Cover art for Maxïmo Park’s “A Certain Trigger” and accompanying singles (2005 – 2006)
Art Direction & Design: Simon Earith Photography: Ian Davies
seen from United States

seen from France
seen from United States

seen from Singapore

seen from Maldives
seen from United States
seen from Yemen
seen from United States

seen from Malaysia

seen from Malaysia
seen from Yemen

seen from United States
seen from Malaysia

seen from Malaysia

seen from France
seen from United States

seen from United States
seen from Yemen

seen from United States

seen from Malaysia
Cover art for Maxïmo Park’s “A Certain Trigger” and accompanying singles (2005 – 2006)
Art Direction & Design: Simon Earith Photography: Ian Davies
I can’t believe Maximo Park’s masterpiece A Certain Trigger is twenty years old today. A formative album of my teenage years.
That would almost make me old…?
If you like your rock indie, and your dance moves jaunty, I highly suggest you give it a listen!
Maxïmo Park - I Want You to Stay A Certain Trigger (2005)
I rewrite my life beneath moonlight, Please hold me now till my breath runs out. There are many things that I am not, But there's one thing that I can't deny
A double bluff you fed me lines, The shortest cut you're searching for, A mesh of tones surround your eyes, I wish I knew how it came to this
I always said you could rely on me, Now it seems that I was wrong, I want you to stay, I want you to stay with me
And not for no reason do they call this a wasteland
The century sighs, but there's life in the margin
The casual stance emphasizes reluctance
Ritual needs like a cosy conclusion
Destiny screams, till it turns to a whimper
You see it on screen, but there's a flaw in the picture
Maybe there's space for the smallest suggestion
The devil in me made a pact with naivety
I keep you close with a memory
The devil in me keeps a record of his misery
I keep you close with a memory
i'm going missing for a while i've got nothing left to lose oh, i don't listen to anything
Paul Epworth's productions of pop musicians contain development of the tricks he used on the discs by post-punk revivalists, such as Maximo Park. He emphasized the space on these records, so no surprise he still does the same. Of course, he also got to work with the bands, which followed the traditions, where these sorts of soundscapes prevailed. Thus, Maximo Park, since we mentioned them, sonically resemble many of their influences, though they differ from them in their lyricism, they're closer to either The Smiths or Pulp. Unsurpringly, these two disparate approaches function properly, but we shouldn't be shocked over this. The former were post punk in all but a name, whereas the latter felt like a group whose words could fit any scene.
Maximo Park