#anahitarazmi

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Anahita Razmi has been chosen for the Move Arts Japan Artist-in-Residence Program 2017 out of 61 applications from 43 countries/regions.

November 1 - December 22, 2017  More information

“I am deeply interested in Anahita Razmi’s research focused on Iranian culture in Japan. There were many Iranian immigrants living in Japan until 1992, when the mutual visa exemption agreement between Iran was officially repealed. The problems underlying Middle-Eastern relations continue to intensify today, yet within Japan this reality is not being fully realized. While bearing this significance, I am expectant that Anahita Razmi’s research plans carried out through artist-in-residency programs will serve as a valuable chance to shed light on the Iranian culture still buried within Japan”.

−Masato Nakamura (Supervising Director of 3331 Arts Chiyoda)

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Last 2 weeks to catch Bernhard Buhmann, André Butzer and Anahita Razmi as part of the group show at Maraya Art Centre.

"Collectivity: Objects and Associations in the U.A.E. Art World" Until August 19, 2017 More information

Curated by Laura Metzler, this exhibition endeavors to examine the formal and informal relationships that make up the Art World of the UAE. It does so by bringing together individuals working in the arts industry across the United Arab Emirates and inviting them to personally lend either an artwork or an object they have acquired throughout their careers or relationship with art.

Source: Exhibition Press Release

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Featured above is a still from Anahita Razmi’s artwork AAAAAAAAAAAH (HD Video, 09 min 00 sec, 2015) which is currently showing at a group exhibition at De Mijlpaal Contemporary Art in Herkenrode Refuge, Hasselt.

"Celibatair Divas" Until September 3, 2017 More Information

Her video artwork is a sampling selection of cut-up audio tracks appropriated from pop songs and Islamic azans that both use the line “AAAAAAAAAAAH” as part of their melodic structure. Within the azan (call to prayer), “AAAAAAAAAAAH” is leading to the word “Allah”, the lengthening of the words and sounds by the singer/muezzin is a variable characteristic. In pop music “AAAAAAAAAAAH” links to various random refrains, intermediate melodies and musical bridges.

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gallerytalk.net - „Could you be happy here?“ - gallerytalk.net

Unerklärlich zwar, aber die Galerie Sturm im kleinen Hinterhof einer Seitenstraße südlich des Bahnhofs ist noch immer ein Geheimtipp. Aber ein ganz heißer! Mit großem, unprätentiösem Programm sorgt Johannes Sturm immer wieder für echte Highlights – so wie ganz aktuell mit Anahita Razmi –, die uns beinahe vergessen lassen, dass wir uns in Nürnberg und nicht im hippen Berlin befinden.

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Anahita Razmi: BEAT SHEETS 22 Sep – 6 Nov 2016 at Galerie Sturm

Installationview

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Come and visit us at Booth F1 @artbrussels #stateofconcept #dofard #artfair #anahitarazmi (at Tour & Taxis)

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Do Fard goes Brussels #artbrussels2016 #artfair #dofard #anahitarazmi #stateofconcept (at Tour & Taxis)

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We got some Iranian underwear delivered today! Booth F1 @artbrussels #artbrussels2016 #dofard #anahitarazmi #stateofconcept #artfair (at Tour & Taxis)