#abstract expressionists

[villasugandhala]

Exhibition Review: “Abstract Expressionists: The Women” | Observer

Exhibition Review: “Abstract Expressionists: The Women” | Observer https://share.google/Rv8dwmhRwmMjsYTXm

“Abstract Expressionists: The Women” Adds an Essential Chapter to the Movement’s History

The show revisits the contributions of 32 visionary artists who helped expand the language of Abstract Expressionism beyond its early center

Grace Hartigan, Cedar Bar, 1951. Oil on canvas, 39 x 31 ¾ in.

[annemarieyeretzian]

ABSTRACT EXPRESSIONISM 🎨 love, ur local art mom 🩵

disclaimers and more information under the cut ✂️

hi I’m annemarie and I’m an art historian! not adjuncting for the first time in five years was rly hard for me so I threw some slides together so I could still (sort of) teach the same material as my language of art class but a) I threw these slides together for instagram so space was/is limited and b) language of art is a ten week run through art history so I’m presenting only the most accessible information here – there’s so much more to this art period and to these artists! – please don’t expect it to be comprehensive and please do ask if you have any questions!

oh p.s. my first ever class of art history students came up with the name ‘art mom’ for me at the end of the quarter and yes it does make me cry if I think about it too long thanks so much for asking

[abwwia]

The cover for Ninth Street Women (left), and American abstract expressionist painter Lee Krasner in Jackson Pollock’s studio, ca. 1949 (right)Image: Courtesy of Mary Gabriel

Rethinking abstraction: Mary Gabriel’s Ninth Street Women

A review of Mary Gabriel’s Ninth Street Women, a book discussing the lives and work of five women Abstract Expressionists, and their role in the development of American modernism.

by Paromita PatranobishPublished on : Oct 24, 2019

Rethinking abstraction: Mary Gabriel’s Ninth Street Women

A review of Mary Gabriel’s Ninth Street Women, a book discussing the lives and work of five women Abstract Expressionists, and their

[onenakedfarmer]

Daily Painting

Helen Frankenthaler SUMMER PICTURE (1959)

[the-cricket-chirps]

Robert Motherwell

The Blue Door

1973

Acrylic and charcoal on canvas

[newyorkthegoldenage]

Some of the painters who frequented the Five Spot with Jack Tworkov were the friends who first introduced David Amram to the club. Amram thinks part of the affinity of painters and jazz musicians in the fifties was that they shared a common experience: “The struggle painters had was like that of jazz musicians. People still thought that if art wasn’t from Europe it was worthless. Jazz was an accepted art form in Europe in the fifties, but only a small group of people recognized it here. Miles and Bird were playing an incredibly sophisticated kind of music, like spontaneous chamber music at the best level.”

     —Dan Wakefield, New York in the ‘50s

Above: A back table at the Five Spot, 1957: sculptor David Smith, painter Helen Frankenthaler (back to camera), poet and art guru Frank O'Hara, painter Larry Rivers, painter Grace Hartigan, unidentified man, sculptor Anita Huffington, and poet Kenneth Koch.

Photo: Burt Glinn for the NY Times

[brooklynmuseum]

Today we honor the life and groundbreaking contributions of artist Toko Shinoda (1912-2021), who died March 1 at the age of 107. Trained from a young age in classical Japanese calligraphy, Shinoda was one of the first and only women to gain acclaim in that conservative field. In the 1950s she moved to New York, where she became friends with Mark Rothko, Jackson Pollock, and other Abstract Expressionist artists of the time. Already interested in moving beyond calligraphy, Shinoda began to use its gestural forms and disciplined brushwork to create abstract compositions, often using traditional Japanese inks and paper. She returned to Japan and continued to make deceptively simple compositions of wide and thin brushstrokes for the rest of her long career, designing murals and temple interiors, a large body of lithographs, canvases, and traditional scroll-format paintings. In 2016 she became the only living artist ever to appear on a Japanese postage stamp.⁠

Posted by Joan Cummins Toko Shinoda (Japanese, born 1912). Fugue, 1982. Silver and Sumi ink on paper mounted on wood panel. Brooklyn Museum, Gift of Allison Tolman in honor of Dr. Susan L. Beningson, 2014.81. © artist or artist's estate

[ineffablethoughtsblog]

Untitled, 2021