do not want to spend time watching a white person realizing they’re a human. Partners are supposed to be a space of respite and security. How can you be safe and comfortable if someone’s always throwing microaggressions at you (unintentional or not), refusing to or incapable of understanding your perspective when it counts, only understands your experience on a surface level, or is determined to ‘make it not matter’… and then call it love?
Like if a white character is giggly because ‘omg they’re listening to “Black” music they’ve never heard before’ or ‘eating “Black” food’ because of their Black partner, that’s… god I’d close the book immediately. We’re not a different species. That’s not romantic, it’s just weird. You can have a new experience without treating it like your white character is going to the zoo and reading the exhibits.
Your white characters should be learning and applying constantly- consent to touch hair and body, learning what not to say or when it’s not their space to speak on a topic, learning about how the world treats their partner so that they can understand. This includes their own friends and family- why would a Black partner want to be with someone that doesn’t defend them from racist family members?
Your white character may not always get it right, and that’s fine*. But one thing I’ve discussed in a prior ask is that the bar for knowing if your relationship with a white person is a safe one (at least, at that moment) is if you can correct them. If you can tell your white person that they have done something wrong, something racist, or that there’s something they should know to continue this relationship, and they react well? Okay. That’s an opportunity for writing character AND relationship growth!
*There’s levels to this; obviously there’s some things you can’t (or shouldn’t) come back from
Depicting this may be hard for someone that… that hasn’t had that conversation. I have been able to write that sort of scene. But if you’ve never had that conversation, you won’t know how it goes. I have to be honest with you… This is where it would be good to have Black friends that feel comfortable enough to have these conversations with you. I mean, you shouldn’t go make friends just because you want to use them for creation. That would be disrespectful. But if this is something that you want to write, I would highly suggest that you grow familiar with microaggressions and acts of antiblack racism, so that you can understand WHY they are a problem. Can’t really apologize and “not do something again” if you don’t know what that something is.
Fetishization of Black Partners
The Jezebel and the BBC stereotypes come into play often via the idea that a Black partner is something wildly exotic and can be used for sexual experimentation. ‘Wanting to know about big Black dick’ or ‘if all Black girls squirt’ is objectifying. You can write us in your sex scenes- many of us do enjoy sex and can even be kinky! But watch that you’re being respectful, from your descriptions to your dialogue. We’re not raging sex beasts and sex toys for your fantasies. We deserve care and our needs met as well.
There’s also this thing where white girls will date a Black man to ‘spite daddy', and when they’re done rebelling, that Black man is left in the dust, maybe even accused as an aggressor to excuse her ‘leaving’ her own (he manipulated her, tempted her away from the right path). We may side eye you if you have a white character ‘fake dating’ a Black person or ‘friends with benefits’- not because these tropes are racist, but often can be written that way if you’re not paying attention.
One controversial example is that of Rege Jean-Page’s character in Bridgerton. There’s a scene where his love interest essentially forces him to come inside her during sex. Now, there are people do enjoy consensual-noncon. The issue is that 1) some Black viewers who watched felt disturbed at the imagery of a Black man being forced to breed, especially given that historical context, and that it wasn’t treated as seriously, and 2) this scene if he had been the one forcing her would never have been received as well, especially with a Black male lead- it would not have been received as ‘spicy CNC’.
Interracial relationships- specifically with a white woman and a Black man- may also be looked upon with worry by Black family members. There is a history of Black men (and their surrounding Black community) being lynched for ‘defiling white women’. It’s not unusual for us to worry that we will not be safe in a white partner’s homes or lives, and will be asked to leave our information, who we’re with, and what part of town we’re in or going to. Get Out was a fantastic example of this; of how the only reason Chris escaped was because a friend of his knew where he was and came to get him. Otherwise, he would have been body snatched. So your ‘fake dating’ interracial AU might seem silly and fun to you, but a Black reader might look at it and go ‘wow, I would never put myself in this situation or deal with this sort of treatment without extra planning’.
As a side: the gigantic Black/Brown man in chains and a tiny white man holding those chains as symbolism for BDSM or 'possession'… Yeah that’s usually just racist beast and slavery imagery recycled. Please. I beg. I’ve almost never seen the opposite in fan art, and we all know why. There’s got to be something else we can use.
