Heritage & Acculturation in My Celtic Practice
by autumn sierra
I think it’s important to first address the differences between cultural appropriation, cultural appreciation, and acculturation…
Appropriation, Appreciation, and Acculturation
Cultural appropriation is the stereotypical oversimplification and inappropriate exploitation of customs, practices and ideas of someone of one culture toward a different culture. This term is rife throughout the online community, and even in daily vocabulary, with the understanding that cultural representation portrayed slightly incorrect or deemed inappropriate by one person/group is “cultural appropriation”. This is not accurate. If there is proof of blatant disrespect toward traditions and customs by way of exploitation, that is—indeed—appropriation.
However, cultural appreciation is the exploration of different customs, practices and ideas in order to understand, learn, and broaden perspective cross-culturally. Oftentimes this can be misunderstood as appropriation—why, I’m not sure—but is genuinely rooted in good intention, a love for discovery, and a desire to connect with others.
Appreciation can sometimes lead to acculturation (the main idea of this dialogue)—the process of cultural exchange that occurs when two or more cultures maintain continuous interaction. The result of this may be the adoption, modification, or incorporation of elements of another culture (also can be mistaken for appropriation).
Culture is meant to be shared, and it shocks me that this is not the mainstream thought process of our modern world. There are absolutely some things that are purposefully made inaccessible to certain groups (temples, religious rites, etc), but this is not the norm. Consider clothing, food, and holidays (with minor exception).
Heritage & Acculturation in My Life
Acculturation is an important aspect of my folk practice. But to begin, let’s focus on heritage.
I was born into a culturally rich family. The blood of many different peoples runs through my veins. That being the case, there were only 2 major cultures at the forefront of my childhood upbringing: Italian and Scots-Irish. My daily life consisted of Italian customs and traditions heavily incorporating familial fellowship, while many special occasions like holidays and other significant events were extremely Celt-oriented.
Considering I never had the same immersion into my Celtic heritage on a daily basis, I felt strongly drawn to it when I began my folk magic journey. And so, here we are!
But, Scottish folk traditions are not the only significant aspect of my practice. As a teenager, I also felt drawn to Japanese culture and specific customs that were wildly different from the ones I’d grown up knowing.
Over the years, I’ve studied, experienced and integrated Japanese culture into my life through acculturation. I’m very active in community festivals, I play traditional Japanese instruments, speak the language, enjoy the food (IMMENSELY), and maintain Japanese customs in my originally Euro-centric daily life. With my extended family also being Japanese, I would say that I’ve assimilated to the lifestyle while also staying rooted in my heritage.
Acculturation in My Practice
I’ve studied the old gods of Shinto tradition, as well as the teachings of Zen Buddhism. Religious practice has never sat well with me due to my upbringing in a religiously Abrahamic household. So, I focus less on the gods and more on the spirits (though some might consider Shinto gods and Shinto spirits similar).
Japan has a unique perspective on animism that is ingrained in the cultural lifestyle and separated from most modern [Western] ideals. Shrines of varying size litter the country in all different areas, venerating spirits of the land, the dead, and the divine.
During my most recent trip abroad, I went on a brief—but rewarding—shrine pilgrimage in the Kansai region. The land was old, and even older were the spirits that reside there. Visiting each location rekindled a connection with the ancient spiritual and magical practices that I’d written about in my university thesis.
Upon returning home, I reflected again on my Celtic path and how my deep connection with the Japanese culture affects my daily life, but not my practice. I wondered why that was. Perhaps it was because I’d made up my mind to pursue reconstructionism, and wanted to dedicate every aspect of my practice to reviving the old Celtic ways. But, I excluded a very significant part of myself by doing this.
To try to integrate Japanese culture into my practice, I identified similarities between the two’s animistic beliefs and incorporated Japanese shrine customs into my personal working space. These may seem like unnoticeable changes at a glance, but since these changes, my Celtic practice has become even more deeply connected to me.
Whenever I call upon the spirits, I cleanse myself, present an offering of each element, specially selected items, or food and drink, ring my bell and clap twice. The space comes alive at that time, and I commune as needed.
There are many small, seemingly insignificant aspects of cultural tradition that you can adopt into your daily routine/practice and enrich your life. My life is made up of pieces from Celtic, Italian, and Japanese culture. It may seem a bit haphazard, but each person has an amalgamation of culture that suits their individuality just fine. And honestly, I wouldn’t have it any other way.











