did this as a quick scribble at like 1 AM last night and...immediately lost all motivation to ever clean it up. ( ᐛ ) but I had to draw my son being the fanciest little flower boy who ever threw petals down an aisle. oh my god.

seen from United States

seen from Germany
seen from Japan

seen from United States
seen from China

seen from United States
seen from Bulgaria

seen from Italy

seen from Indonesia
seen from India

seen from Brazil

seen from Canada
seen from Bulgaria

seen from India
seen from United States

seen from United Kingdom
seen from United States
seen from Ukraine

seen from Canada

seen from Argentina
did this as a quick scribble at like 1 AM last night and...immediately lost all motivation to ever clean it up. ( ᐛ ) but I had to draw my son being the fanciest little flower boy who ever threw petals down an aisle. oh my god.
Getting more comfortable sketching on the new tab!
I keep thinking of more ways in which season two failed Samira and didn't treat her like a main character, and the one I'm stuck on now is...for both the med students, their stories (limited though Joy's was!) came specifically at her expense. Which is to say, Joy's backstory got revealed through Samira being unable to solve a problem. Ogilvie's whole deal was framed as a Samira mistake, and Samira didn't get to react to it in any real way. It's just terrible in every way, shape, and form.
The Medarda arc of s2 struggled to be good, because the plot viciously smothered it. You can argue that Arcane was never about politics but you cannot say the Medardas were never explicitly a family defined by politics. So when the show shifted it's priorities from a drama steeped in political conflict where even though the setting was fantastical the stakes were grounded to a shift where magic is the end all be all threat to humanity, the Medardas are rendered largely irrelevant.
In s2 Mel's agency over her own story is both largely stripped from her and poorly communicated. Arcane has Mel abducted from the plot to be the Black Rose's captive. Even when Mel manages to free herself it's not through the traits the audience understands are her strengths, her cunning and social intelligence, it's through an innate instinct that natural to her and indecipherable to the audience.
Ambessa as a character is more or less a villain of convenience, which would be fine if she wasn't immediately following Silco's act. Once Mel is removed from the story Ambessa is largely disconnected from any emotional tension fuels conflict between the characters and previously drove the plot in s1. She's there to play the worse bad guy for Caitlyn and then give Viktor the man power for the Glorious Evolution.
It's frustrating to see the Medardas used the way they are in s2 because when they're together I can see how it could be good. When they're together Mel forces emotion out of Ambessa. In Act 1, Ambessa proved she could do circles around Piltover's court, which could actually put Mel in a tight spot.
Their final scene on paper sounds like a good idea where the true resolution to Mel and Ambessa's story was that Ambessa saw Mel's own ruthless behavior as she not only betrayed Ambessa to the Black Rose, but used her as BAIT to double cross LeBlanc. Ambessa died proud that her daughter killed her the way she did, and that's so cool and tragic, but the execution was a flop.
One, their final fight is completely unimportant to the actual Glorious Evolution, Mel's grief can't even be a highlight because it's interrupted by Viktor's mind trap. Two, their fight didn't rely on any of Mel's actual strengths, just magic and the poorly explained MacGuffin LeBlanc gave her. How did Mel even know it would do that?
It's like the writers had the bones for a great story for the Medardas, but then they're like the world's worst archeologists and fit those bones together in the worst way possible because they were convinced the bones made a stegasaurus instead of a T-rex or something.
That causes Dande’s resolve to soften somewhat...
Hey Merchant, I hope you're doing okay after that! Just remember we're all human, don't beat yourself up for it! It's amazing that you actually clicked and had the time to apologize and write a whole paragraph about it, tho tbh to me specifically I didn't think you need to do it? But reading it made me click too!
Hope ur doing well now, here have an old BurningCheese doodle of them bickering hehe
Aww it's fine. Don't worry about me. I just woke up today suddenly feeling different about things and I felt like I had to say something about it. I've been quite rude in a couple of posts and replies the past couple of days and that was wrong of me. I owe everyone an apology for that, that's all there is to it. I appreciate your concern though, that means a lot to me
And thank you for the doodle ❤️ it's so Them, I love it. Tell him what's what, queen!!! Y'all will start making out soon anyway lolololololol
Your art style is really adorable and charming ❤️ idk how often you post your art but if it isn't common, then I encourage you to reconsider! And thank you again for reaching out, I'm touched you took the time to do so. Especially right now, because I don't really feel like I deserve it haha
as september does not really approach but does vaguely rise in front of me like a distant mountain ive been thinking how. like. i don't think i a particularly good student of writing or good at learning it. and not only because i hate cutting things out or making anything clear to a reader or refuse to structure things sensically or take up to much time talking in workshops or keep writing sentences that are over 60 words long. but well i think that maybe im just to selfish for it. not that i don't care about growing and improving bc i really really do, im just aware that for me it only goes so far i guess? i want to improve now and have wanted to improve over the years because i think it will help me achieve what i want my work to achieve, but thats really the only reason. im not looking to grow out of pure love for the craft (though again i do! love the craft!) or because i think the act of improving is worthwhile in itself to pursue, which are motivators i recognize both in others and in myself in other areas of my life. if there comes a point when getting better at writing makes it harder to (sigh) realize my artistic vision then i know in my heart of hearts that i will simply stop trying to get better. i don't know if/when that day will come because currently improving my skills is helping me drive towards what i want my work to be, and i don't really believe that i will stop becoming a better writer if i stop consciously trying to be one, but i can't help but feel that knowing this about myself makes me carry a kind of insolent smugness with me to class and critiques because i do on some level think that the advice being given is worth less than my personal sense of fulfillment as a creator. even though none of my interactions with peers or professors have demonstrated that this comes across at all. it makes me ask myself what am i even doing here? which is crazy because the answer to that question is "to hone my skills and become a better writer" which is i assume the case for practically every other person in that program. cant help the feeling that im doing it in a different and sinister way though. on account of my evil nature.
cracking open the [is the waving through a window book shelved with the score music on purpose?] plastering it closed