Black Parent, White Child
This is one that I almost never see talked about! Partially because our society deems any child of a Black person also Black, but there are blended families where there will be an existing child- and that child might be white! But we don’t see white kids adopted by Black families as much as we do the reverse, and there’s a reason for that!
There’s a difference in the dynamic! White parents with Black children are often seen as ‘saving’ them. I was once friends with a nice, older white (also racist, as it turned out) neighbor of mine, and people would often look at me like I was some poor, piteous negro child when we went to the store. But if my 50+ year old father were to walk around with a preteen white girl, people would react far more defensively.
Think about this: toddlers have tantrums, right? The world is ending in a heartbeat, that’s just where they are mentally. You’re ready to leave the store, they aren’t: boom. Tantrum.
A white toddler falling out into a tantrum and getting hauled off by a Black parent could very well get that parent arrested or killed if someone, misunderstanding due to their pre-existing biases, calls the cops for ‘kidnapping’. And that white toddler might not know that, but that’s the amount of power that they hold over that Black stepparent as a BABY.
There was a Black Twitter thread that discussed what Black people would do if a crying white child came up to them and looked lost, and part of the discussion was that people were genuinely afraid to be seen with this child, because someone might assume that THEY made the kid cry, and it would get them hurt. Has nothing to do with not liking white kids, but the fact that we live in a world with a literal hair trigger on us- the last thing we need is to be seen as a threat to a white child.
Viewers will be affected by this bias as well. White parental characters to Black child characters will be given more grace and understanding versus the opposite.
A good example (of parental figures/mentors) is from Across the Spiderverse, with Peter and Miles vs Jessica and Gwen. Both mentors were a part of the Spider Society, both were in the wrong about how they treated Miles (damn near the whole Society did, which is another message on how we treat Black and Brown kids there!), and with how they treated their respective mentees. But Peter is treated with far more grace, despite his actions symbolizing that disappointment that Black kids often experience from white adult mentors that we’re supposed to trust, than Jessica Drew, who treated Gwen like the business mentor she was. Jessica was not motherly (remember that Mammy stereotype?) to Gwen because it wasn’t her job to be. But people were furious at her not ‘treating Gwen better’, for ‘putting her own child in danger’ and ‘not considering how Miguel would react’. But they were not as angry at, or offered more potential forgiveness, to Peter, who failed at the very same things with Miles.
Writing a Black Parent
Okay, so yes, there is ‘Black parenting’. To be honest, you’re not going to be able (and shouldn’t attempt) to write that, because it is a very specific experience that you’ll only know if you were brought up in it. Bringing up Jessica Drew again, another perspective to consider is that people thought she was a ‘bad mentor’, but as far as how my Black childhood went, she was quite gentle and firm.
Black parents are still humans, and parenting is still parenting. Be normal about it. All you need to do is keep in mind that we’re offering all of these characters and their relationship dynamics the understanding and writing they deserve.
If you’re writing a healthy relationship, there needs to be a sense of trust and respect between everyone involved, and that can reveal itself even in small interactions. If you’re writing a complex or negative parental relationship, that’s fine, but you’ll have to avoid certain overarching stereotypes of Black parenting styles (The ‘ghetto welfare queen with six kids’, the ‘absent thuggish father’, the ‘overaggressive woman that beats her kids’, the ‘Strong Black Mother who don’t need no man’). Make sure they’re a complex or bad parent because they suck, not because they’re what you think of when you think of Black parents.
Conclusion
There’s no free passes from antiblack racism just because you’re close to Black people; there’s no ‘invite to the cookout’ just because you don’t say slurs. This applies to your writing as well. It is not a given that your white character is in the clear just because they have a Black partner, children, or friends. If anything, they’ll need to be putting in extra work to maintain that intimacy. These are different forms of love, but all love takes effort, and it certainly won’t hold if they’re not being considerate of their loved one’s identity. By incorporating this level of thought into your writing- however subtly- it will show your Black viewers that you as the writer are aware, that you actually thought about us in these more intimate settings. Because as you and your white characters need to know, it’s the thought that counts, but the action that delivers!
In CALL SIGNS, I have been trying to work through each of the lessons that Ice has been laying out in their blog, and I hope I had some success as a writer. I've two examples that relate to this lesson...
1] Regarding fetishization: POV Swatch, a nonbinary biracial person who has a very formal speech pattern both vocally and in interior thoughts, thus my narration here...
