Wall Street stockbroker, Rosario Fuentes, returns to her grandmother's apartment after her sudden death. While sorting through her Grandmother's belongings, Rosario uncovers a horrifying secret—a hidden chamber filled with occult artifacts tied to dark generational rituals. As supernatural occurrences plague her, Rosario must confront her family’s buried secrets and face the truth about the sacrifices and choices they made.
Zosé Zúñiga as “Oscar Fuentes” in the Horror film ROSARIO, a Mucho Mas Releasing release. Photo courtesy of Mucho Mas Releasing.
The feature directorial debut of award-winning filmmaker Felipe Vargas, ROSARIO stars Emeraude Toubia (‘Shadowhunters,’ The Ballad of a Hustler), David Dastmalchian (Late Night with the Devil, Oppenheimer), Diane Lein (‘Woman in Blue,’ ‘Somos Oro’), Paul Ben-Victor (‘The Wire,’ The Irishman) and José Zúñiga (‘Griselda,’ ‘Narcos: Mexico’). With an original screenplay by Alan Trezza, the film is produced by Phillip Braun (Jenni, The Black Demon), Javier Chapa (The Long Game, Blue Miracle) and Jon Silk (Nightride, It).
[L-R] José Zúñiga as “Oscar Fuentes,” Emilia Faucher as “Young Rosario” and Director Felipe Vargas behind the scenes of the Horror film ROSARIO, a Mucho Mas Releasing release. Photo courtesy of Mucho Mas Releasing.
Nick Ballard (The Crossroads, Lost in the Everglades), Guillermo Garcia (‘Mayans M.C.,’ Asteroid City), Emilia Faucher (CODA, Snow White) and Costanza Gutierrez (‘Big Steps,’ ‘The Scent of Passion’) round out the cast.
David Dastmalchian as “Joe” in the Horror film ROSARIO, a Mucho Mas Releasing release. Photo courtesy of Mucho Mas Releasing.
Joining Vargas behind the camera are cinematographer Carmen Cabana (Nocturne, ‘Ms. Marvel’), production designer Carlos Osorio (Jenni, ‘24’), costume designer Daniela Rivano (Pepe Caceres, The Night of the Beast), Emmy®-nominated film editor Claudia Castello (Prey, Creed) and composers Brooke Blair and Will Blair (Rebel Ridge, Green Room), with special makeup effects by KC Mussman (‘Ted,’ Paranormal Activity: Next of Kin) and Autonomous F/X (The Deliverance, ‘Westworld,’ Bright).
Emeraude Toubia as “Rosario Fuentes” in the Horror film ROSARIO, a Mucho Mas Releasing release. Photo courtesy of Mucho Mas Releasing.
Mucho Mas Releasing will release the horror film ROSARIO In Theaters Nationwide on May 2, 2025.
Rosario
(Rosario)
SINOPSE:
Quando Rosario, uma empresária de sucesso, recebe a notícia da morte de sua avó distante, ela precisa voltar ao antigo apartamento da família. No entanto, uma forte nevasca a surpreende, obrigando-a a passar a noite no local. Cercada por vizinhos estranhos e por um silêncio cada vez mais inquietante, Rosario logo percebe que algo maligno e ancestral habita aquele lugar.…
Rosario | Maldições ancestrais e segredos enterrados | Junho nos Cinemas | Trailer
https://trilhadomedo.com/2025/04/rosario-trailer-oficial-5-de-junho-somente-nos-cinemas/
Assista ao trailer de Rosario, terror que chega aos cinemas em 5 de junho. Quando Rosario (Emeraude Toubia), uma empresária de sucesso, recebe a notícia da morte de sua avó distante, ela precisa voltar ao antigo apartamento da família. No entanto, uma forte nevasca a surpreende, obrigando-a a passar a noite no local. Cercada por […] Veja o post completo no site trilhadomedo.com
EVIL Metal vs EVILER Zealot! "We Summon the Darkness" reviewed! (Lionsgate / Digital Screener)
EVIL Metal vs EVILER Zealot! “We Summon the Darkness” reviewed! (Lionsgate / Digital Screener)
Set in the Midwest of the late 1980’s when a satanic cult has killed upwards of 18 people, slain in groups of threes, across the United States, three good girlfriends set forth on a road trip to a heavy metal concert. The girls bump into and befriend three aspiring musicians and fellow metal heads at the venue, inviting them to beers and some company while rocking out to killer show. The after…
We Summon the Darkness. Finisce l’era del #metoo, inizia il #me(tal)too! Dal punto di vista della scrittura, il #metoo ha prodotto più danni del maccartismo. Autocensura a gogo, Sceneggiature capovolte, ginocentrismo tolemaico, con la donna al centro di qualsiasi universo, e figure maschili definite con l’accetta, in modo grossolano.