#amputaion

[whump-star]

An Archive of Our Own, a project of the Organization for Transformative Works

Chapters: 1/1 Fandom: Stargate SG-1, Stargate Atlantis Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Daniel Jackson/John Sheppard, Jack O'Neill/John Sheppard, Rodney McKay/John Sheppard, Ronon Dex & Teyla Emmagan & Rodney McKay & John Sheppard, Jack O'Neill/Teal'c, Daniel Jackson/Jack O'Neill Characters: John Sheppard, Jack O'Neill, Daniel Jackson (Stargate), Rodney McKay, Teal'c (Stargate), Ronon Dex, Teyla Emmagan Additional Tags: Amputation, Whumptober 2023, Whump, Hurt/Comfort, Angst, October Prompt Challenge Series: Part 4 of Whumptober 2023 Summary:

When John is recalled back to SGC to assist with activating some ancient tech found in a distant corner of the Milky Way, things take a turn.

[niishiki]

An Archive of Our Own, a project of the Organization for Transformative Works

[wearedailypoets]

Line Up Alphabetically by Height

Alphabetically, amputation precedes cuteness. What's up with that? Cuteness comes first then the amputation of the blood-muscle.

Alphabetically, amputation precedes cuteness. What’s up with that? Cuteness comes first then the amputation of the blood-muscle.

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[insanityuntamed]

I have officially decided that one of the two main characters loses a leg to events before the main story even begins... This just adds to the fact the entire family is mildly obsessed with pirates.

[survivingsurfacing]

Atwood’s disconnection from the world around her is witnessed within "Survival", starting with the introduction before her preface. Looking back at her novel thirty two years later, it was a “shock to everyone, including me” that her novel became a best seller and was considered “interesting” in the world of literature since it was the work of a Canadian author and a woman, at that (Survival 1). Atwood’s astonishment at her accomplishment is similar to the narrator’s failing self-confidence found within "Surfacing". Although Atwood wrote "Survival" as an “attempt to grapple” with attitudes that treated Canadian literature as

“a dreary joke, an oxymoron, a big yawn”,

her admission of wonderment related to its success belies her own self-doubt. Atwood’s flagging self confidence can be seen most clearly through the choice of a nameless narrator to detail the events found within "Surfacing". Her removal of a definitive identity for her narrator is representative of the Canadian identity, or the “hole in a non-existent doughnut”, that is commonly thought to be the case amongst the cognoscenti (1). The decision to deliberately not grant the narrator a name, and thus a definitive identity or sense of self, is a major indication of the trials and tribulations that are to come within the novel or have already occurred to fracture the narrator’s life and amputate her from the rest of humanity.