who let him book anything

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let's talk about Bridgerton tea, my ask is open

ellievsbear

oozey mess
occasionally subtle

gracie abrams
todays bird
Fai_Ryy
icyghini twinkie
official daine visual archive
Monterey Bay Aquarium

Discoholic 🪩
he wasn't even looking at me and he found me
will byers stan first human second

★
hello vonnie
macklin celebrini has autism
🪼
sheepfilms
Claire Keane

seen from Canada
seen from Vietnam
seen from United States
seen from Philippines

seen from Türkiye

seen from Croatia
seen from Germany

seen from Malaysia

seen from Türkiye
seen from Brazil
seen from Ecuador

seen from Malaysia
seen from Argentina
seen from Venezuela
seen from Brazil
seen from Algeria

seen from United States
seen from United States

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seen from United States
@tadarii
who let him book anything
Another doodle dump! (In no certain order :))
a real lover
no peeking
how to draw horses(for the discerning horse girl)
i spent two years working in barns to give you this information. use it wisely
view all 16 parts under the cut!
one of the funniest gigs in pre-timeskip was that whenever Zoro tried to be considerate with the coward trio while handling their eager stupid captain is that this thing would bound to happen regardless of anything at all....
and then the aftermath would be like:
once again thinking abt ORV as one of the most brilliant and self-aware genre commentaries ever, cus' isekai/transmigration is-- in my experience-- a deeply lonely genre. the yearning to be plucked from the stress and apparent dead spiral of real life and dropped into a setting where you matter somehow. the fact that this transmigration is often by way of death, completely abandoning the real world, is particularly telling and... bleak. but whether it's a recognition of being 'the most baddass dude', the narrative satisfaction of trying to 'fix' the plot of a doomed story, or even just befriending characters we've laughed and cried for, we want so badly to be a part of something more.
and the way ORV recognizes that and doesn't mock it, but gently reminds us that... real life isn't removed from that. it may not be as straightforward and 'narratively' satisfying as a constructed story, but we can enact change in the world around us, and we can find connection and solidarity in others. the things we want from escapism are things we often can achieve in real life, at least on a small scale. if only we recognize the inherent depth and complexity of others as, y'know, fully-realized human individuals. hell, if we recognize ourselves as more than simple characters with set paths and tropes.
ORV takes every opportunity to remind us that we are not alone, no matter how bleak and isolated we feel. our lives are constantly touching others and vis-versa, and we leaves marks on the world we can't possibly predict. we matter, we always always matter
loofe looking for beetles :3
man I forgot about tumblr (someday I'll post here regularly)
oops, i slipped
1920s Baroque Works 🥂
Always wanted to do a movie poster redraw of the Great Gatsby so here they are!!
pirates so silly it's getting out of hand
My brain: You have so many tight deadlines. So many things on your weekly schedule. So many important jobs. You have to get important work done!!!
My hands:
thingies
FASHIONISTAS AAAAA
inspired by @/wisdm8 on tiktok and @/wisdm on insta!!!
evil art style thingy :) feat. lumine