who let him book anything

pixel skylines
I'd rather be in outer space 🛸
i don't do bad sauce passes

★

祝日 / Permanent Vacation
Three Goblin Art

Kaledo Art
DEAR READER
Cosimo Galluzzi

roma★
let's talk about Bridgerton tea, my ask is open
tumblr dot com

Janaina Medeiros
🪼
Stranger Things
Misplaced Lens Cap
Claire Keane

Origami Around
taylor price
art blog(derogatory)
seen from France
seen from United States

seen from Indonesia

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from South Africa
seen from United States
seen from United States
seen from United States
seen from Poland
seen from Switzerland
seen from United States

seen from Malaysia

seen from United Kingdom
seen from United States

seen from Türkiye

seen from Germany
@tadarii
who let him book anything
Another doodle dump! (In no certain order :))
a real lover
no peeking
how to draw horses(for the discerning horse girl)
i spent two years working in barns to give you this information. use it wisely
view all 16 parts under the cut!
one of the funniest gigs in pre-timeskip was that whenever Zoro tried to be considerate with the coward trio while handling their eager stupid captain is that this thing would bound to happen regardless of anything at all....
and then the aftermath would be like:
once again thinking abt ORV as one of the most brilliant and self-aware genre commentaries ever, cus' isekai/transmigration is-- in my experience-- a deeply lonely genre. the yearning to be plucked from the stress and apparent dead spiral of real life and dropped into a setting where you matter somehow. the fact that this transmigration is often by way of death, completely abandoning the real world, is particularly telling and... bleak. but whether it's a recognition of being 'the most baddass dude', the narrative satisfaction of trying to 'fix' the plot of a doomed story, or even just befriending characters we've laughed and cried for, we want so badly to be a part of something more.
and the way ORV recognizes that and doesn't mock it, but gently reminds us that... real life isn't removed from that. it may not be as straightforward and 'narratively' satisfying as a constructed story, but we can enact change in the world around us, and we can find connection and solidarity in others. the things we want from escapism are things we often can achieve in real life, at least on a small scale. if only we recognize the inherent depth and complexity of others as, y'know, fully-realized human individuals. hell, if we recognize ourselves as more than simple characters with set paths and tropes.
ORV takes every opportunity to remind us that we are not alone, no matter how bleak and isolated we feel. our lives are constantly touching others and vis-versa, and we leaves marks on the world we can't possibly predict. we matter, we always always matter
loofe looking for beetles :3
man I forgot about tumblr (someday I'll post here regularly)
oops, i slipped
1920s Baroque Works 🥂
Always wanted to do a movie poster redraw of the Great Gatsby so here they are!!
pirates so silly it's getting out of hand
My brain: You have so many tight deadlines. So many things on your weekly schedule. So many important jobs. You have to get important work done!!!
My hands:
thingies
FASHIONISTAS AAAAA
inspired by @/wisdm8 on tiktok and @/wisdm on insta!!!
evil art style thingy :) feat. lumine