They freed one long-fingered tawny brown hand and pushed their dual-toned glasses up on their long nose for what felt to be the thousandth time. They wished they'd thought to wear their basketball goggles, which always stayed put no matter how much they sweated. At least they had remembered to wear a headband to keep their twisted ringlets out of their face. They made a mental note to get a haircut in the next few weeks before the practice season started.
Indigo and Catechu had no such problems with their own hair. The twins sported the "shaved back and sides" look, with just a fade of short springy curls on top. Seen together, the resemblance between the three cousins was more marked, especially the strong angular planes of their faces, inherited from their Congolese-Italian mothers, who were sisters. But Indigo and Catechu shared the blocky frame that their dad Julius had, as well as his darker brown skin. Swatch was not as tall, but their lankiness made it seem that they were. The olive undertones of Swatch's skin and the hazel in their eyes were a legacy from the person they considered to be no more than a sperm donor, since there was certainly no one in Swatch's life to fill the role of "father".
Some days Swatch could take pride in their appearance and play it up; the colored lenses in their glasses, one lens orange, the other gold, was one affectation. Other times they tired very quickly of how others would view them as "exotic", a genetic anomaly rather than a person, something to be fetishized.
2] Regarding one Black parent, his white girlfriend, and his white-passing child getting suspected of kidnapping... POV GiGi the white girlfriend who is autistic and has a pronounced speech tic, thus the capitalization of her words..
"They Wanted To Call Child Protective Services When They Found Out I Wasn't A Relative. Then They Gave Leroux A Hard Time Not Believing He's Lance's Father. Because Leroux’s Black And I’m White. This World Sucks And I'm Going To Change That."
”I know you will, GiGi. If anyone can, you can.”
I worry about that second one having "white savior" overtones when read out of context.
I had one reader thank me for helping them feel seen, so maybe there's hope for me. But I know as a white writer i have a long way to go.
This may be a very lukewarm take, but I think one of the most important ways to establish tension in a story is to give actions consequences.
Not every consequence needs to be negative, and not every negative consequence needs to be catastrophic, but one of the easiest ways to kill the tension in a story is to teach your reader that it doesn't matter what the main characters do because everything will work out for them, and any setbacks won't have long-term consequences.
Because once you've taught that to the reader, then why should they care what the characters do? What does it matter whether they make the "right" decision because every decision will ultimately be the last one.
And once you've given your reader that for long enough, you can't really go back, because that will feel like a betrayal. You can't give the first negative consequence 3/4 of the way through the story, because you've already set up the story as one where actions don't have (negative) consequences.
When you're thinking about how to give actions negative consequences, consider that there are a many different types of consequences, including:
Physical (death, injury, disease, etc.)
Emotional (fear, concern, anxiety, sorrow, guilt, PTSD, etc.)
Social (loss of a relationship or friendship, mistrust from other characters, etc.)
Temporal (loss of time trying something that didn't work, additional time required for recovery, etc.)
Locational (loss of territory, displacement to somewhere else, etc.)
Autonomous (arrest, detainment, kidnapping, loss of ability to act of their own accord, etc.)
It can make the story more interesting (and more realistic) to not just focus on one type of consequence but instead to consider different kinds of consequences (positive and negative) a character would face for their actions. Maybe they end up better physically than they would otherwise--but they lose other people's trust by their actions. Maybe they save someone but lose time.
Make your characters' actions matter.
I'm trying to do this in CALL SIGNS.
Spamton started the story in late August with PTSD centered around touch. In May of the following year, when the story is scheduled to conclude, he still has PTSD centered around touch, despite being involved in emotionally and sexually healthy relationships. But he's more open to giving and receiving touch, even if he has to brace himself for it.
Swatch tried alcohol for the first time a few chapters ago after hating the stuff for what it did to their mother. They don't intend to try it again, and they're still angry at their mother's addiction, but they've loosened up a little bit to the point where other people drinking responsibly won't set them off on a tirade.
Kirov should and will face consequences for what he tried to do to Spamton and did do to Lance.
Realism is important, because as OP says, actions MATTER in trying to flesh out characters.
[Fic] CALL SIGNS, Chapter 49.
