The character was based off of -like any good character is based off of- several friends, some of whom are not with us anymore, and several experiences as a teenager, and places and people I've gotten to be and things that profoundly had effects on me.
I've been listening to Molly's playlist, which I'm sure I have to put out now, which is waay harder to listen to because - there's a lot in there. But like there's a song off the soundtrack of Wristcutters because that was, that movie had a lot of that good carnie family vibe and how carnie families work and sort of how these weird, bitchy people take care of each other and there was- for many years, there was an archetype in film, in storytelling that was very much this kind of character and I haven't seen this character in anything in a long time. And I've barely- I've read a couple things that people have written where they've kind of gotten this notion of:
'You're supposed to live your life and there's a way of both not giving a fuck about what people think, but giving a fuck about people.'
And he was never a character who needed to be fixed and he was never a character who needed permission for anything and its- I mean, you go in with a character like Iron Man where you're, like, waiting to watch them become a good person or you go with a character like Captain America where its 'I want to see this good person's effect on the world' and he was never- there was never going to be a profound change in Molly. His whole notion was just his perspective and how it affected everything around him. It was- he never had any unfinished business.
His only unfinished business was just barreling through every person he ever met and making them deal with him. Yeah, make people deal with you, but make sure dealing with you is always a positive and kind experience. Yeah.
-Taliesin on the beauty of Molly and what he hopes people take from him
