Is it the gods who put this fire in our minds, or is it that each man's relentless longing becomes a god to him?
— Virgil, The Aeneid (tr. Mandelbaum)
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Is it the gods who put this fire in our minds, or is it that each man's relentless longing becomes a god to him?
— Virgil, The Aeneid (tr. Mandelbaum)
This is how my brain processed the scene for some reason.
Virgil: You got sum b*tches worried sick for you in Heaven. Get it together, man.
Or he's just jealous.
Hi, hope this isn't a dumb question, but which translation of the divine comedy would you recomend? I would just google it, but fear if reddit would just recomend the most "reddit"-y one for a lack of a better descriptor
I favor the Mandelbaum. He doesn't try for terza rima the way Binyon or Sayers do, which leads to strained rhythms and word choices, but also doesn't settle for a prosaic quasi-blank verse like Musa or Ciardi. Instead he writes a tight poetic line that exploits the genuine sonic resources of English—based not on rhyme but on alliteration—to capture Dante's rich texture in the Italian. (Not that I'm fluent, but I have looked into Dante's Italian.) Plus, Mandelbaum was a brilliant literary thinker in his own right, neither flighty poet nor dry-as-dust scholar; his introductions are superb as are the notes, which I think other scholars contributed. (I read his translation in the three-volume Bantam Classics edition with the Italian on the facing pages, not the big expensive one-volume Everyman's Library.)
Caveat: some people revere the Hollanders' version, which I've never read. It supposedly has the best notes, and, for what it's worth, it appears to be the "Reddit" choice.
Book 396
The Divine Comedy of Dante Alighieri: Inferno
Verse translation by Allen Mandelbaum / illustrated by Barry Moser
University of California Press 1980
Published in 1980, the California Dante is an absolutely gorgeous set of books. Each volume is beautifully laid out in parallel with Mandelbaum’s verse translation on the verso facing the original Italian. Each book is also printed in two colors—red for Inferno, green for Purgatorio, and blue for Paradiso—highlighting the captions of the illustrations, and each is typeset in an elegant monotype Dante, a typeface designed in 1957 by Giovanni Mardersteig. In total, there are 96 pen and wash drawings in the books, and amazingly Moser began the illustrations for Inferno as late as 1979. However, he states that “most of those which appear in [Inferno] were, in fact, done during a single violently productive month—July, 1979.”
Marcus Claudius Marcellus (neveu d'Auguste) Rome, Fondation Sorgente Group
The morion and the dragonassa by Giovan Francesco Gonzaga
Matthew Dennison, Livia, Empress of Rome (p.135)
The Aeneid: Book VI by Virgil (trans. Allen Mandelbaum)
The Odyssey of Homer translated by Allen Mandelbaum. 7.6/10
I never knew much about Greek mythology. Is is a mythology? Did people ever actually look up to these gods and goddesses or are these stories? How did we come across this author or Homer and why we can’t tell if he really wrote this and if he is one person and so on.
Are all guests treated so well? WHOMST. Can I be a guest? LOL. This must be for the elite, right? Or like if you just happen to look kindly to a beggar?
Interesting to think about gods and goddesses so into human affairs.
Hearing the word Ithaca triggers me hah.
Memorable Quotes: “But I must – for now – submit and suffer: I’ve no choice.” “at times I ease my heart with tears, but then again, I stop – the chill of endless sadness is too much.” “gave this gift: consummate art and understanding hearts.” “no thing he finds can be more sweet than what he left behind.” “–a bright calm.” “Nothing’s harder for a mortal than roaming” “I do not hold with telling over what has been well told.” “all that is low has gained the upper hand” “when they’re without a master, servants lose the will to work.”
Those who are here can place no hope in death, and their blind life is so abject that they are envious of every other fate. The world will let no fame of theirs endure; both justice and compassion must disdain them; let us not talk of them, but look and pass.
Virgil to Dante at the Gate of Hell, The Divine Comedy, “Inferno: Canto III”
As long as I still have some breath of life, I'll try—and try again.
— Ovid, The Metamorphoses