Banner art by @trestrestr-es
Fandom: Deltarune [human AU, college/university setting, canon-divergent, can be read fandom-blind]
Characters: Spamton Addison, Swatch Paletta, T.M. Tinker, Julius Dyer, Desiree Dyer, Claudine Paletta, mentions of other characters.
Chapter notes: Content warnings for discussion of traumatic brain injury, classism and racism, and biphobia.
Chapter summary: Spamton's 25th birthday... milestone or millstone?
===============
Swatch got to cash in their raincheck for their celebratory lunch on Sunday. When they got to the Dyer apartment, Uncle Julius had gotten takeout from Nneji, and Aunt Desiree was dishing it up with a side of gossip.
Over hearty servings of beef stew, lamb shanks with yassa, and harissa chicken with okra, Swatch listened while Aunt Desiree regaled everyone at the table with the story of the huge commission she’d landed this past week, on a property that she was sure would have been a white elephant for the next decade, but which she had closed on in record time.
Putting on what she called her “hifalutin” voice, she read out the description.
Can also be read on Archive of Our Own.
An Archive of Our Own, a project of the Organization for Transformative Works
[Fic] CALL SIGNS, Chapter 48.
Banner art by @ne0nwithazero
Fandom: Deltarune [human AU, college/university setting, canon-divergent, can be read fandom-blind]
Characters: Spamton Addison, Swatch Paletta, T.M. Tinker, Indigo Dyer, Catechu Dyer, Desiree Dyer, Julius Dyer, Seam Docherty, GiGi McCray, Leroux Kaard, and introducing Ambrose Gerson.
Chapter notes: No real content or trigger warnings for this chapter.
Other than the author getting quite verklempt that the tale is winding down.
Kudos and comments welcome.
Chapter summary: Three about to graduate.
Two about to start their married life.
One about to navigate a new world.
==================================
After fifty years, Ambrose Gerson was a free man.
Ten years studying law.
Fifteen years practicing law.
Twenty-five years teaching law.
He’d technically retired in December, but had taken on one more student to tutor for the February bar exam.
It was now late April, and his ears were still ringing from the delighted screams of Gabriela Ortiz, who had just gotten her test results and phoned him.
“You’ve the one who earned it,” Ambrose told her, once he could get a word in edgewise. “I just helped you structure what you already knew. You’re gonna be great, kid.”
Some of his colleagues might have chastised him if they’d heard him referring to Gabriela as “kid”; from a certain point of view, it was just not politically correct. But Professor Gerson’s favored students knew that word was a badge of honor. He only used it for the best and the brightest… for the ones who’d penetrated his tough shell and got to see his paternal side.
The few who’d seen the Ibanez Iceman guitar in Ambrose’s study, the one he called his “Justice Axe”.
The fewer still who’d heard him play.
Those were the students he called “kid”.
None of those, however, knew how hard he was trying to fill the hole in his heart, where his own flesh-and-blood “kid" had once lived.
Can also be read on Archive Of Our Own.
https://archiveofourown.org/works/36720883/chapters/93941119
Ask Me Anything About… ECDYSIS!
[photo of a townhouse on East 69th Street in Manhattan from Zillow]
My inbox is open for questions about ECDYSIS, a Nightmare Dork University multi-chapter fic.
Influenced heavily by NDU writers and artists such as AmandaTheAngryGirl, Bowlingforgerbils, Dildarium, Fearking, GretchenSinister, KSClaw, MiraEyeteeth, Neyiea, Nightmareships, NightmareJockstrap, Peachsweater, Samafox, TripleTrilby, and more, it tells the story of how a self-destructive playwright clawed himself back to humanity with a little help from his godparents Tallulah and Anton, his old nanny Phoebe, and a mysterious entomologist named John.
Nightmare Dork University is an AU of an AU of the movie RISE OF THE GUARDIANS, which is itself an AU of the book series THE GUARDIANS OF CHILDHOOD by William Joyce.
I am challenging myself to finish ECDYSIS for this year's @wipbigbang.
Read it on Archive of Our Own!
SUMMARY:
ec·dy·sis /ˈekdəsəs/ - the process of casting off the outer cuticle in insects and other arthropods.
The “un-snobbing” of Piki Black over a period of three years, following his breakup with Jack Sickle. A Nightmare Dork University tale that lays the foundations for the “Footlights & Frontispieces” AU.
I look forward to your inquiries!
—Sylphidine “Vivacious Anodyne” Gallimaufry