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RNDM40NFRML
Simon James TerzoThe Spiral Dance Of The Condors
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Piero Manzoni, “Achrome,” 1958-1959,
Creased Canvas and Kaolin,
35 x 30 cm (13 3/4 x 11 3/4 in)
Courtesy: Hauser & Wirth
Achrome, Piero Manzoni, circa 1961
From the Exhibition ‘Seeing Touch’ at Hauser & Wirth
Curated by Giorgia von Albertini, this exhibition sheds light on a group of intergenerational artists from the gallery’s program and beyond whose work can be understood through a wide range of bodily approaches that often supersede the visual. The presentation takes inspiration from Helen Molesworth’s seminal essay ‘Duchamp: By Hand, Even’ (2005), which explores the haptic qualities of Duchamp’s hand-made works versus his ready-mades. The artists in the presentation span different generations and practices and offer a variety of artistic modes that bring about tactile engagement and embodied responses. Participating artists include Phyllida Barlow, Louise Bourgeois, Berlinde De Bruyckere, Eva Hesse, Simone Fattal, Sylvie Fleury, Anna Maria Maiolino, Piero Manzoni, Dieter Roth, Pipilotti Rist, Martin Soto Climent, and Not Vital.
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Piero Manzoni, Achrome, 1962
Piero Manzoni - Achrome, 1961, Rabbit skin, burnt wooden base
Achrome, Piero Manzoni
L’assenza del colore.
P I E R O M A N Z O N I | A C H R O M E
Piero Manzoni, “Achrome”, 1962-63,
Polystyrene and Kaolin on Canvas,
50 x 50 cm
