Ring Raiders No. 2, dated 30 September - 13 October 1989. Cover by Ian Kennedy. The F-86 was known as the Sabre however the sweep of its wings and tail were often referred to as an 'arrowhead' design. Treasury of British Comics.

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Ring Raiders No. 2, dated 30 September - 13 October 1989. Cover by Ian Kennedy. The F-86 was known as the Sabre however the sweep of its wings and tail were often referred to as an 'arrowhead' design. Treasury of British Comics.
The Beatles recording session at Abbey Road for Every Little Thing, What You’re Doing and No Reply on the 30th September 1964.
Starlord No. 21, dated 30 September 1978. Guardian of the Dark Star! cover by Jose Luis Ferrer, who also provided artwork on 2000AD's Ant Wars and the first few episodes of Robo-Hunter.
Rebellion.
Bullet No. 138 dated 30 September 1978. Crusher cover, artist unknown (possibly Terry Patrick).
DC Thomson.
Strontium Dog No. 3, dated February 1986. Portrait of a Mutant Part 3 by Alan Grant and Carlos Ezquerra. Also shown is a house ad for the issue.
The cover image of Johnny wielding his electronux appears closely based on an old one Carlos did for Starlord comic. I'm not sure if this was just a promotional image or an early draft of the character's look but it did appear in a house ad inside Starlord No. 2 (20 May 1978) and as a pin-up in No. 21 (30 September 1978). Johnny's armour varied from story to story but the helmet and the electronux both look different to the way they ended up appearing in the weekly issues. Despite that this image has been reused many times since.
Treasury of British Comics.
Warlord No. 210, dated 30 September 1978. Spitfire Island cover by Jeff Bevan. It's a good cover but it must either be a very small Spitfire or the bloke hanging on to it is really big.
D.C. Thomson & Co. Ltd.
Battle Action No. 187, dated 30 September 1978. 'The Big 7' cover. I think the background is by Jim Watson and the portraits by John Cooper, Rossendo Franch, Mike Western, Ron Turner, Joe Colquhoun, Mike Dorey and Eric Bradbury. An impressive line-up. Treasury of British Comics.
“It's a bit sad now that Apple is in the position all four of us planned three years ago. I just wish Paul would use the studio if he wants to. It's silly not to. [...] I can't see the four of us working together again, but I'd like us to be friends. We all own the business and it's doing well. I'd like all four of us to enjoy it now."
[George, press interview at the launch of Apple’s new recording studio, 3 Saville Row, London, 30th September 1971]
George, with Pete Ham of Badfinger, at a party to celebrate the opening of Apple's new £500,000 recording studio at their headquarters at 3 Saville Row, London on 30th September 1971. George was producing Badfinger’s album at the time. Brochures given away at the event stated that the studios could be hired for £37 per hour for 16-track recording and £31 an hour for 8-track.
Pics: Michael Putland.